Years have passed since the last of the Dark Gods was defeated, and Lothion has entered an age of peace and prosperity. Mordecai’s oldest children have already begun to make a place for themselves, and his youngest are on the cusp of adulthood. By every outward measure, his life has been a success; he has earned his reward. However, Tyrion, the first wizard and brutal liberator of mankind, has returned with an agenda of his own, and dark things continue to stir at the edges of civilization, threatening to undo Mordecai’s accomplishments. He must meet the expectations of his queen, his family, and his people, all while finding a way to protect them from the ancient enemy of the She’Har, but his greatest challenge may be dealing with the lingering darkness that is growing within his own heart.

Charlie Mortdecai is a louche art dealer with some distinctly dubious friends in the London underworld and some great connections to the British upper classes. He features in the three brilliant black-comedy thrillers originally published in the 70s and collected in this volume: DON'T POINT THAT THING AT ME, AFTER YOU WITH THE PISTOL, and SOMETHING NASTY IN THE WOODSHED. 'A writer capable of a rare mixture of wit and imaginative unpleasantness' Julian Barnes

Publisher Description

Foran's book is the first major biography with access to family letters and archives: the definitive, detailed, intimate portrait of Mordecai Richler, the lion of Canadian literature, and the turbulent, changing times that nurtured him. It is also an extraordinary love story that lasted half a century. Mordecai Richler won multiple Governor General's Literary Awards, the Giller Prize, the Commonwealth Writers' Prize, among others, as well as many awards for his children's books. He also wrote Oscar-nominated screenplays. His influence was larger than life in Canada and abroad. In Mordecai, award-winning novelist and journalist Charles Foran brings to the page the richness of Mordecai's life as young bohemian, irreverent writer, passionate and controversial Canadian, loyal friend and deeply romantic lover. He explores Mordecai's distraught childhood, and gives us the "portrait of a marriage"—the lifelong love affair with Florence, with Mordecai as beloved father of five. The portrait is alive and intimate—warts and all.

It is Mordecai's first day in Mr. Grizley's class, and before he can really introduce himself it is time for the school assembly--but when the scheduled magic show is canceled Mordecai steps in and reveals that he has brought some magic tricks of his own.

Karl Larsson is an out of work roughneck, home from the oil fields of Alberta and back on the coast for the first time in years. His wife has left him and his future looks bleak. Becoming a detective is the last thing on his mind, but when Karl learns that he has inherited his estranged grandfather’s agency he decides to take a chance. He doesn’t expect much action in a city as small as Victoria, BC, but Karl soon finds that Victoria is only the base of operations. His grandfather’s business took him across the length and breadth of Vancouver Island, and the Island is a world unto itself, with a culture all its own. When a reporter from a national news agency asks him to investigate a drug running operation on the Island, Karl is drawn into a dangerous game. Finding the truth sounds simple in theory, but as Karl delves deeper he begins to realize that more than his life may be at stake.

This study introduces a new perspective on Lincoln and the Civil War through an examination of his declaration of our national values and the subsequent interpretation of those values by families during the war. This volume is a completely new approach to Civil War history. Historians rightly regard Abraham Lincoln as a moral exemplar, a president who gave new life to the national values that defined America. While some previous studies attest to Lincoln's identification with family virtues, this is the first to link Lincoln's personal biography with actual histories of families at war. It analyzes the relationship that existed between Lincoln and these families and assesses the moral struggles that validated the families' decision for or against the conflict. Written to be accessible to students and the general reader alike, the book examines Lincoln's presidency as measured against the stories of families, North and South, that struggled with his definition of Union virtues. It looks at Lincoln's compelling case for democratic values—among them, justice, patriotism, honor, and commitment—first stated in his 1861 speech before Independence Hall. The work also uses case studies to demonstrate how virtue, as practiced in families, illuminated, contested, adapted, and even transformed his concept, giving new meaning to the "virtues of war."

Government bureaucracy is something Americans have long loved to hate. Yet despite this general antipathy, some federal agencies have been wildly successful in cultivating the people’s favor. Take, for instance, the U.S. Forest Service and its still-popular Smokey Bear campaign. The agency early on gained a foothold in the public’s esteem when President Theodore Roosevelt championed its conservation policies and Forest Service press releases led to favorable coverage and further goodwill. Congress has rarely approved of such bureaucratic independence. In Congress vs. the Bureaucracy, political scientist Mordecai Lee—who has served as a legislative assistant on Capitol Hill and as a state senator—explores a century of congressional efforts to prevent government agencies from gaining support for their initiatives by communicating directly with the public. Through detailed case studies, Lee shows how federal agencies have used increasingly sophisticated publicity techniques to muster support for their activities—while Congress has passed laws to counter those PR efforts. The author first traces congressional resistance to Roosevelt’s campaigns to rally popular support for the Panama Canal project, then discusses the Forest Service, the War Department, the Census Bureau, and the Department of Agriculture. Lee’s analysis of more recent legislative bans on agency publicity in the George W. Bush administration reveals that political battles over PR persist to this day. Ultimately, despite Congress’s attempts to muzzle agency public relations, the bureaucracy usually wins. Opponents of agency PR have traditionally condemned it as propaganda, a sign of a mushrooming, self-serving bureaucracy, and a waste of taxpayer dollars. For government agencies, though, communication with the public is crucial to implementing their missions and surviving. In Congress vs. the Bureaucracy, Lee argues these conflicts are in fact healthy for America. They reflect a struggle for autonomy that shows our government’s system of checks and balances to be alive and working well.