First published in 1996. This lavishly illustrated study is a comprehensive literary and social history which offers a record of changing genres, manuscript/book production, and cultural, political, and religious emphases by examining one of the most long lived popular legends in England. Guy of Warwick became part of history when he was named in chronicles and heraldic rolls. The power of the Earls of Warwick, especially Richard de Beauchamp, inspired the spread of the legend, but Guy's highest fame came in the Renaissance as one of the Nine Worthies. Widely praised in texts and allusions, Guy's feats were sung in ballads and celebrated on the stage in England and France. The first Anglo-Norman romance of Gui de Warewic, a Saxon hero of the tenth century was written in the early 13th century; the latest retellings of the legend are contemporary. Examples of Guy's legend can be found in two English translations that survived the Middle Ages, a new French prose romance, a didactic tale in the Gesta Romanorum, and late medieval versions in Celtic, German, and Catalan, as well as English. Guy remained a favorite Edwardian children's story and was featured in the Warwick Pageant, an historical extravaganza of 1906. The patriotism of World War II sparked a resurgence of interest that produced several new versions, mostly folkloric.

First comprehensive collection to be devoted to Sir Bevis, the most popular Middle English romance.

Studies of how the physical manifests itself in medieval romance - and medieval romances as objects themselves. Medieval romance narratives glitter with the material objects that were valued and exchanged in late-medieval society: lovers' rings and warriors' swords, holy relics and desirable or corrupted bodies. Romance, however, is also agenre in which such objects make meaning on numerous levels, and not always in predictable ways. These new essays examine from diverse perspectives how romances respond to material culture, but also show how romance as a genre helps to constitute and transmit that culture. Focusing on romances circulating in Britain and Ireland between the twelfth and sixteenth centuries, individual chapters address such questions as the relationship between objects and protagonists in romance narrative; the materiality of male and female bodies; the interaction between visual and verbal representations of romance; poetic form and manuscript textuality; and how a nineteenth-century edition of medieval romances provoked artists to homage and satire. NICHOLAS PERKINS is Associate Professor and Tutor in English at St Hugh's College, University of Oxford. Contributors: Siobhain Bly Calkin, Nancy Mason Bradbury, Aisling Byrne, Anna Caughey, Neil Cartlidge, Mark Cruse, Morgan Dickson, Rosalind Field, Elliot Kendall, Megan G. Leitch, Henrike Manuwald, Nicholas Perkins, Ad Putter, Raluca L. Radulescu, Robert Allen Rouse,

This book offers a new perspective on the "otherworlds" of medieval literature. These fantastical realms are among the most memorable places in medieval writing, by turns beautiful and monstrous, alluring and terrifying. Passing over a river or sea, or entering into a hollow hill, heroes come upon strange and magical realms. These places are often very beautiful, filled with sweet music, and adorned with precious stones and rich materials. There is often no darkness, time may pass at a different pace, and the people who dwell there are usually supernatural. Sometimes such a place is exactly what it appears to be--the land of heart's desire--but, the otherworld can also have a sinister side, trapping humans and keeping them there against their will. Otherworlds: Fantasy and History in Medieval Literature takes a fresh look at how medieval writers understood these places and why they found them so compelling. It focuses on texts from England, but places this material in the broader context of literary production in medieval Britain and Ireland. The narratives examined in this book tell a rather surprising story about medieval notions of these fantastical places. Otherworlds are actually a lot less "other" than they might initially seem. Authors often use the idea of the otherworld to comment on very serious topics. It is not unusual for otherworld depictions to address political issues in the historical world. Most intriguing of all are those texts where locations in the real world are re-imagined as otherworlds. The regions on which this book focuses, Britain, Ireland, and the surrounding islands, prove particularly susceptible to this characterization.

This collection brings together the latest research from international scholars working on medieval Irish, Welsh, Cornish and Breton literature, making it a reader for courses on medieval Celtic literatures. Featured texts include early Welsh poetry, the Ulster Cycle, the 'Mabinogi', and the work of Dafydd ap Gwilym. John Koch Why was Welsh literature first written down? - John Carey The legendary history of Ireland - David Dumville Writers, scribes and readers in Brittany~ - Robin Chapman Stacy Law and literature in medieval Ireland and Wales - Kaarina Hollo Laments and lamenting in early medieval Ireland - Oliver Padel Oral and literary culture in medieval Cornwall - Joseph Falaky Nagy The 'Acallam na Senórach' - Esther Freer & Nerys Ann Jones The early career of Llywarch Brydydd y Moch - Thomas Owen Clancy Court, king and justice in the Ulster Cycle - Kristen Lee Over Transcultural change: Welsh and French romance - Erich Poppe Narrative structure of medieval Irish adaptations - Helen Fulton The 'Mabinogi' and the education of princes - ~Morgan T. Davies Dafydd ap Gwilym and the shadow of colonialism

Native Irish chieftains, not totally subdued after the Norman invasion of Ireland, recovered a measure of their power in the later middle ages; unfamiliar sources illuminate developments. The Norman invasion of Ireland (1169) did not result in a complete conquest, and those native Irish chieftains who retained independent control of their territories achieved a recovery of power in the later middle ages. KatharineSimms studies the experience of the resurgent chieftains, who were undergoing significant developments during this period. The most obvious signs of change were the gradual disappearance of the title ri (king), and the ubiquitouspresence of mercenary soldiers. On a deeper level, the institution of kingship itself had died, as is shown by this study of the election and inauguration of Irish kings, their counsellors, officials, vassals, army, and sources ofrevenue, as they evolved between the twelfth and sixteenth centuries. Sources such as the Irish chronicles, bardic poetry, genealogies, brehon charters and rentals, family-tract and sagas are all used, in addition to the more familiar evidence of the Anglo-Norman administration, the Church, and Tudor state papers. Dr KATHARINE SIMMS lectures in the Department of Medieval History, Trinity College, Dublin.

Featuring new essays by international literary scholars, the two-volume Companion to Irish Literature encompasses the full breadth of Ireland's literary tradition from the Middle Ages to the present day. Covers an unprecedented historical range of Irish literature Arranged in two volumes covering Irish literature from the medieval period to 1900, and its development through the twentieth century to the present day Presents a re-visioning of twentieth-century Irish literature and a collection of the most up-to-date scholarship in the field as a whole Includes a substantial number of women writers from the eighteenth century to the present day Includes essays on leading contemporary authors, including Brian Friel, Seamus Heaney, Eavan Boland, Roddy Doyle, and Emma Donoghue Introduces readers to the wide range of current approaches to studying Irish literature