Parenti presents a story of popular resistance against entrenched power and wealth. As he carefully weighs the evidence in the murder of Caesar, he sketches in the background to the crime with fascinating detail about Roman society.

In this story of the most famous assassination in history, “the last bloody day of the [Roman] Republic has never been painted so brilliantly” (The Wall Street Journal). Julius Caesar was stabbed to death in the Roman Senate on March 15, 44 BC—the Ides of March according to the Roman calendar. He was, says author Barry Strauss, the last casualty of one civil war and the first casualty of the next civil war, which would end the Roman Republic and inaugurate the Roman Empire. “The Death of Caesar provides a fresh look at a well-trodden event, with superb storytelling sure to inspire awe” (The Philadelphia Inquirer). Why was Caesar killed? For political reasons, mainly. The conspirators wanted to return Rome to the days when the Senate ruled, but Caesar hoped to pass along his new powers to his family, especially Octavian. The principal plotters were Brutus, Cassius (both former allies of Pompey), and Decimus. The last was a leading general and close friend of Caesar’s who felt betrayed by the great man: He was the mole in Caesar’s camp. But after the assassination everything went wrong. The killers left the body in the Senate and Caesar’s allies held a public funeral. Mark Antony made a brilliant speech—not “Friends, Romans, Countrymen” as Shakespeare had it, but something inflammatory that caused a riot. The conspirators fled Rome. Brutus and Cassius raised an army in Greece but Antony and Octavian defeated them. An original, new perspective on an event that seems well known, The Death of Caesar is “one of the most riveting hour-by-hour accounts of Caesar’s final day I have read....An absolutely marvelous read” (The Times, London).

'Then fall, Caesar!" -- Talking tyrannicide -- Caesar's murdered heirs -- Aftershocks.

Many men killed Julius Caesar. Only one man was determined to kill the killers. From the spring of 44 BC through one of the most dramatic and influential periods in history, Caesar's adopted son, Octavian, the future Emperor Augustus, exacted vengeance on the assassins of the Ides of March, not only on Brutus and Cassius, immortalized by Shakespeare, but all the others too, each with his own individual story. The last assassin left alive was one of the lesser-known: Cassius Parmensis was a poet and sailor who chose every side in the dying Republic's civil wars except the winning one, a playwright whose work was said to have been stolen and published by the man sent to kill him. Parmensis was in the back row of the plotters, many of them Caesar's friends, who killed for reasons of the highest political principles and lowest personal piques. For fourteen years he was the most successful at evading his hunters but has been barely a historical foot note--until now. The Last Assassin dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a history of a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge, and survival.

Unraveling the many mysteries surrounding the murder of Julius Caesar The assassination of Julius Caesar is one of the most notorious murders in history. Two thousand years after it occurred, many compelling questions remain about his death: Was Brutus the hero and Caesar the villain? Did Caesar bring death on himself by planning to make himself king of Rome? Was Mark Antony aware of the plot, and let it go forward? Who wrote Antony's script after Caesar's death? Using historical evidence to sort out these and other puzzling issues, historian and award-winning author Stephen Dando-Collins takes you to the world of ancient Rome and recaptures the drama of Caesar's demise and the chaotic aftermath as the vicious struggle for power between Antony and Octavian unfolded. For the first time, he shows how the religious festivals and customs of the day impacted on the way the assassination plot unfolded. He shows, too, how the murder was almost avoided at the last moment. A compelling history that is packed with intrigue and written with the pacing of a first-rate mystery, The Ides will challenge what you think you know about Julius Caesar and the Roman Empire.

This award-winning biography delves beyond the myths about Ancient Rome’s most famous assassin: “A beautifully written and thought-provoking book” (Christopher Pelling, author of Plutarch and History). Conspirator and assassin, philosopher and statesman, promoter of peace and commander in war, Marcus Brutus was a controversial and enigmatic man even to those who knew him. His leading role in the murder of Julius Caesar on the Ides of March, 44 BC, immortalized his name, but no final verdict has ever been made about his fateful act. Was Brutus wrong to kill his friend and benefactor or was he right to place his duty to country ahead of personal obligations? In this comprehensive biography, Kathryn Tempest examines historical sources to bring to light the personal and political struggles Brutus faced. As the details are revealed—from his own correspondence with Cicero, the perceptions of his peers, and the Roman aristocratic values and concepts that held sway in his time—Brutus emerges from legend, revealed as the complex man he was. A Choice Outstanding Academic Title Winner

“Why were Rome’s first emperors—the good, the bad, and the ugly—so vulnerable to conspiracies and assassination? . . . an expert analysis . . . compelling.” —Adrienne Mayor, author of The Poison King: The Life and Legend of Mithradates and Rome’s Deadliest Enemy Exploring the history of internal security under the first Roman dynasty, this groundbreaking book answers the enduring question: If there were 9,000 men guarding the emperor, how were three-quarters of Rome’s leaders assassinated? Rose Mary Sheldon traces the evolution of internal security mechanisms under the Julio-Claudians, evaluating the system that Augustus first developed to protect the imperial family and the stability of his dynasty. Yet in spite of the intensive precautions taken, there were multiple attempts on his life. Like all emperors, Augustus had a number of competing constituencies—the senate, the army, his extended family, the provincials, and the populace of Rome—but were they all equally threatening? Indeed, the biggest threat would come from those closest to the emperor—his family and the aristocracy. Even Roman imperial women were deeply involved in instigating regime change. By the fourth emperor, Caligula, the Praetorian Guards were already participating in assassinations, and the army too was becoming more politicized. Sheldon weighs the accuracy of ancient sources: Does the image of the emperor presented to us represent reality or what the people who killed him wanted us to think? Were Caligula and Nero really crazy, or did senatorial historians portray them that way to justify their murder? Was Claudius really the fool found drooling behind a curtain and made emperor, or was he in on the plot from the beginning? These and other fascinating questions are answered as Sheldon concludes that the repeated problem of “killing Caesar” reflected the empire’s larger dynamics and turmoil.

An entertaining and informative look at the unique culture of crime, punishment, and killing in Ancient Rome In Ancient Rome, all the best stories have one thing in common—murder. Romulus killed Remus to found the city, Caesar was assassinated to save the Republic. Caligula was butchered in the theater, Claudius was poisoned at dinner, and Galba was beheaded in the Forum. In one 50-year period, 26 emperors were murdered. But what did killing mean in a city where gladiators fought to the death to sate a crowd? In A Fatal Thing Happened on the Way to the Forum, Emma Southon examines a trove of real-life homicides from Roman history to explore Roman culture, including how perpetrator, victim, and the act itself were regarded by ordinary people. Inside Ancient Rome's darkly fascinating history, we see how the Romans viewed life, death, and what it means to be human.