Philip Webb (1831-1915) was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He was an important figure in the literary and artistic world of the late-nineteenth century. Webb had a long association, both professionally and personally, with William Morris and his family as well as becoming treasurer of Morris's revolutionary Socialist League. They first met as trainees in the same architect's practice and remained collaborators throughout their lifetimes. Webb was responsible for the design of the hugely influential Red House, the Morris's first home. It was through Morris that Webb became connected with Dante Gabriel Rossetti and Edward Burne-Jones, amongst others. Webb and Morris were also joint founders of the Society for the Protection of Ancient Buildings (SPAB), the first organization to promote conservation rather than intrusive restoration. This comprehensive selection from Webb's surviving letters includes many important and previously unpublished letters to some of his closest associates. They reveal the wide range of his professional and personal interests. These four volumes will be of interest to art and architecture historians, scholars of Victorian history in general and of William Morris and the wider Pre-Raphaelite and Arts and Crafts movements in particular.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morrisâ (TM)s first home. Webb's letters will be of interest to art and architecture historians.

This monograph explores the important work of Philip Webb, an influential architect and one of the founding fathers of the arts and crafts movement.

`A masterpiece among architectural biographies'.---Sir Simon Jenkins, Evening Standard --

Ed: Yale University, Collection of new essays, Black & white illustrations.

When William Morris rented Kelmscott Manor in 1871, the Cotswolds became the centre for both the Arts and Crafts and the Private Press Movements and this is what connects the subjects of the five essays in this book: the printmaker and bibliophile Emery Walker; William and May Morris at Kelmscott Press; the architect-designer Ernest Gimson; Sidney Barnsley the architect and craftsman; and the stained glass artist Paul Woodroffe.This book is the third to be published on the stunning collection of Arts and Crafts objects that are held at the Cheltenham Art Gallery and Museum. Unlike the previous two volumes which focused on traditional decorative arts collections, this book draws on the extensive archive of printed material to explore themes important to both the Arts and Crafts Movement and the Private Press Movement: the importance of design and workmanship, the dissemination of information and the pleasure of books.Using as their resource the Cheltenham archive of drawings, designs and photographic records, together with the Emery Walker Library, the authors provide a fresh look at the Arts and Crafts Movement.

Published to accompany the exhibition held at the Victoria and Albert Museum, London, 17 March - 24 July 2005, Indianapolis Museum of Art, Indianapolis, 27 September - 22 January 2006, Fine Arts Museum of San Francisco, San Francisco, 18 March - 18 June 2006.