In the 1840s, Italy was a patchwork of states. The North was ruled by the Austrian Empire, the South by the Spanish-descended monarchy of the Two Sicilies. Over the next two decades, after wars led by Savoy/Piedmont and volunteers such as Garibaldi, an independent Kingdom of Italy emerged. These conflicts saw foreign interventions and shifting alliances among minor states, and attracted a variety of local and foreign volunteers. This second volume in a two part series covers the armies of the Papal States; the duchies of Tuscany, Parma, and Modena; the republics of Rome and San Marco (Venice) and the transitional Kingdom of Sicily; and the various volunteer movements. These varied armies and militias wore a wide variety of highly colourful uniforms which are brought to life in stunning, specially commissioned, full colour artwork from Giuseppe Rava.

In the 1840s, post-Napoleonic Italy was 'a geographical expression' – not a country, but a patchwork of states, divided between the Austrian-occupied north, and a Spanish-descended Bourbon monarchy, who ruled the south from Naples. Two decades later, it was a nation united under a single king and government, thanks largely to the efforts of the Kings of Sardinia and Piedmont, and the revolutionary Giuseppe Garibaldi. This book, the first of a two-part series on the armies that fought in the Italian Wars of Unification, examines the Piedmontese and Neapolitan armies that fought in the north and south of the peninsula. Illustrated with prints, early photos and detailed commissioned artwork, this book explores the history, organization, and appearance of the armies that fought to unite the Italian peninsula under one flag.

In the 1840s, Italy was a patchwork of states. The North was ruled by the Austrian Empire, the South by the Spanish-descended monarchy of the Two Sicilies. Over the next two decades, after wars led by Savoy/Piedmont and volunteers such as Garibaldi, an independent Kingdom of Italy emerged. These conflicts saw foreign interventions and shifting alliances among minor states, and attracted a variety of local and foreign volunteers. This second volume in a two part series covers the armies of the Papal States; the duchies of Tuscany, Parma, and Modena; the republics of Rome and San Marco (Venice) and the transitional Kingdom of Sicily; and the various volunteer movements. These varied armies and militias wore a wide variety of highly colourful uniforms which are brought to life in stunning, specially commissioned, full colour artwork from Giuseppe Rava.

In the early 1900s, the decaying Ottoman Turkish Empire had lost some of its Balkan territories, but still nominally ruled all of North Africa between British Egypt in the east and French Algeria in the west. Libya had fertile coastal territory, and was the last North African (almost, the last African) region not yet conquered by a European colonialist power. Italy was a young country, ambitious for colonies, but had been defeated in Ethiopia in the 1890s. The Italian government of Giovanni Giolitti was keen to overwrite the memory of that failure, and to gain a strategic grip over the central Mediterranean by seizing Libya, just across the narrows from Sicily. The Italian expeditionary force that landed in October 1911 easily defeated the Ottoman division based in the coastal cities, incurring few losses. However, the Libyan inland tribes reacted furiously to the Italian conquest, and their insurgency cost the Italians thousands of casualties, locking them into the coastal enclaves during a winter stalemate which diminished Italian public enthusiasm for the war. To retrieve Italian prestige the government launched a naval campaign in the Dardanelles and the Dodecanese – the last Turkish held archipelago in the Aegean – in April–May 1912, and landed troops to capture Rhodes. The army finally pushed inland in Libya in July– October (using systematic air reconnaissance, for the first time), and after brutal fighting the war ended in a treaty that brought Italy all it wanted, although though the Libyan tribes would not finally be quelled until after World War I. Containing accurate full-colour artwork and unrivalled detail, Armies of the Italian-Turkish War offers a vivid insight into the troops involved in this pivotal campaign, including the tribal insurgents and the navies of both sides.

Osprey's Campaign title for the battle of Solferino (1859), which was the decisive action of the Franco-Austrian War. Fought near Lake Garda in northern Italy, it was the largest European battle since Leipzig in 1813 with over a quarter of a million combatants. In the presence of three crowned heads of state - Napoleon III of France, Emperor Franz-Joseph of Austria and Victor Emmanuel II of Piedmont-Sardinia (later the King of all Italy) - the armies clashed in a bitterly fought contest that would leave more than 40,000 dead and give the battle a reputation for savagery that would inspire not only the formation of the Red Cross, but also the first Geneva Convention. As a crucial climax to the Second Italian War of Independence, this title covers the build-up to the battle, including actions at Montebello, Palestro and Magenta that led to the decisive moment of the campaign. Full-color battlescene artwork and detailed maps illustrate this comprehensive account of the commanders, armies, plans and aftermath of one of the bloodiest battles of the period.

A complete illustrated study of the varied range of Italian colonial units who served in East and North Africa. Italy only unified as a nation in 1870 and was late, and therefore impatient, in the 'scramble' for Africa. An initial foothold in Eritrea/Somalia, north-east Africa, led to a disastrous defeat in Ethiopia in 1896 at the Battle of Adwa, but Italian Somaliland was later consolidated on the west coast of the Red Sea. During 1911, Italy also invaded Libya, securing the coast, however fighting continued throughout World War I and only ended in the early 1930s. A number of native colonial regiments were raised in both Italian East Africa and Libya (in the latter, even a pioneering paratroop unit), of which most fought sturdily for Italy against the Allies in 1940–43. These units had particularly colourful uniforms and insignia. Another small guard unit also served in the Italian concession at Tientsin, China in 1902–1943. After World War II, a remnant unit served on in Somalia under a UN mandate until 1960. This intriguing volume describes and illustrates the dress and equipment used by these forces and details how they were deployed to maintain a colonial empire for over half a century.

In nineteenth-century France, authorities feared the inflammatory power of the stage, but sought to exploit it as an effective means of propaganda. The focus of this book is on theatrical representations of Napoléon Bonaparte during France’s Second Empire (1850-1870), a period marked by the impérialisation of the capital through the renaming of streets and public spaces. Many heroes of the revolution and the wars of the Empire appeared with Napoléon in these plays. Several featured members of his family, Joséphine and her son, Eugène, the actor Talma, or the fortune teller Lenormand. Already popular during the July Monarchy, these Napoléon-themed dramas enjoyed a renewed interest with Louis-Napoléon Bonaparte’s rise to power. Although based on historical fact, they were subject to prior government censorship, as were all dramatic works at that time, and were often substantially modified. Intended for a predominantly working-class audience, these historical dramas were carefully revised by the censors so that the narrative they presented strengthening the ties between the First and Second Empires and removed any suggestion of regime change. These dramas highlight the central role theatrical works about Napoléon played in shaping collective memory and myths of national identity during the Second Empire.

In a bid to recapture territory conceded following the Winter War of 1939–40, Finnish forces cooperated with Nazi Germany and other Axis powers during the invasion of the Soviet Union in June 1941. Rapid Finnish progress in reoccupying lost ground in Karelia during the first few months of the invasion gave way to a more static form of warfare from October 1941. The Finns resisted German pressure to participate fully in the Axis attack on the beleaguered Soviet-held city of Leningrad, and the Continuation War came to be characterized by trench warfare and unconventional operations conducted by both sides behind the front lines. In June 1944 the stalemate was abruptly ended by a massive Soviet offensive that pushed the Finns back; the two sides clashed in a series of major battles, including the battle of Tali-Ihantala, with the Finns halting the Soviet advance before agreeing to an armistice that September. The evolving military situation in this sector of the Eastern Front meant that the soldiers of the Soviet Union and Finland fought one another in a variety of challenging settings, prompting both sides to innovate as new technologies reached the front line. In this study, the doctrine, training, equipment and organization of both sides' fighting men are assessed and compared, followed by a detailed assessment of their combat records in three key battles of the Continuation War.

The 80 Years' War (also known as the Dutch War of Independence) was the foundation of Dutch nationhood, and during the course of the conflict one of its main leaders – Maurice of Orange-Nassau – created an army and a tactical system that became a model throughout Europe. This study, the first of a two-part series, focuses on the Dutch infantry. It examines how Maurice of Orange-Nassau attracted volunteers and students from across Europe, introduced innovative new training methods such as common drill movements, and standardised the organisation and payment system of the army to make it more than a match for the occupying Spanish. His successes inspired officers and generals across the continent to copy his methods, including many English officers who went on to fight in the English Civil Wars. Featuring full-colour artwork and rare period illustrations, this book examines how the Dutch infantry was transformed into a fighting force able to defeat the might of Imperial Spain.

The great powers of medieval Europe fought continuously in the Italian peninsula between the 12th and 14th centuries as they sought to expand their territory. Invading armies from Germany – the Holy Roman Empire – saw the creation of the defensive Lombard League of northern Italian city-states. These struggles resulted in conflicts between rival confederacies, which in turn proved to be the catalysts for developments in organisation and tactics. Italian urban militias became better organised and equipped, the Imperial armies went from being mostly German to multi-national forces, and both sides became reliant on mercenary forces to prosecute their wars. After the 1260s, France, relying mainly on armoured cavalry, and Spain, with their innovative light infantry, vied for control of southern Italy. On the seas, the great naval powers of Genoa, Pisa and Venice became fierce rivals, as they created great trading empires, bringing the treasures of the east into feudal Europe. Using detailed colour plates, this beautifully illustrated book describes the myriad of armies and navies that fought for control of Italy in the Middle Ages.