The first interdisciplinary enquiry into a key figure in medieval and early modern culture. Guy of Warwick is England's other Arthur. Elevated to the status of national hero, his legend occupied a central place in the nation's cultural heritage from the Middle Ages to the modern period. Guy of Warwick: Icon and Ancestor spans the Guy tradition from its beginnings in Anglo-Norman and Middle English romance right through to the plays and prints of the early modern period and Spenser's Faerie Queene, including the visual tradition in manuscript illustration and material culture as well as the intersection of the legend with local and national history. This volume addresses important questions regarding the continuities and remaking of romance material, and therelation between life and literature. Topics discussed are sensitive to current critical concerns and include translation, reception, magnate ambition, East-West relations, the construction of "Englishness" and national identity, and the literary value of "popular" romance. ALISON WIGGINS is Lecturer in English Language at the University of Glasgow; ROSALIND FIELD is Reader in Medieval Literature at Royal Holloway, University of London. Note on ebook images: Due to limited rights we are unable to make all images in this book available in the ebook version. If you'd like to purchase the ebook regardless, please email us on [email protected] to obtain a PDF of the images. We apologise for the inconvenience caused. CONTRIBUTORS: JUDITH WEISS, MARIANNE AILES, IVANA DJORDJEVIC, ROSALIND FIELD, ALISON WIGGINS, A.S.G. EDWARDS, ROBERT ALLEN ROUSE, DAVID GRIFFITH, MARTHA W. DRIVER, SIAN ECHARD, ANDREW KING, HELEN COOPER

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

The legend of William Tell takes on new meaning in this wonderful retelling by master storyteller H. E. Marshall. William Tell is the folk hero of Switzerland whose exploits were first recorded in a fifteenth-century Swiss chronicle.Set in the time of the first Swiss Confederacy, Tell's story runs alongside that of the struggle for independence waged against the Holy Roman Empire by the Alpine nation.According to the legend, Gessler, a newly-appointed Austrian ruler of two local regions, caused his hat to be placed on a raised a pole in the central square of a village, and ordered that all the townsfolk bow before it. When Tell refused to bow to the hat, Gessler ordered Tell's son to be seized. The tyrannical ruler then demanded that Tell shoot an apple off his son's head or both of them would be executed. Tell took the shot, and succeeded... From there, numerous incidents took place which led to the assassination of Gessler, an act that sparked the Swiss rebellion. There is no real evidence that William Tell actually existed or that the events recounted in the legend really took place. Marshall addresses it this way in her introduction:"Yet some people say that William Tell never lived. Let them visit the R�tli, Tell's Platte, the Hollow Way, and let them ask themselves whether Tell lives in the hearts of his countrymen or not."ContentsChapter I: How Gessler and Landenberg Came to Rule in SwitzerlandChapter II: The Story of Arnold of MelchthalChapter III: The Story of Gessler and StauffacherChapter IV: How the Cap of Austria Was Set UpChapter V: The Meeting of the Three PatriotsChapter VI: The Gathering on the R�tliChapter VII: William Tell and His Great ShotChapter VIII: The Escape of William TellChapter IX: Tell's Second ShotChapter X: How Castle Rossberg Was TakenChapter XI: How Castle Sarnen Was TakenChapter XII: How the Emperor Albrecht Met His DeathChapter XIII: The Battle of Morgarten

Takes the reader into the world of ghosts and spirits in Warwickshire, following their footsteps into the unknown.

For the first time, music legend and humanitarian activist Dionne Warwick reflects on 50 years in showbusiness and the lessons she has learned from being an artist, a mother and a global icon. From her rise to superstardom to raising millions of dollars for AIDS research, she gives readers a glimpse into her dazzling, inspiring life. 'If you think you can do it, you can do it' was the advice she got from her grandfather as a young girl - words she has never forgotten. Like her music and humanitarian work, her story is guaranteed to give hope and inspiration to people across the world.

The life and times of Warwick Davis, star of Ricky Gervais's forthcoming sitcom, Life's Too Short Actors work their entire careers hoping to achieve the kind of cult movie hero status that Davis achieved at the age of eleven playing Wicket W. Warrick, the lead Ewok in Star Wars: Return of the Jedi. In this lively and down-to-earth memoir, Davis offers personal stories on the making of some of the most popular films of the last few decades—including the Star Wars, Harry Potter, and Leprechaun movie franchises, among many others—and shares the unique perspective of life as experienced by someone with a one-in-a-million genetic condition. The real life of the man who helped destroy a Death Star, saved a princess, defeated an evil sorceress, taught magic to Harry Potter, became a Jedi Master, and embodied a mass murdering, gold-obsessed leprechaun—the one and only Warwick Davis Warwick Davis's honest look at the highs and lows of life as an actor and pop culture icon, from his screen debut in Star Wars: Return of the Jedi to his starring role in Ricky Gervais's forthcoming sitcom, Life's Too Short Includes behind-the-scenes stories, from sweltering inside a furry Ewok costume and filling in for R2-D2 to sliding down a glacier at Mach 2 with Val Kilmer and getting kicked in the face by Ricky Gervais (again and again) Features a foreword by George Lucas, who has been friends with Davis for almost three decades Both refreshingly frank and highly entertaining, this book will help you see what life is like when it really is too short.

The study of medieval literature has experienced a revolution in the last two decades, which has reinvigorated many parts of the discipline and changed the shape of the subject in relation to the scholarship of the previous generation. 'New' texts (laws and penitentials, women's writing, drama records), innovative fields and objects of study (the history of the book, the study of space and the body, medieval masculinities), and original ways of studying them (the Sociology of the Text, performance studies) have emerged. This has brought fresh vigour and impetus to medieval studies, and impacted significantly on cognate periods and areas. The Oxford Handbook of Medieval Literature in English brings together the insights of these new fields and approaches with those of more familiar texts and methods of study, to provide a comprehensive overview of the state of medieval literature today. It also returns to first principles in posing fundamental questions about the nature, scope, and significance of the discipline, and the directions that it might take in the next decade. The Handbook contains 44 newly commissioned essays from both world-leading scholars and exciting new scholarly voices. Topics covered range from the canonical genres of Saints' lives, sermons, romance, lyric poetry, and heroic poetry; major themes including monstrosity and marginality, patronage and literary politics, manuscript studies and vernacularity are investigated; and there are close readings of key texts, such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and key authors from Ælfric to Geoffrey Chaucer, Langland, and the Gawain Poet.

Using a variety of texts, but the Matter of England romances in particular, the author argues that they show a continued interest in the Anglo-Saxon past, from the localised East Sussex legend of King Alfred that underlies the twelfth-century Proverbs of Alfred, to the institutional interest in the Guy of Warwick narrative exhibited by the community of St Swithun's Priory in Winchester during the fifteenth century; they are part of a continued cultural remembrance that encompasses chronicles, folk memories, and literature."--BOOK JACKET.

For leaders who believe they may not be maximizing their leadership potential, Warwick Fairfax is the trusted leadership advisor who helps readers uncover their own unique path to living and leading with significance, effectiveness, and authenticity in all areas of life. In Crucible Leadership, he shares the power of embracing the crucible moments: those past trials, failures, and setbacks that can be seen as either roadblocks or as jumping-off points to leading a life of significance and purpose dedicated to serving others. Crucible Leadership comes alive through the unique framework of Warwick’s own story: how his legacy shaped his worldview and drove decisions that eventually led to his own crucible moment. He demonstrates to readers in an honest, self-reflective way how they can make sense of their own talents and trials to lead with authenticity in all areas of life. Warwick empowers readers to become the leader they were designed to be through his unique perspective, which has been shaped by three powerful touchstones: Hard-won insights and honest, self-reflective lessons learned from his own crucible moment, and the long road back from it Inspiring and instructive stories from his rich and iconic family history Time-honored leadership truths proven out by history’s greatest and most inspirational figures

Turn a Blind Eye is the third installment in the gripping story of Detective Inspector William Warwick, by the master storyteller and #1 New York Times bestselling author of the Clifton Chronicles. Newly promoted to Detective Inspector, William Warwick is tasked with a dangerous new line of work, to go undercover and expose crime of another kind: corruption at the heart of the Metropolitan Police Force. Along with detectives Rebecca Pankhurst and Nicky Bailey, his team is focused on following Detective Jerry Summers, a young officer whose lifestyle exceeds his income. But the investigation risks being compromised when Nicky falls for Summers. Meanwhile, notorious drug baron Assem Rashidi goes on trial, defended by Booth Watson QC, while William’s father Sir Julian and sister Grace lead the prosecution case. And William’s wife Beth, now a new mother to twins, makes a surprising new friend in Christina Faulkner—the ex-wife of William’s former rival, criminal financier Miles - who has not only turned over a new leaf, but also has a new-found source of income when Faulkner dies suddenly of a heart attack and she stands to be sole inheritor of his estate. As the undercover officers start to draw the threads together, William realizes that the corruption may go deeper still, and more of his colleagues than he first thought might be willing to turn a blind eye.