Transplanted to Toronto from his native Baffin Island, Atuk the poet is an unlikely overnight success. Eagerly adapting to a society steeped in pretension, bigotry, and greed, Atuk soon abandons the literary life in favour of more lucrative – and hazardous – schemes. Richler’s hilarious and devastating satire lampoons the self-deceptions of “the Canadian identity” and derides the hypocrisy of a nation that seeks cultural independence by slavishly pursuing the American dream.

Foran's book is the first major biography with access to family letters and archives: the definitive, detailed, intimate portrait of Mordecai Richler, the lion of Canadian literature, and the turbulent, changing times that nurtured him. It is also an extraordinary love story that lasted half a century. Mordecai Richler won multiple Governor General's Literary Awards, the Giller Prize, the Commonwealth Writers' Prize, among others, as well as many awards for his children's books. He also wrote Oscar-nominated screenplays. His influence was larger than life in Canada and abroad. In Mordecai, award-winning novelist and journalist Charles Foran brings to the page the richness of Mordecai's life as young bohemian, irreverent writer, passionate and controversial Canadian, loyal friend and deeply romantic lover. He explores Mordecai's distraught childhood, and gives us the "portrait of a marriage"—the lifelong love affair with Florence, with Mordecai as beloved father of five. The portrait is alive and intimate—warts and all.

ForeWord Magazine Book of the Year Awards Bronze Award - Autobiography/Memoir Quebec Writer's Federation Mavis Gallant Prize for Non-Fiction Winner (2004) Canadian Jewish Book of the Year Award Winner (2004) Canadian Jewish Book Award for Memoir/Biography Drainie Taylor Biography Prize Nomination Alberta Trade Nonfiction Book of the Year Nomination Mordecai and Me: An Appreciation of a Kind is the story of one writer's obsession with another. In this "really unauthorized biography," Joel Yanofsky, a veteran Montreal book reviewer, literary journalist and novelist, tracks the elusive legend of Mordecai Richler in the year following his death. This insightful and quirky quest leads Yanofsky to consult - though pester may be more like it - a rabbi, a shrink and a dream analyst. What starts out as a literary appreciation turns into a literary stalking, propelled as much by envy as admiration, irreverence as affection, confession as critical judgment. A Montrealer himself and a journalist by trade, Joel Yanofsky has covered the Canadian literary scene, interviewing and reviewing Richler, while taking the measure of the city that he believes was destroyed culturally by the reign of separatist governments. Yanofsky cuts through the recent public adoration, as well as through Richler's own carefully protected persona, to reveal the depth and contradictions hidden beneath.

In this bestselling timeless classic, Peter Gzowski recounts the 1980-81 season he spent travelling around the NHL circuit with the Edmonton Oilers. These were the days when the young Oilers, led by a teenaged Wayne Gretzky, were poised on the edge of greatness, and about to blaze their way into the record books and the consciousness of a nation. While the story of the early Oilers embodies the book, The Game of Our Lives is much more than a retelling of one season in the life of an NHL team. Unlike any book ever written in the annals of hockey, Gzowski beautifully weaves together the anatomy of a modern NHL team with the magnificent history of the game to create one of the best books about hockey in Canada. Here are the great teams and the great players through the ages—Morenz, Richard, Howe, Orr, Hull—the men whose rare and indefinable genius on the ice exemplified the speed, grit and innovation of the game. The Game of Our Lives is the best book on the Canadian passion for hockey; a wondrously perceptive account of the hold the game has on Canadians. —Jack Granatstein, The National Post

Examining postcolonial transcultural practice from a range of disciplinary and methodological perspectives, this study seeks to analyse laughter and the postcolonial in their complexity. It gathers a group of international specialists in postcolonial transcultural studies to analyse the functions of humour in a wide range of cultural texts.

Transplanted to Toronto from his native Baffin Island, Atuk the poet is an unlikely overnight success. Eagerly adapting to a society steeped in pretension, bigotry, and greed, Atuk soon abandons the literary life in favour of more lucrative – and hazardous – schemes. Richler’s hilarious and devastating satire lampoons the self-deceptions of “the Canadian identity” and derides the hypocrisy of a nation that seeks cultural independence by slavishly pursuing the American dream.