The underground world of con men, winos, prostitutes, laborers, and artists has been an abundant source of material for great writers from Dickens to Bukowski. The underground world of Taos, New Mexico, is no different. In the late 1950s this mountain town was higher, brighter, poorer, and farther removed than London, Paris, or Los Angeles, but it was every bit as rich for the explorations of a young writer. Max Evans, the beloved New Mexican writer of such enduring classics of Western fiction as The Rounders and The Hi-Lo Country, returns to form with The King of Taos. Set in the late 1950s, the novel tells the stories of sharp-witted Zacharias Chacon, aspiring artist Shaw Spencer, and a circle of characters who drink, fight, love, argue, and—mostly—talk. Readers will enjoy this witty and moving evocation of unforgettable characters as they look for work, love, comfort, dignity, and bottomless oblivion.

Examines the varied roles of contemporary folk artists from many regions of the world.

In 1967, Reies Lopez Tijerina led an armed takeover of a New Mexico courthouse in the name of land rights for disenfranchised Spanish-speaking locals. The small-scale raid surprisingly thrust Tijerina and his cause into the national spotlight, catalyzing an entire generation of activists. The actions of Tijerina and his group, the Alianza Federal de Mercedes (the Federal Alliance of Land Grants), demanded that Americans attend to an overlooked part of the country's history: the United States was an aggressive empire that had conquered and colonized the Southwest and subsequently wrenched land away from border people—Mexicans and Native Americans alike. To many young Mexican American activists at the time, Tijerina and the Alianza offered a compelling and militant alternative to the nonviolence of Cesar Chavez and Martin Luther King Jr. Tijerina's place at the table among the nation's leading civil rights activists was short-lived, but his analysis of land dispossession and his prophetic zeal for the rights of his people was essential to the creation of the Chicano movement. This fascinating full biography of Tijerina (1926–2015) offers a fresh and unvarnished look at one of the most controversial, criticized, and misunderstood activists of the civil rights era. Basing her work on painstaking archival research and new interviews with key participants in Tijerina's life and career, Lorena Oropeza traces the origins of Tijerina's revelatory historical analysis to the years he spent as a Pentecostal preacher and his hidden past as a self-proclaimed prophet of God. Confronting allegations of anti-Semitism and accusations of sexual abuse, as well as evidence of extreme religiosity and possible mental illness, Oropeza's narrative captures the life of a man--alternately mesmerizing and repellant--who changed our understanding of the American West and the place of Latinos in the fabric of American struggles for equality and self-determination.

Traces the history of the art of New Mexico and examines the works of Hispanic and Indian artists of the region.

Major routes that linked the country to the Far West are explored by Peters, including the trail blazed by Lewis and Clark, the Santa Fe Trail, and others. Illustrations.

The '60s--the music, the clothes, the political and sexual idealism, the experimentation with drugs, the hunger for peace, creativity, and sharing--were a watershed in the way America sees itself. Hippie culture was at the very zenith of that watershed, and Taos was its beating heart, a Mecca that beckoned young pilgrims from all over the country. Iris Keltz was one of those pilgrims who came to Taos in the '60s. She stayed to become a folk historian of the tribe.

April 1956: Climbing aboard the Sante Fe railroad’s famous Super Chief is an amazing spectrum of passengers. There’s Darwin Rinehart, a once great Hollywood producer who now faces bankruptcy. In a dark recess of a train car hides a mysterious, disheveled man who has not paid for a ticket, smuggled inside by an unscrupulous porter. Millionaire Otto Wheeler arrives in a wheelchair; deathly ill, he knows that this will be his last trip on the great train. Clark Gable causes a stir when he steps aboard, and though he’s ridden these rails for years, indulging in booze and women with equal fervor, those around him sense that this time, something is different. And finally there’s former President Harry Truman, distinguished, congenial, and constantly accompanied by a railroad detective. As the Super Chief pulls out of Dearborn Station, the passengers—famous and infamous, anonymous and enigmatic—can’t possibly imagine what lies ahead. For as the train gains speed, a series of deadly events unfolds.

"Taut, startling, and dramatic, Adam the King depicts the inexorability of fate against the backdrop of the money-mad 90s, the emptiness of raging ambition, and the fallout from a society's deepening division."--BOOK JACKET.