This study focuses on the Chronicler's special interest in Levite singers. It takes into consideration the socio-ideological milieu of the Jerusalem temple community in the Persian period and the Mesopotamian elite professional norms and practices that nourished the singers and their music. It also explores the conception of the earthly temple as representative of its heavenly counterpart, and looks at the way in which this shaped the Chronicler's theological frame of reference. The work is divided into two parts. Part I examines the Mesopotamian scribal-musical background, to which Ko attributes the rise of music in Chronicles. Part II considers the Chronicler's ideological perspective, the language of the temple and the educational, scribal, and liturgical services of Levite singers. By focusing on the characterisation of the Levite singers in the light of their Mesopotamian counterparts, Ko shows how they sought to foster cosmic stability according to the terms of the Davidic covenant.

"This study focuses on the Chronicler's special interest in Levite singers. It takes into consideration the socio-ideological milieu of the Jerusalem temple community in the Persian period and the Mesopotamian elite professional norms and practices that nourished the singers and their music. It also explores the conception of the earthly temple as representative of its heavenly counterpart, and looks at the way in which this shaped the Chronicler's theological frame of reference. The work is divided into two parts. Part I examines the Mesopotamian scribal-musical background, to which Ko attributes the rise of music in Chronicles. Part II considers the Chronicler's ideological perspective, the language of the temple and the educational, scribal, and liturgical services of Levite singers. By focusing on the characterisation of the Levite singers in the light of their Mesopotamian counterparts, Ko shows how they sought to foster cosmic stability according to the terms of the Davidic covenant"--

In the Old Testament, the Levites stand as key ministry leaders for the worship of the people of God, from their origins with Moses and the tabernacle, to their service at the Jerusalem temple, to their roles in the postexilic period. This study proposes a multidimensional reading of the texts centered on the Levites in the Davidic narratives of 1 Chronicles 10–29. From a literary point of view, the notion that the Levites are closely associated with the symbol of God’s presence is explored. From a historical perspective, the roles of the Levites in expanding the service to God and his people is examined. And from a theological perspective, the means by which the Levites facilitate the song of God’s people is studied. Overall, this work seeks to defend the idea that these texts contribute significantly to the rhetorical argumentation, the historiographic method, and the biblical-theological meaning of the canonical books of Chronicles generally, and of the Davidic narratives of 1 Chronicles 10–29 specifically, as they emphasize the central role played by proper Levitical worship leadership at the time of David and during the challenging situation of the Chronicler’s Yehudite postexilic audience.

Leslie C. Allen introduces students to the 1 & 2 Chronicles in the Old Testament, incorporating insights from over two decades of previous scholarship while grounding his analysis in earlier key works. “A Message for Yehud” sums up what has been judged to be a fundamental motivation underlying the whole book, a conviction that the obligation to “seek the Lord” in the light of the Torah and prophetic texts must be laid on the hearts of the community of Yehud in the fourth century BCE. To this end, using Samuel-Kings as a basis, Chronicles reviewed pre-exilic royal history for positive and negative clues as to how the generation for which it was written might achieve this spiritual ideal. In the book, Allen shows how this program was communicated all through the book by literary and rhetorical means.

In the Hebrew Bible and stories loyal to it, Goliath is the stereotypical giant of folklore: big, brash, violent, and dimwitted. Goliath as Gentle Giant sets out to rehabilitate the giant’s image by exploring the origins of the biblical behemoth, the limitations of the “underdog” metaphor, and the few sympathetic treatments of Goliath in popular media. What insights emerge when we imagine things from Goliath’s point of view? How might this affect our reading of the biblical account or its many retellings and interpretations? What sort of man was Goliath really? The nuanced portraits analyzed in this book serve as a catalyst to challenge readers to question stereotypes, reexamine old assumptions, and humanize the “other.”

Fully revised and updated for the third edition, the Oxford Handbook of Public Health Practice remains the first resort for all those working in this broad field. Structured to assist with practical tasks, translating evidence into policy, and providing concise summaries and real-world issues from across the globe, this literally provides a world of experience at your fingertips. Easy-to-use, concise and practical, it is structured into seven parts that focus on the vital areas of assessment, data and information, direct action, policy, health-care systems, personal effectiveness and organisational development. Reflecting recent advances, the most promising developments in practical public health are presented, as well as maintaining essential summaries of core disciplines. This handbook is designed to assist students and practitioners around the world, for improved management of disasters, epidemics, health behaviour, acute and chronic disease prevention, community and government action, environmental health, vulnerable populations, and more.

A one-volume commentary, written and edited by South Asian Biblical scholars on all the books of the Bible.

In her follow-up to Making Music and Enriching Lives: A Guide for All Music Teachers, Bonnie Blanchard offers students a set of tools for their musical lives that will help them stay engaged, even during the challenging times in their musical development. Blanchard discusses issues such as finding an instructor, selecting the right instrument, and choosing a college or conservatory. The book includes lessons on music theory and history as well as a guide to finding additional materials in print and online. Blanchard's strategies for making practice productive and preparing for auditions are useful tips students can return to again and again.

In From Back Alley to the Border, Alicia Gutierrez-Romine examines the history of criminal abortion in California and the role abortion providers played in exposing and exploiting the faults in California's anti-abortion statute throughout the twentieth century. Focused on the patients who used this underground network and the physicians who facilitated it, Gutierrez-Romine provides insight into the world of illegal abortion from the 1920s through the 1960s, including regular physicians as well as women and African American abortionists, and the investigations, scandals, and trials that surrounded them. During the 1930s the Pacific Coast Abortion Ring, a large, coast-wide, and comparatively safe abortion syndicate, became the target of law enforcement agencies, forcing those needing abortions across the border into Mexico and ushering in an era of Tijuana "abortion tourism" in the early 1950s. The movement south of the border ultimately compelled the California Supreme Court to rule its abortion statute "void for vagueness" in People v. Belous in 1969--four years before Roe v. Wade. Gutierrez-Romine presents the first book focused on abortion on the West Coast and the U.S.-Mexico border and provides a new approach to studying how providers of illegal abortions and their clients navigated this underground network. In the post-Dobbs moment, From Back Alley to the Border shows us how little we have learned from history.