'Then fall, Caesar!" -- Talking tyrannicide -- Caesar's murdered heirs -- Aftershocks.

A cartoonist’s wry and bloody romp through Roman history. A work of cartoon history with a touch of Edward Gorey’s dark wit, Et Tu, Brute? is an irreverent, illustrated compendium of the deaths of all the Roman emperors, from Augustus to Romulus Augustulus. Here in all their glory are Nero (stabbing himself in the throat), Tiberius (smothered in his sleep by his successor), Caligula (killed by his own praetorian guard), Claudius (fed poisonous mushrooms by his wife), Commodus (strangled by his wrestling partner), Antoninus (died of a surfeit of cheese), and many more.

This Shakespearean literary themed 6 x 9 inch blank lined journal, sports laurel leaves, a dagger, and blood spatter with Caesar's famous last words from Act 3, Scene 1, as he recognises his friend Brutus as one of his assassins. An ideal drama themed gift for lovers of the bard, of theatre, students and actors. Also makes a great gag gift for politicians fighting and flipping in the Senate and House of Congress. Et tu Brute? Then fall, Caesar.

An entertaining and informative look at the unique culture of crime, punishment, and killing in Ancient Rome In Ancient Rome, all the best stories have one thing in common—murder. Romulus killed Remus to found the city, Caesar was assassinated to save the Republic. Caligula was butchered in the theater, Claudius was poisoned at dinner, and Galba was beheaded in the Forum. In one 50-year period, 26 emperors were murdered. But what did killing mean in a city where gladiators fought to the death to sate a crowd? In A Fatal Thing Happened on the Way to the Forum, Emma Southon examines a trove of real-life homicides from Roman history to explore Roman culture, including how perpetrator, victim, and the act itself were regarded by ordinary people. Inside Ancient Rome's darkly fascinating history, we see how the Romans viewed life, death, and what it means to be human.

In this story of the most famous assassination in history, “the last bloody day of the [Roman] Republic has never been painted so brilliantly” (The Wall Street Journal). Julius Caesar was stabbed to death in the Roman Senate on March 15, 44 BC—the Ides of March according to the Roman calendar. He was, says author Barry Strauss, the last casualty of one civil war and the first casualty of the next civil war, which would end the Roman Republic and inaugurate the Roman Empire. “The Death of Caesar provides a fresh look at a well-trodden event, with superb storytelling sure to inspire awe” (The Philadelphia Inquirer). Why was Caesar killed? For political reasons, mainly. The conspirators wanted to return Rome to the days when the Senate ruled, but Caesar hoped to pass along his new powers to his family, especially Octavian. The principal plotters were Brutus, Cassius (both former allies of Pompey), and Decimus. The last was a leading general and close friend of Caesar’s who felt betrayed by the great man: He was the mole in Caesar’s camp. But after the assassination everything went wrong. The killers left the body in the Senate and Caesar’s allies held a public funeral. Mark Antony made a brilliant speech—not “Friends, Romans, Countrymen” as Shakespeare had it, but something inflammatory that caused a riot. The conspirators fled Rome. Brutus and Cassius raised an army in Greece but Antony and Octavian defeated them. An original, new perspective on an event that seems well known, The Death of Caesar is “one of the most riveting hour-by-hour accounts of Caesar’s final day I have read....An absolutely marvelous read” (The Times, London).

“Populated with vampires, werewolves, gryphons, gods, and cryptozoological inquiry, these tales are ultimately about the nature of humanity” (Speculating Canada). Trust the beasts . . . The lemmings are really researching the Arctic biologists, the werewolves sing sweet Christian praise songs, and the signing gorilla just wants someone back in the cage for a minute or two. The black dog who tells you God loves you may not be believable, no, and those old lions in the canyon are up to something, aren’t they? The shaggy aliens just want to have dinner with the people who pillaged and destroyed their world, honestly, and the vampires just want to cure you of a terrible blood disease. In the forest, the sasquatch has fallen in love with the cryptozoologist who follows him. By the lake, the god of Lake Michigan struggles with the nature of reality while acting in his first buddy cop TV series. While the god of the Brazos River only wants to court the young, pretty Texas college students. These fifteen stories of beasts—and the beasts we sometimes become—ask us how much influence we have over each other, to bring out our beast or best sides . . . and how much control the beasts already have over us. “Throughout the book, I appreciated Stueart’s dry, often dark, situational humor, and his skillful, sympathetic characterizations.” —Kristin Janz, Mysterion “Fabulous ideas and even more fabulous characters . . . Stueart manages to craft an interesting and unique take on a number of common, sometimes overdone themes.” —Black Gate

A Latin reader like no other. Legonium is both a town and a tale. It is a town built entirely from LEGO® bricks, and filled with an incredible cast of characters. There is Marcellus, the struggling artist; Augustus, the bank manager; Miranda, the police officer; Monas Bricvir, the private detective; plus a suspicious character spotted on the roof of the town bank; and, of course, Pico, the cat.And it is a tale told completely in Latin, with a full range of grammatical structures, repetition of vocabulary, hundreds of pictures, and a supplementary English translation. There is a police chase, a trip to Pompeii, a talkative parrot, and a mysterious suitcase.

This award-winning biography delves beyond the myths about Ancient Rome’s most famous assassin: “A beautifully written and thought-provoking book” (Christopher Pelling, author of Plutarch and History). Conspirator and assassin, philosopher and statesman, promoter of peace and commander in war, Marcus Brutus was a controversial and enigmatic man even to those who knew him. His leading role in the murder of Julius Caesar on the Ides of March, 44 BC, immortalized his name, but no final verdict has ever been made about his fateful act. Was Brutus wrong to kill his friend and benefactor or was he right to place his duty to country ahead of personal obligations? In this comprehensive biography, Kathryn Tempest examines historical sources to bring to light the personal and political struggles Brutus faced. As the details are revealed—from his own correspondence with Cicero, the perceptions of his peers, and the Roman aristocratic values and concepts that held sway in his time—Brutus emerges from legend, revealed as the complex man he was. A Choice Outstanding Academic Title Winner