This monograph explores the important work of Philip Webb, an influential architect and one of the founding fathers of the arts and crafts movement.

Cass and her brother Wilbur scavenge in the ruins of a future London seeking an artifact for their Russian masters, but the search takes on a new urgency after the arrival of Erin and Peyto, strangers from afar who claim to hold the key to locating the mysterious object.

The moon has been split, and the Visitors have Earth in their alien grip. But the captive planet? That's not her problem. Megan just wants to track down her missing dad... The world stopped turning long before Megan was born. Ever since the Visitors split the moon and stilled the Earth, permanent sunset is all anyone has known. But now, riding her trusty steed Cisco, joined by her posse, Kelly and Luis, Megan is on the run from her Texas hometown, journeying across the vast, dystopic American West to hunt down her father. To find him, she must face the Zone, a notorious landscape where the laws of nature do not apply. The desert can play deadly tricks on the mind, and the quest will push Megan past her limits. But to solve the mystery of not just her missing father but of the paralyzed planet itself, she must survive it--and an alien showdown.

An exploration of the parallel development of product and graphic design from the 18th century to the 21st. The effects of mass production and consumption, man-made industrial materials and extended lines of communication are also discussed.

This book is essentially a study of British aristocratic and artistic patronage of the arts in the under-explored period after 1850, approached through an intensive look at a single house - Clouds, known as the house of the age. It was built by the glamorous and unconventionally gifted Percy and Madeline Wyndham, and designed by Philip Webb, one of Britain's greatest architects. It became one of the centres of artistic and political life in late-Victorian and Edwardian Britain, and set the style for a whole generation of country house living. Dakers recreates the atmosphere and the lives lived in the house, the personalities of its three generations of Wyndham owners, and the succession of distinguished guests drawn to it - Henry James, Rossetti, Burne-Jones, Kipling, Whistler and Lord Alfred Douglas, amongst many others. She tracks the decline in the tradition of aristocratic patronage through a decline in the fortunes of Clouds itself - by the 1930s, the palace of art was a vast white elephant, and the house was sold to an institution, its treasures dispersed and its structure dynamited into a more usable space.

The house documented here was designed for William Morris, the founder of the British Arts and Crafts movement by his architect friend Philip Webb in 1858. Its design was heavily influenced by Morris and it is one of the earliest architectural expressions of the Arts and Crafts ideal.

This book documents how HP's successive CEOs have contributed to the company's process of corporate becoming. The strategic leadership frameworks used to illuminate these contributions will be helpful for theory development and offer practical tools for founders of new companies and CEOs and boards of directors of existing companies.

London is one of the world’s greatest cities, and its architecture is a unique heritage. The Tower of London is an urban castle unique in Europe, St Paul’s is one of the world’s greatest domed cathedrals, and the squares and crescents of the West End inspired Haussmann’s Paris. In London, it is the variety of the streets, buildings, and parks that strikes the visitor. No king or government has ever set its mark here. Private ownership has shaped the city, and architects have served a wide variety of clients. London’s Classical era produced an elegant townscape between 1600 and 1830, but medieval, Tudor, and Victorian London were a potpourri of buildings large and small, each making its own design statement. In London: An Architectural History Anthony Sutcliffe takes the reader through two thousand years of architecture from the sublime to the mundane. With over 300 color illustrations the book is intended for the general reader and especially those visiting London for the first time.