First produced in 1673 and Molière's final play, The Hypochondriac is a scathingly funny lampoon on both hypochondria and the 'quack' medical profession. Argan is a perfectly healthy, wealthy gentleman, convinced that he is seriously ill. So obsessed is he with medicinal tinkerings and tonics that he is blind to the goings on in his own household. However, his most efficacious cure will not appear in a bottle or a bedpan, but in his sharp-tongued servant, who has a cunning plan to reveal the truth and open her master's eyes. Adapted by Roger McGough The Hypochondriac was produced by the Liverpool Everyman and Playhouse and English Touring Theatre and premiered on 19 June 2009.

The Imaginary Invalid by Molière is a comedic play that offers a satirical critique of the medical profession and societal hypochondria. This play takes readers on a humorous journey filled with exaggerated characters, witty dialogues, and absurd situations. The story revolves around the character of Argan, a wealthy hypochondriac who is obsessed with his health. Argan's obsession leads him to consult numerous doctors and engage in various medical treatments, much to the amusement of the audience. The play also explores themes of greed, deception, and the power dynamics within familial relationships. Through the clever portrayal of characters and their interactions, he exposes the flaws and pretenses of both the medical profession and individuals who exploit hypochondria for personal gain. Molière's mastery of comedic writing and social commentary make this play a delightful exploration of the follies and foibles of human nature.

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A hypochondriac, victimized by pompous physicians, tests the loyalty of a loving daughter and discovers the contempt of his scheming and greedy second wife. This classic comedy reveals the universal frailties of humanity.

This biography of Molière was first published in 2000 and will appeal to general reader and specialists in French and Theatre Studies.

Paris, 1708. Eraste, a worthy though penniless young man, is in love with the fair Isabelle, but her forbidding mother, Madame Argante, will only let the two marry if Eraste can show he will inherit the estate of his rich but miserly Uncle Geronte. Unfortunately, old Geronte has also fallen for the fair Isabelle, and plans to marry her this very day and leave her everything in his will—separating the two young lovers forever. Eraste's wily servant Crispin jumps in, getting a couple of meddling relatives disinherited by impersonating them (one, a brash American, the other a French female country cousin)—only to have the old man kick off before his will is made! In a brilliant stroke, Crispin then impersonates the old man, dictating a will favorable to his master (and Crispin himself, of course)—only to find that rich Uncle Geronte isn't dead at all and is more than ever ready to marry Isabelle! The multiple strands of the plot are unraveled to great comic effect in the streaming rhyming couplets of French classical comedy, and everyone lives happily, and richly, ever after.

Jack Worthing gets antsy living at his country estate. As an excuse, he spins tales of his rowdy brother Earnest living in London. When Jack rushes to the city to confront his "brother," he's free to become Earnest and live a different lifestyle. In London, his best friend, Algernon, begins to suspect Earnest is leading a double life. Earnest confesses that his real name is Jack and admits the ruse has become tricky as two women have become enchanted with the idea of marrying Earnest. On a whim, Algernon also pretends to be Earnest and encounters the two women as they meet at the estate. With two Earnests who aren't really earnest and two women in love with little more than a name, this play is a classic comedy of errors. This is an unabridged version of Oscar Wilde's English play, first published in 1899.

"Moliere penned his final play, the slapstick comedy THE IMAGINARY INVALID more than 450 years ago, and it is not only amazing that this lesser-known play still stands the test of time, but how visionary this comedy, currently being seen in Constance Congdon's new adaptation at the American Conservatory Theatre, has become. Or should we really be surprised in this age of plentiful medication-as doctors scribble prescriptions faster than it takes to gulp a handful of pills down with a glass of water-that THE IMAGINARY INVALID feels as relevant today as it did when healers swore by snake oil and holy water rather than Nexium and Zoloft? Moreover, Congdon has folded in a healthy dose of present-day nuances and innuendos, as well as beefed up the plot. The result is an entertaining and jovial romp...The great Frenchman's last contribution to the world's stage-he died onstage while playing Argan-proves that time has stood still when it comes to the eternal nature of the hypochondriac." Tiffany Maleshefski, TheaterMania.com "Lean, clean and comically bent...a bright evening of amusement and occasional hilarity." Dennis Harvey, Variety"

"The Big Book of Molière Monologues brings you over 160 New Molière Monologues! Classical Monologues they haven't seen before! You get winning insight into seventeen Molière plays, and an understanding of the funniest playwright who ever walked the boards! With precise stylistic/acting advice from adaptor and master actor, Timothy Mooney, you can showcase your classical abilities a their very best!"--Cover