Delve into the poignant story of Charles Hamilton Sorley, a valiant British Army captain and Scottish war poet whose life was tragically cut short in the midst of the First World War. Through a collection of his heartfelt letters and a personal autobiography, this book unveils the inner workings of a remarkable individual. Born in Aberdeen, Scotland, Sorley's journey took him from the halls of Cambridge to the battlefields of France. With his poetic prowess and unwavering sense of duty, he painted vivid images of the horrors of war and the resilience of the human spirit.

Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology. References to the accompanying online Oxford Classical Receptions Commentaries will enable readers to follow up their special interests. This volume differs from the shorter volume Greek and Roman Antiquity in First World War Poetry: Making Connections in that it covers the whole output of the four poets, and not just their war poems.

This book draws on literature, specifically on the writings of selected novelists and poets to widen an existing anti-sport discourse to include hitherto excluded voices from the world of literature. The book commences with a review of exiting pro- and anti-sport discourses and then proceeds to examine, in turn, the written works of five eminent authors, excavating from their writings their anti-sports rhetorics. These writers are Lewis Carroll (Charles Dodgson), Charles Hamilton Sorley, Jerome K. Jerome, John Betjeman and Alan Sillitoe. In its conclusion, the book draws together the broad themes discussed in the preceding chapters. Innovative in its approach to sport and literature and remarkable for its not having been previously explored in any depth, this book will be of interest to readers from both social sciences and humanities backgrounds.

It Is Easy To Be Dead tells the story of war poet Charles Sorley's brief life through his work and music and songs from some of the greatest composers of the period. Born in Aberdeen, Sorley was studying in Germany when the First World War broke out and was briefly imprisoned as an enemy alien. He was one of the first to join the army in 1914. Killed in action a year later at the age of 20, his poems are among the most ambivalent, profound and moving war poetry ever written. Nominated for seven OffWestEnd Awards following it's run at The Finborough and transferred to Trafalgar Studios Nov 16.

Posthumous Lives explores the shifting significance of public and private efforts to commemorate British soldiers killed in World War I—as well as the less well-remembered casualties of the war, including Voluntary Aid Detachments, nurses, conscientious objectors, civilians, and soldiers executed for desertion or cowardice—and the compelling hold the First World War has had on the British imagination for more than a century. By using the concept of the posthumous life—the attempt to extend the presence of the dead into the lives of the living—Bette London demonstrates how this idea came to shape Britain's First World War memory practices and rituals. London draws on a diverse range of source materials—from sentimental memorabilia books commissioned by bereaved families and canonical works of literature and art by Virginia Woolf, Wilfred Owen, and Sir Edwin Lutyens to centenary memorials and commemorative art installations—to uncover the surprising connections between memorialization practices, war writing, and modernism. Spanning the century from the middle of World War I to its centenary celebrations, Posthumous Lives illuminates, in a deeply moving narrative, how the dead are remembered to meet the shifting needs of the living.

Vols. 1-26 include a supplement: The University pulpit, vols. [1]-26, no. 1-661, which has separate pagination but is indexed in the main vol.

The poetry that emerged from the trenches of WWI is a remarkable body of work, at once political manifesto and literary beacon for the twentieth century. In this passionate recreation of the lives of the greatest poets to come out of the conflict, Nicholas Murray brilliantly reveals the men themselves as well as the struggle of the artist to live fully and to bear witness in the annihilating squalor of battle. Bringing into sharp focus the human detail of each life, using journals, letters and literary archives, Murray brings to life the men's indissoluble comradeship, their complex sexual mores and their extraordinary courage. Poignant, vivid and unfailingly intelligent, Nicholas Murray's study offers new and finely tuned insight into the - often devastatingly brief - lives of a remarkable generation of men.