"A very important and long-awaited major contribution to the debate . . . Her work cannot be ignored." --Nils Petter Gleditsch, Journal of Peace Research "Barbieri builds on a solid foundation of work on trade and conflict and specifies the conditions under which trade reduces and increases conflict. . . . The bottom line is that this is an important book in the study of trade and conflict because of its comprehensive approach." --Kathy L. Powers, Perspectives on Politics "Barbieri's analysis reveals the fundamental and intellectual weaknesses of the various arguments on this topic. [A] solid and timely contribution to the literature" --Choice The Liberal Illusion sheds light on an increasingly important question in international relations scholarship and the domain of policy making-whether international trade promotes peace. By examining a broad range of theories about trade's impact on interstate relations and undertaking a set of empirical analyses of the trade-conflict puzzle, Katherine Barbieri provides a comprehensive assessment of the liberal view that trade promotes peace. Barbieri's stunning conclusions depart from conventional wisdom in international relations. Consequently, The Liberal Illusion serves as an important counterargument and a warning call to policymakers who rely upon trade-based strategies to promote peace, strategies that appear to offer little hope of achieving their goals.

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In this tightly organized collection of essays, sixteen distinguished political theorists explore Shklar's intellectual legacy, focusing both on her own ideas and on the broad range of issues that most intrigued her. The volume opens with a series of varied and illuminating assessments of Shklar's conception of liberal politics. The second part, with essays on Descartes and Racine, Hobbes, Rousseau, and Laski, emphasizes the relation between individual freedom and moral psychology in modern political thought. The third part addresses contemporary issues, such as the role of hypocrisy, offensive speech, and constitutional courts in liberal democracies. The book concludes with an autobiographical essay by Shklar that provides a vivid sense of her singular voice and personality.

The Liberal Imagination is one of the most admired and influential works of criticism of the last century, a work that is not only a masterpiece of literary criticism but an important statement about politics and society. Published in 1950, one of the chillier moments of the Cold War, Trilling’s essays examine the promise —and limits—of liberalism, challenging the complacency of a naïve liberal belief in rationality, progress, and the panaceas of economics and other social sciences, and asserting in their stead the irreducible complexity of human motivation and the tragic inevitability of tragedy. Only the imagination, Trilling argues, can give us access and insight into these realms and only the imagination can ground a reflective and considered, rather than programmatic and dogmatic, liberalism. Writing with acute intelligence about classics like Huckleberry Finn and the novels of Henry James and F. Scott Fitzgerald, but also on such varied matters as the Kinsey Report and money in the American imagination, Trilling presents a model of the critic as both part of and apart from his society, a defender of the reflective life that, in our ever more rationalized world, seems ever more necessary—and ever more remote.

This book presents a provocative perspective on the impact of the Reagan administration. Many political commentators, both liberal and conservative, argue that the 1980s was a period of fundamental conservative change. Some of them believe the changes have been so important that the 1980s should be seen as a watershed period in American political history as significant as the 1930s. Schwab denies this thesis and points out that politics and policy did not fundamentally change in a conservative direction. Instead, he demonstrates how policy developments and the political system actually moved in the opposite direction. In the realm of public opinion, Schwab points out that sentiment tends to shift toward the left rather than the right. Support for social and environmental programs remained high and even increased during the Reagan era, whereas support for defense programs dropped to a near-record low. Instead of a New Right conservative shift in public opinion on social issues, Americans became more liberal on women’s rights, minority rights, and sexual behavior issues. Schwab’s critique extends as well to Reagan’s political success and popularity. Rather than being one of the most successful presidents in leading Congress, he was one of the least successful. His conservative ideology lessened support for him among many voters and congressional liberals gained more voter support during the 1980s’ elections than conservatives.

In recent years, the rise of fundamentalism and a related turn to religion in the humanities have led to a powerful resurgence of interest in the problem of political theology. In a critique of this contemporary fascination with the theological underpinnings of modern politics, Victoria Kahn proposes a return to secularism—whose origins she locates in the art, literature, and political theory of the early modern period—and argues in defense of literature and art as a force for secular liberal culture. Kahn draws on theorists such as Carl Schmitt, Leo Strauss, Walter Benjamin, and Hannah Arendt and their readings of Shakespeare, Hobbes, Machiavelli, and Spinoza to illustrate that the dialogue between these modern and early modern figures can help us rethink the contemporary problem of political theology. Twentieth-century critics, she shows, saw the early modern period as a break from the older form of political theology that entailed the theological legitimization of the state. Rather, the period signaled a new emphasis on a secular notion of human agency and a new preoccupation with the ways art and fiction intersected the terrain of religion.

A kaleidoscopic tale inspired by a legend from the medieval Persian epic "Book of Kings" follows the coming-of-age of a feral Middle Eastern youth in New York City on the eve of the September 11 attacks. By the award-winning author of Sons and Other Flammable Objects. 25,000 first printing.

Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.

Nobody should really have to point out that political philosophy is political. Yet in this highly original and provocative book Lorna Finlayson argues that in fact it is necessary to do so. Offering a critique of mainstream liberal political philosophy through close, critical engagement with a series of specific debates and arguments, Finlayson analyzes the way in which apparently neutral methodological devices such as “charitable interpretation” and “constructive criticism” function so as to protect against challenges to the status quo. At each stage, Finlayson demonstrates that political philosophy is suffering from a complex process of “de-politicization.” Even in cases where it appears that the dominant framework of liberal political philosophy is being strongly challenged—as, for example, in the case of the ‘realist’ critique of “ideal theory”—this book argues that the debate is set up in such a way as to impose strict limits on the kind of dissent that is possible. Only by dragging these hidden presuppositions into the foreground can we arrive at a clear-eyed appreciation of such debates, and perhaps look beyond the artificially constricted landscape in which they seek to confine us.

The distinguished political philosopher Raymond Geuss examines critically the central topics in Western political thought. In a series of analytic chapters he discusses the state, authority, violence and coercion, the concept of legitmacy, liberalism, toleration, freedom, democracy, and human rights. He argues that the liberal democratic state committed to the defense of human rights is in fact a confused conjunction of disparate elements. This is a profound and concise essay on the basic structure of contemporary politics, written throughout in voice that is skeptical, engaged, and clear.