-It's not personal; it's just business, - says the professional killer to his victim. But business is always personal, and even though modern business corporations have been granted the legal status of persons, they are still part of the impersonal engines of society that operate far beyond human reach. Keith Hart explores in his thought-provoking pamphlet The Hitman's Dilemma how we have never been more conscious of ourselves as unique personalities, but we live in a society increasingly ruled by faceless corporate forces. He ultimately asks: What place is there for the humanity of individual persons in the dehumanized social and economic frameworks we live within? This is the hitman's dilemma, and it is ours as well.

In 1984, Robert Axelrod published a book, relating the story of two competitions which he ran, where invited academics entered strategies for the Iterated Prisoners' Dilemma. The book, almost 20 years on, is still widely read and cited by academics and the general public.As a celebration of that landmark work, we have recreated those competitions to celebrate its 20th anniversary, by again inviting academics to submit prisoners' dilemma strategies. The first of these new competitions was run in July 2004, and the second in April 2005. Iterated Prisoners' Dilemma: 20 Years On essentially provides an update of the Axelrod's book.Specifically, it ? Presents the prisoners' dilemma, its history and variants ? Highlights original Axelrod's work and its impact ? Discusses results of new competitions ? Showcases selected papers that reflect the latest researches in the area

Spaces for Feeling explores how English and Scottish people experienced sociabilities and socialities from 1650 to 1850, and investigates their operation through emotional practices and particular spaces. The collection highlights the forms, practices, and memberships of these varied spaces for feeling in this two hundred year period and charts the shifting conceptualisations of emotions that underpinned them. The authors employ historical, literary, and visual history approaches to analyse a series of literary and art works, emerging forms of print media such as pamphlet propaganda, newspapers, and periodicals, and familial and personal sources such as letters, in order to tease out how particular communities were shaped and cohered through distinct emotional practices in specific spaces of feeling. This collection studies the function of emotions in group formations in Britain during a period that has attracted widespread scholarly interest in the creation and meaning of sociabilities in particular. From clubs and societies to families and households, essays here examine how emotional practices could sustain particular associations, create new social communities and disrupt the capacity of a specific cohort to operate successfully. This timely collection will be essential reading for students and scholars of the history of emotions.

The authors argue against ethical myopia limited to spectacular scandals or comprehensive professional codes. Instead, they propose a master reframe of ethics based on a new take on virtue ethics, including Aristotle's practical ideal of eudaimonia or flourishing, which tells new stories about the ordinary as well as extraordinary aspects of professional integrity and success. By reframing ethics as not special, they elevate it to its rightful position in work and personal life.

In 1984, Robert Axelrod published a book, relating the story of two competitions which he ran, where invited academics entered strategies for the Iterated Prisoners' Dilemma. The book, almost 20 years on, is still widely read and cited by academics and the general public.As a celebration of that landmark work, we have recreated those competitions to celebrate its 20th anniversary, by again inviting academics to submit prisoners' dilemma strategies. The first of these new competitions was run in July 2004, and the second in April 2005. Iterated Prisoners' Dilemma: 20 Years On essentially provides an update of the Axelrod's book.Specifically, it

Why do 'Jaws', 'Field of Dreams', 'The Big Lebowski', and 'The Godfather' remain strikingly popular in this age of fragmented audiences and ever-faster spin cycles? "Hollywood Blockbusters: The Anthropology of Popular Movies" argues that these films continue to captivate audiences because they play upon underlying tensions and problems in American culture, much like the myths that anthropologists study in non-Western contexts. In making this argument, the authors employ and extend anthropological theories about ritual, kinship, gift giving, power, egalitarianism, literacy, metalinguistics, stereotypes, and the mysteries of the Other. The results - original insights into modern film classics, American culture, and anthropological theory - will appeal to students of Film, Media, Anthropology, Sociology, and Cultural Studies.

A fresh and interdisciplinary study of faith and social culture in Nigeria, Abimbola A. Adelakun uses extensive archival material, interviews and fieldwork to explore how Nigerian Pentecostals use performance to mark their self-distinction as a people of power. Available as Open Access on Cambridge Core.

"What is anthropology? What can it tell us about the world? Why, in short, does it matter? For well over a century, cultural anthropologists have circled the globe, from Papua New Guinea to suburban England and from China to California, uncovering surprising facts and insights about how humans organize their lives and articulate their values. In the process, anthropology has done more than any other discipline to reveal what culture means--and why it matters. By weaving together examples and theories from around the world, Matthew Engelke provides a lively, accessible, and at times irreverent introduction to anthropology, covering a wide range of classic and contemporary approaches, subjects, and practitioners. Presenting a set of memorable cases, he encourages readers to think deeply about some of the key concepts with which anthropology tries to make sense of the world--from culture and nature to authority and blood. Along the way, he shows why anthropology matters: not only because it helps us understand other cultures and points of view but also because, in the process, it reveals something about ourselves and our own cultures, too." --Cover.

Cashless infrastructures are rapidly increasing, as credit cards, cryptocurrencies, online and mobile money, remittances, demonetization, and digitalization process replace coins and currencies around the world. Who’s Cashing In? explores how different modes of cashlessness impact, transform and challenge the everyday lives and livelihoods of local communities. Drawing from a wide range of ethnographic studies, this volume offers a concise look at how social actors and intermediaries respond to this change in the materiality of money throughout multiple regional contexts.

A human economy puts people first in emergent world society. Money is a human universal and now takes the divisive form of capitalism. This book addresses how to think about money (from Aristotle to the daily news and the sexual economy of luxury goods); its contemporary evolution (banking the unbanked and remittances in the South, cross-border investment in China, the payments industry and the politics of bitcoin); and cases from 19th century India and Southern Africa to contemporary Haiti and Argentina. Money is one idea with diverse forms. As national monopoly currencies give way to regional and global federalism, money is a key to achieving economic democracy.