We know a healthy appetite for well-written short stories exists and we want to help make things better. Our goal with Down & Out: The Magazine is to be a little different than other magazines by standing on the shoulders of the giants that have come before us, or at least tiptoe along the arrows in the backs of the pioneers of modern magazine publishing. Each issue will feature a story based on a series character like this issue’s brand-new Moe Prager story by Reed Farrel Coleman. If you’re a fan of Moe, who is now retired, you’ll want to read this fantastic story. We also have new tales by established and well-known writers. This debut issue includes series stories by Eric Beetner, Michael A. Black, Jen Conley, Terrence McCauley, Rick Ollerman, and Thomas Pluck. J. Kingston Pierce, fresh off his former beat from Kirkus Reviews, introduces “Placed in Evidence,” his non-fiction column only to be found here. Finally, we’ll take a bit of the long road as we answer the question of what happened to crime fiction after Dashiell Hammett and Raymond Chandler moved on from the pulps in “A Few Cents a Word.” This issue we re-introduce Frederick Nebel with the first of his Donahue series, “Rough Justice.” This is a fun one. For fans of good writing, good literature, and good crime...welcome.

This third issue of Down & Out: The Magazine features a new Jim Brodie story by Barry Lancet, whose novel Japantown has been optioned by J.J. Abrams and Warner Brothers for the Hollywood treatment. Here we have Brodie on a trip to his home in Japan and a quest to find out what’s going on with the yakuza and a perplexing kidnapping. But first up is a story by Canadian favorite Peter Sellers; he delivers a nasty little crime story of love and loyalty in the workplace in his own unique style. Patti Abbott gives us a searing story proving once again how nothing torches the human soul like that of another person’s expectations. Art Taylor, one of the best and most prolific short story artists working today, makes his first appearance here with a relatively short tale reminiscent of the late great Richard Matheson. Speaking of legends, Robert J. Randisi shares a story from his “Rat Pack” series. Next a writer who makes words look as though they fit together far more easily than they actually do is S.A. Solomon with her tale of corporate Big Business and other vices. Writing partners Frank Zafiro and Jim Wilsky debut separate stories from their Ania series, actual prequels to the novels, the first of which, Blood on Blood, will be released in April by Down & Out Books. A fine noir tale by prolific author Michael Bracken helps round us out. As usual we have another fantastic column by J. Kingston Pierce on the novels of the late Stanley Ellin, and for our “A Few Cents a Word” feature we present a discussion and a story by one of the hard-boiled school’s originators, Raoul Whitfield.

Picking up from where our last issue left off, we have another group of crime stories written especially for us. Starting with ex-police detective Lissa Marie Redmond whose short fiction has appeared in anthologies like Akashic’s Buffalo Noir and whose debut novel will be out in February 2018, we move along to novelist Andrew Welsh-Huggins, author of the Andy Hayes PI series. Then we have a chilling new tale by short story specialist Nick Kolakowsi, followed by this issue’s featured writer, Bill Crider, who takes us to Blacklin County, Texas, where he treats us to a new story starring everyone’s favorite sheriff, Dan Rhodes. Tim Lockhart’s debut novel came out earlier this year amidst a lot of buzz and he’s here with a very dark tale indeed. Next we offer a taste of J.J. Hensley’s fast-paced writing with an airborne story as we await the premiere of a new series early next year. Our trip to the past brings us to the legendary writer Carroll John Daly and his no-holds-barred character Race Williams, who never shot any man that didn’t deserve it. We close out the issue with a story strong with irony by Ben Boulden. Throw in a terrific column by J. Kingston Pierce and you’ve got another issue of Down & Out: The Magazine.

Issue four closes our exciting first year with the very talented debut of Arthur Klepchukov. His intelligent “A Damn Fine Town” is followed by film director and writer John Shepphird and a prequel to his award-nominated “Shill” trilogy, a bit of a teaser for those of you who may not have discovered Jane Innes…yet. Brian Silverman is up next with a story set on his fictional Caribbean island of St. Pierre featuring his characters, Leonard and Tubby. The featured story this issue is of the most excellent Inspector Kubu by the writing team of Michael Stanley. If “Shoot to Kill” is your first Kubu tale, believe me, he’s only better when he’s in a novel. Our featured historical story is by the very prolific, very good Frederick C. Davis, who became one of Harry Whittington’s “St. Pete Boys,” the group of writers like Gil Brewer, Day Keene, and occasionally John D. MacDonald, that met on Sunday afternoons at Harry’s house. Davis’s story is the first Secrets, Inc. installment, “Blood on the Block.” We close out the issue with an offbeat heist story by Robb T. White called “Inside Man,” and a short piece by the always terrific Lissa Marie Redmond, who first appeared in issue two, called “We Don’t Talk About Lester Anymore.” There’s a good reason for that.

Down & Out: The Magazine Volume 1 Issue 5. Featuring a new story by Walter Satterthwait.

Down & Out: The Magazine Volume 1 Issue 4. Featuring a new Inspector Kubu story by Michael Stanley.

The “black car” has appeared both conspicuously and inconspicuously throughout the annals of fiction—its presence both mysterious and menacing, its appearance enough to pause your heart. It’s the sedan just within sight that seems to be mimicking your speed and movements as you walk down the dark deserted street late at night. As the hairs rise on the back of your neck you wonder, Who is behind the wheel and what is the driver’s intent? It’s The Black Car Business and its presence means your life is about to abruptly change. You try to assure yourself there’s nothing wrong, but your pace quickens nonetheless, and soon you’re running, desperate for that narrow sliver between two buildings to slip through, the one too narrow for the black car to pass through. It’s that car parked just down the block that sends chills down your spine and keeps you awake throughout the night. It’s the sanctuary you race toward when you’re being chased, only to explode when you turn the key. It’s the one that skids off the icy mountain overpass and plunges into the cavernous grotto. It’s where Clemenza garrotes Carlo just as he’s about to be driven to the airport. It’s The Black Car Business. Turn the pages as ten masters of the noir art befuddle and frighten you with their stories. We promise a read you’re sure to enjoy. Contributors: Eric Beetner, J. Carson Black, Cheryl Bradshaw, Diane Capri, Jeffery Hess, Lawrence Kelter, Dana King, Allan Leverone, Simon Wood, and Vincent Zandri.

In this issue, pioneering TV writer and producer April Kelly opens with a wicked story that may remind you to pay attention to what you eat. Brendan DuBois appears with the story of an assassination and its aftermath—from the killer’s point of view. Ray Daniel & Kellye Garrett team up with a story that brings together characters from their own series. Our feature is by Walter Satterthwait, who comes at us with his first new story in a while. The lead character, Fallon, helps—in his own way—solve a murder at a monastery. Edgar Award-winning author Sylvia Maultash Warsh brings us a piece about deception in the world of art, and we welcome Benjamin Boulden back with his second story for us. Robb T. White returns following his Best Mystery Stories of 2019 entry in our pages, and Dane F. Baylis, Richard Prosch and Richard Risemberg debut in our magazine with some of the most entertaining crime fiction you’ll find.

Gentrification is moving in hard and fast in Montreal’s South-Western districts. D’Arcy Kennedy finds himself out of breath, out of a job and raising a kid in a small home meant for another era. As the bulldozers take away entire chapters of his life, he turns to old acquaintances for work, leaning in on his hard-earned reputation as a good PI to find employment with the Irish mafia. But even organized crime is struggling to keep up with the changing landscape of the City. Weed is going legal, trust funds are pushing realtors and people who would have not dared cross the Irish not so long ago now defy them carelessly. Navigating his past and staking his future on this new life, D’Arcy Kennedy will have to thread a razor thin line between the law, loyalty and his own family if he wants a place for him and his own at the end of it all. Praise for DOWN WITH THE UNDERDOGS: “A working class family man strikes a deal with the devil in Ian Truman’s fast-paced, volatile Down with the Underdogs. The result is class warfare on the streets of Montreal. Truman offers an unflinching portrait of a city caught in the throes of gentrification, and one person’s struggle to fight back. An excellent read.” —Sam Wiebe, author of the Wakeland novels. “Truman captures life on the edges—of culture, of language, of the legal and illegal, of the sane and the mad. And he tells a great story in the process.” —Warren Moore, author of Broken Glass Waltzes