Sometimes those who do terrible things to good people slip through the cracks. That’s where Logan comes in. He tracks down the guilty and holds them accountable. He specializes in those who mistreat women and children. He works with a team of three young crime-fighters who’ve benefited from his efforts. And none of the four is above letting a little thing like the law get in his or her way. The Logan Triad includes three novellas: In “Logan’s Young Guns,” a young woman shows up in the emergency room, and Logan sets out to find the man responsible and make sure he doesn’t do it again. In “Logan Shoots First,” the team must balance a forced-prostitution ring with a lead on the case that’s haunted Logan for seven years. In “Logan Gets Caught,” a young woman from Logan’s past reappears, insisting he investigate the murder of her mother. Plus the bonus stories “Daughters” and “Johnny and the Warehouse Women.” Praise for Nathan Walpow… “There’s truth and humanity baked into his writing. I rate him among my absolute favorites.” —Lee Child, bestselling author of the Jack Reacher thrillers.

It’s a fact of life: birds flock, fish school, people “tribe.” Malcolm Gladwell and other authors have written about how the fact that humans are genetically programmed to form “tribes” of 20-150 people has proven true throughout our species’ history. Every company in the word consists of an interconnected network of tribes (A tribe is defined as a group of between 20 and 150 people in which everyone knows everyone else, or at least knows of everyone else). In Tribal Leadership, Dave Logan, John King, and Halee Fischer-Wright show corporate leaders how to first assess their company’s tribal culture and then raise their companies’ tribes to unprecedented heights of success. In a rigorous eight-year study of approximately 24,000 people in over two dozen corporations, Logan, King, and Fischer-Wright discovered a common theme: the success of a company depends on its tribes, the strength of its tribes is determined by the tribal culture, and a thriving corporate culture can be established by an effective tribal leader. Tribal Leadership will show leaders how to employ their companies’ tribes to maximize productivity and profit: the author’s research, backed up with interviews ranging from Brian France (CEO of NASCAR) to “Dilbert” creator Scott Adams, shows that over three quarters of the organizations they’ve studied have tribal cultures that are adequate at best.

The capstone of Ken Wells’s acclaimed Catahoula Bayou trilogy, Logan’s Storm tracks the epic journey of Logan LaBauve as he flees corrupt cops while trying to lead Chilly Cox—the teenager whose “crime” was rescuing Logan’s son, Meely, from a racist bully—to safety. But dodging two-footed predators deep in the Cajun backwaters turns out to be the easy part. As Logan, accompanied by a newfound love interest, heads to Florida to lie low, a killer hurricane springs from the Gulf—and lives are suddenly on the line. Wells writes with Twain’s flair for adventure and Welty’s sense of place, making Logan’s Storm a trip through the heart and soul of a singular American character.

A fresh account of early American religious history that argues for a new understanding of ritual. In the years between the American Revolution and the Civil War, there was an awkward persistence of sovereign rituals, vestiges of a monarchical past that were not easy to shed. In Awkward Rituals, Dana Logan focuses our attention on these performances, revealing the ways in which governance in the early republic was characterized by white Protestants reenacting the hierarchical authority of a seemingly rejected king. With her unique focus on embodied action, rather than the more common focus on discourse or law, Logan makes an original contribution to debates about the relative completeness of America’s Revolution. Awkward Rituals theorizes an under-examined form of action: rituals that do not feel natural even if they sometimes feel good. This account challenges common notions of ritual as a force that binds society and synthesizes the self. Ranging from Freemason initiations to evangelical societies to missionaries posing as sailors, Logan shows how white Protestants promoted a class-based society while simultaneously trumpeting egalitarianism. She thus redescribes ritual as a box to check, a chore to complete, an embarrassing display of theatrical verve. In Awkward Rituals, Logan emphasizes how ritual distinctively captures what does not change through revolution.

“Few authors write about espionage, terrorism, and clandestine hit squads as well as Taylor does.”—Houston Press Pike Logan is on the desperate hunt for a man who is about to betray his country—and ignite a horrific new world war—in this pulse-pounding thriller from New York Times bestselling author and former special forces officer Brad Taylor Pike Logan and Jennifer Cahill are enjoying a sunny vacation down under when they get disturbing news: their friend and colleague Clifford Delmonty is in serious trouble. While working as a contractor at an Australian F-35 facility, the former Taskforce member—callsign Dunkin—saw something he shouldn’t have, and now he’s on the run from Chinese agents. Pike and Jennifer soon discover that Dunkin’s attackers are a dangerous link to a much larger scheme that could launch a full-on conflict between China and Taiwan. In its quest for dominance, China is determined to reclaim Taiwan—a pivotal ally the United States has sworn to protect. Pike learns that the Chinese have a devious plan to bait the island nation into all-out war by destabilizing the government and manipulating an artificial intelligence defense system. As the threat reaches a boiling point, Pike alone realizes that what they’re seeing isn’t actually real. A soldier who has always been trained to fight and win, Pike must now track down and neutralize the missing man who holds the key. With the help of Jennifer, the Taskforce team, and a brave Taiwanese intelligence agent, he races to prevent a catastrophic conflict from consuming a whole region of the world.

Elmore Johnson has only got two friends, the bottle of Jim Beam in his coat pocket and a revolver named Lorraine. He worked for the Indianapolis Police Department until they booted him for exposing dirty cops. Now he makes a meager living snapping seedy photos. But when Elmore shoots pictures of the daughter of a wealthy CEO making cheap porn, the girl ends up dead. As the bodies pile up, Elmore finds himself trapped in the heart of a bizarre conspiracy until he discovers the horrifying truth about a place called Manifesto Destination. Alec Cizak’s Manifesto Destination will take you back to dystopian 1998 Indianapolis where everyone—the cops, big business, and even the little guy—is dirty and only looking out for themselves. His writing is boiled rock hard and keeps you turning one noir-infested page after another until you find yourself as paranoid as Elmore Johnson. Praise for MANIFESTO DESTINATION: “Alec Cizak finds the naked truth on the printed page. An artist with no fear and thankfully no moral center.” —David Cranmer, editor of Beat To a Pulp “The city of Indianapolis like you haven’t seen it before (at least not yet), seasoned with a splash of noir, a dash of dystopia and almost but not quite hard-boiled. More like Eggs Benedict—though that breakfast was originally invented as a hangover cure, and this might cause one. Alec Cizak’s heady mixture of sci-fi and P.I., bad cops and Big Brothers, is a dark, funny read, full of twists and a barely controlled rage at the state of our corporate nation. And by nudging his detective story into a disturbing but recognizable future, the author paints this concoction with an extra layer of despair, as we realize his Phil Dickian satire of manipulation is not just familiar, but also inevitable. Best read with Charlie Parker in the background (the hero probably wore out his ‘Charlie Parker With Strings’ tape, but it weaves the perfect soundtrack). Jazzy and weird, the whole thing is probably a thinly-veiled threat, but I had too much fun to heed any warnings. See you at the Magic Carpet before they tear it down.” —David James Keaton, author of Fish Bites Cop: Stories To Bash Authorities

This third issue of Down & Out: The Magazine features a new Jim Brodie story by Barry Lancet, whose novel Japantown has been optioned by J.J. Abrams and Warner Brothers for the Hollywood treatment. Here we have Brodie on a trip to his home in Japan and a quest to find out what’s going on with the yakuza and a perplexing kidnapping. But first up is a story by Canadian favorite Peter Sellers; he delivers a nasty little crime story of love and loyalty in the workplace in his own unique style. Patti Abbott gives us a searing story proving once again how nothing torches the human soul like that of another person’s expectations. Art Taylor, one of the best and most prolific short story artists working today, makes his first appearance here with a relatively short tale reminiscent of the late great Richard Matheson. Speaking of legends, Robert J. Randisi shares a story from his “Rat Pack” series. Next a writer who makes words look as though they fit together far more easily than they actually do is S.A. Solomon with her tale of corporate Big Business and other vices. Writing partners Frank Zafiro and Jim Wilsky debut separate stories from their Ania series, actual prequels to the novels, the first of which, Blood on Blood, will be released in April by Down & Out Books. A fine noir tale by prolific author Michael Bracken helps round us out. As usual we have another fantastic column by J. Kingston Pierce on the novels of the late Stanley Ellin, and for our “A Few Cents a Word” feature we present a discussion and a story by one of the hard-boiled school’s originators, Raoul Whitfield.

Cam Reynolds has a problem… When Cam’s longtime boss Tom Colcetti dies and leaves control of his criminal organization to his predatory son Tommy, Cam may finally get the chance to run a crew of his own. But Tommy has his eyes on new business horizons, and Cam just made a mistake that could destroy Tommy’s heavy-hitting new partnership. Now Cam must struggle against violent forces of betrayal, lust, and greed as he attempts to either salvage his career, or get out of the game with his life still intact.

An estranged family member! A score to end all scores! Continued gastrointestinal issues! Five years after surviving the most harrowing heist of her life, Fantine Park is lured back to the United States by her aunt. The bait: a lead on the identity of her mother’s killer and a score known as the ‘pension plan’, a piece of software that can literally pay out in perpetuity if they can get their hands on it in time. Working with a team of actual professionals with their own motivations; Fan’s loyalties and beliefs will be tested as nothing is as it seems; especially when one of the members of this crew may have been the last person to see her mother alive. It’s going to be lies, murder, and gas station hot dogs all the way down as Fan races to get the answers about the day her mother died and maybe, just maybe, the kind of cash that will pull her away from a continued life of crime. Praise for PULL & PRAY: “Tough, sly, and funny as hell; Fantine Park is a noir hero for a new century. With Pull & Pray, Angel Luis Colón continues to show why he’s one of the finest voices in crime fiction.” —Nick Kolakowski author of Slaughterhouse Blues and Somebody’s Trying to Kill Me “Slick, smart and bristling with attitude, Pull & Pray is a fast-paced and fun romp of a heist novel. With the badass characters of Fan and Matty leading the way, Angel Luis Colón proves that he has his finger on the pulse of contemporary crime fiction.” —Steph Post author of Walk in the Fire “Pull & Pray will have you laughing a one minute and shaking your head in disbelief the next. Can’t wait to see where Colón takes Fantine Park next!” —Hector Acosta author of Hardway

We know a healthy appetite for well-written short stories exists and we want to help make things better. Our goal with Down & Out: The Magazine is to be a little different than other magazines by standing on the shoulders of the giants that have come before us, or at least tiptoe along the arrows in the backs of the pioneers of modern magazine publishing. Each issue will feature a story based on a series character like this issue’s brand-new Moe Prager story by Reed Farrel Coleman. If you’re a fan of Moe, who is now retired, you’ll want to read this fantastic story. We also have new tales by established and well-known writers. This debut issue includes series stories by Eric Beetner, Michael A. Black, Jen Conley, Terrence McCauley, Rick Ollerman, and Thomas Pluck. J. Kingston Pierce, fresh off his former beat from Kirkus Reviews, introduces “Placed in Evidence,” his non-fiction column only to be found here. Finally, we’ll take a bit of the long road as we answer the question of what happened to crime fiction after Dashiell Hammett and Raymond Chandler moved on from the pulps in “A Few Cents a Word.” This issue we re-introduce Frederick Nebel with the first of his Donahue series, “Rough Justice.” This is a fun one. For fans of good writing, good literature, and good crime...welcome.