This book provides both a historical account of the circumstances that led to la rivoluzione italiana and an explanation of why it took place after decades of complacency. It deals with major events that occurred within the Italian party political system between 1976 and 1991.

Italians were the largest group of immigrants to the United States at the turn of the twentieth century, and hundreds of thousands led and participated in some of the period's most volatile labor strikes. Jennifer Guglielmo brings to life the Italian working-class women of New York and New Jersey who helped shape the vibrant radical political culture that expanded into the emerging industrial union movement. Tracing two generations of women who worked in the needle and textile trades, she explores the ways immigrant women and their American-born daughters drew on Italian traditions of protest to form new urban female networks of everyday resistance and political activism. She also shows how their commitment to revolutionary and transnational social movements diminished as they became white working-class Americans.

*Includes pictures *Includes a bibliography for further reading In the 18th century, Italy was still divided into smaller states, but differently than during medieval times when the political entities were independent and were flourishing economic and cultural centers almost unrivaled in Europe. During the 18th century, all of them were submitted, in one way or another, to one of the greater hegemonic powers. This process of conquest and submission began during the early 16th century, when France was called on by the Duke Milan to intervene in his favor and from there never stopped. Starting from the northwest, the kingdom of Sardinia was controlling the alpine western area and the island from which it took its name and ruled by the Savoy family. The kingdom of Sardinia was the youngest political entity in Italy and, possibly because of that, the strongest and most independent. Milan was found dominating part of the central plane, Venice was in control of the east, and Genova was dominating the coastal area south of the kingdom of Sardinia. Central Italy was ruled by the Duchy of Tuscany and the Papal States, while the south was united under the kingdom of Sicily. While the kingdom of Sardinia and the republic of Venice could be considered independent, Milan was submitted to Austrian direct authority through vassalage. The Duchy of Tuscany was part of their sphere of influence as a vassal state, given as a fiefdom to the Empress Maria of Habsburg's husband. Finally, the southern state, the kingdom of Sicily, was historically a Spanish domain. In 1847, the Austrian Chancellor Klement von Metternich referred to Italy as merely a "geographical expression," and to some extent, he was not far off the mark. The inhabitants did not speak Italian; only a literate few wrote in the Italian of Dante and of Machiavelli, and a mere estimated two and a half percent spoke the language. The rest spoke their own regional dialects, which were so distinct from one another as to be incomprehensible from town to town. Similarly, most future Italian citizens knew nothing of the history of the peninsula, but instead learned of their own local traditions and histories. The events of 1848-1849 began to pull the peninsula together, however. In January 1848, Sicily had a major revolution, which provoked widespread uprisings and riots, after which the kingdoms of Sardinia, the Two Sicilies, the Papal States and the Grand Duchy of Tuscany all were granted constitutions. In February, the Pope fled Rome and a three-month long Republic was declared, headed by Giuseppe Mazzini. In March, a revolution in Venice led to the declaration of a republic. In April, Milan also rebelled and became a republic. Soon, the Austrian government clamped down again on the peninsula with such intensity that not even the most optimistic would have been able to fathom the nationalist Risorgimento movement would unify Italy a little more than a decade later. The Italian state may have come together thanks to ideals, but the success of the Second Italian War of Independence owed a lot of its success to chance, foreign intervention, and the wheeling and dealing of a few powerful men. Its story is long and complex, and the ultimate unification of Italy as it's recognized today would require no less than four wars. Nonetheless, despite its difficult birthing process and rocky start, the Italian state has survived over 150 years, and it even managed to remain united in the aftermath of World War II, escaping the fate of Nazi Germany. The Unification of Italy: The History of the Risorgimento and the Conflicts that Unified the Italian Nation chronicles the turbulent events and wars that unified Italy, and the struggle to maintain the new nation. Along with pictures of important people, places, and events, you will learn about Italian unification like never before.

This is the first major book to present a panorama of Italian painting from 1797 to 1900, placing it firmly in the mainstream of art history of the nineteenth century. Ottocento reveals the historical context for nineteenth-century Italian painting and presents major works by important Italian artists who are little known outside their native land.

In the 1840s, Italy was a patchwork of states. The North was ruled by the Austrian Empire, the South by the Spanish-descended monarchy of the Two Sicilies. Over the next two decades, after wars led by Savoy/Piedmont and volunteers such as Garibaldi, an independent Kingdom of Italy emerged. These conflicts saw foreign interventions and shifting alliances among minor states, and attracted a variety of local and foreign volunteers. This second volume in a two part series covers the armies of the Papal States; the duchies of Tuscany, Parma, and Modena; the republics of Rome and San Marco (Venice) and the transitional Kingdom of Sicily; and the various volunteer movements. These varied armies and militias wore a wide variety of highly colourful uniforms which are brought to life in stunning, specially commissioned, full colour artwork from Giuseppe Rava.

This book introduces the reader to the relationship between the Italian national movement, achieved by the Risorgimento, and the Italian unification in 1860. These themes are discussed in detail and related to the broader European theatre. Covering the literary, cultural, religious and political history of the period, Beales and Biagini show Italy struggled towards nation state status on all fronts. The new edition has been thoroughly rewritten. It also contains a number of new documents. In addition, all the most up to date research of the last 20 years has been incorporated. The Risorgimento and the Unification of Italy remains the major text on nineteenth century Italy. The long introduction and useful footnotes will be of real assistance to those interested in Italian unification.

The Golden Horde is a definitive work on the Italian revolutionary movements of the 1960s and '70s. An anthology of texts and fragments woven together with an original commentary, The Golden Horde widens our understanding of the full complexity and richness of radical thought and practice in Italy during the 1960s and '70s. The book covers the generational turbulence of Italy's postwar period, the transformations of Italian capitalism, the new analyses by worker-focused intellectuals, the student movement of 1968, the Hot Autumn of 1969, the extra-parliamentary groups of the early 1970s, the Red Brigades, the formation of a radical women's movement, the development of Autonomia, and the build-up to the watershed moment of the spontaneous political movement of 1977. Far from being merely a handbook of political history, The Golden Horde also sheds light on two decades of Italian culture, including the newspapers, songs, journals, festivals, comics, and philosophy that these movements produced. The book features writings by Sergio Bologna, Umberto Eco, Elvio Fachinelli, Lea Melandri, Danilo Montaldi, Toni Negri, Raniero Panzieri, Franco Piperno, Rossana Rossanda, Paolo Virno, and others, as well as an in-depth introduction by translator Richard Braude outlining the work's composition and development.

Antonio Gramsci used the term ‘passive revolution’ to describe the limitations and weaknesses of the 19th century bourgeois state in Italy which permitted economic development whilst thwarting social and political progress. This detailed study consists of seven essays each exploring a different theme of the economic and social basis of the Liberal state, providing a broad understanding of the background against the emergence of Italian fascism and present a number of debates and controversies amongst Italian historians. By critical discussion of Gramsci’s reading of modern Italian history, the essays present an analysis of the structure and development of social and economic relations in the formation of the Liberal state, illustrating the transition from liberalism to fascism.

This essential book fills a serious gap in the field by synthesizing modern Italian history and placing it in a fully European context. Emphasizing globalization, Italy traces the country's transformation from a land of emigration to one of immigration and its growing cultural importance. Including coverage of the April 2008 elections, this updated edition offers expanded examinations of contemporary Italy's economic, social, and cultural development, a deepened discussion on immigration, and four new biographical sketches. Author Spencer M. Di Scala discusses the role of women, gives ample attention to the Italian South, and provides a picture of how ordinary Italians live. Cast in a clear and lively style that will appeal to readers, this comprehensive account is an indispensable addition to the field.