The Imaginary Invalid is a three-part comedy about a miser who imagines illnesses for himself, and whose doctor milks his hypochondria for everything he can get. Their mutual greed and dishonesty lead to their downfall. It was the last play Moliere ever wrote, and he collapsed whilst playing the hypochondriac, shortly before he died. The play originally included dance sequences and musical interludes.

A hypochondriac, victimized by pompous physicians, tests the loyalty of a loving daughter and discovers the contempt of his scheming and greedy second wife. This classic comedy reveals the universal frailties of humanity.

First produced in 1673 and Molière's final play, The Hypochondriac is a scathingly funny lampoon on both hypochondria and the 'quack' medical profession. Argan is a perfectly healthy, wealthy gentleman, convinced that he is seriously ill. So obsessed is he with medicinal tinkerings and tonics that he is blind to the goings on in his own household. However, his most efficacious cure will not appear in a bottle or a bedpan, but in his sharp-tongued servant, who has a cunning plan to reveal the truth and open her master's eyes. Adapted by Roger McGough The Hypochondriac was produced by the Liverpool Everyman and Playhouse and English Touring Theatre and premiered on 19 June 2009.

The Imaginary Invalid - Le Malade Imaginaire - By Molière - Translated Into English Prose with Short Introductions and Explanatory Notes by Charles Heron Wall - The Imaginary Invalid (French: Le malade imaginaire) is a three-act comédie-ballet by the French playwright Molière with dance sequences and musical interludes by Marc-Antoine Charpentier. It premiered on 10 February 1673 at the Théâtre du Palais-Royal in Paris and was originally choreographed by Pierre Beauchamp. The play is also known as "The Hypochondriac", an alternative translation of the French title. Molière had fallen out with the powerful court composer Jean-Baptiste Lully, with whom he had pioneered the comédie-ballet form a decade earlier, and had opted for the collaboration with Charpentier. Le malade imaginaire would turn out to be Molière's last work. He collapsed during his fourth performance as Argan on 17 February and died soon after.

"Moliere penned his final play, the slapstick comedy THE IMAGINARY INVALID more than 450 years ago, and it is not only amazing that this lesser-known play still stands the test of time, but how visionary this comedy, currently being seen in Constance Congdon's new adaptation at the American Conservatory Theatre, has become. Or should we really be surprised in this age of plentiful medication-as doctors scribble prescriptions faster than it takes to gulp a handful of pills down with a glass of water-that THE IMAGINARY INVALID feels as relevant today as it did when healers swore by snake oil and holy water rather than Nexium and Zoloft? Moreover, Congdon has folded in a healthy dose of present-day nuances and innuendos, as well as beefed up the plot. The result is an entertaining and jovial romp...The great Frenchman's last contribution to the world's stage-he died onstage while playing Argan-proves that time has stood still when it comes to the eternal nature of the hypochondriac." Tiffany Maleshefski, TheaterMania.com "Lean, clean and comically bent...a bright evening of amusement and occasional hilarity." Dennis Harvey, Variety"

A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.

Satirical comedy set in 17th century Paris. Hypochondriac who wants his daughter to marry a doctor in order to get free medical care.

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