Uses extensive archival material, interviews and fieldwork to explore how Nigerian Pentecostals mark their self-distinction as a people of power.

A fresh and interdisciplinary study of faith and social culture in Nigeria, Abimbola A. Adelakun uses extensive archival material, interviews and fieldwork to explore how Nigerian Pentecostals use performance to mark their self-distinction as a people of power.

A fresh and interdisciplinary study of faith and social culture in Nigeria, Abimbola A. Adelakun uses extensive archival material, interviews and fieldwork to explore how Nigerian Pentecostals use performance to mark their self-distinction as a people of power. Available as Open Access on Cambridge Core.

Throughout its history, Nigeria has been plagued by religious divisions. Tensions have only intensified since the restoration of democracy in 1999, with the divide between Christian south and Muslim north playing a central role in the country’s electoral politics, as well as manifesting itself in the religious warfare waged by Boko Haram. Through the lens of Christian–Muslim struggles for supremacy, Ebenezer Obadare charts the turbulent course of democracy in the Nigerian Fourth Republic, exploring the key role religion has played in ordering society. He argues the rise of Pentecostalism is a force focused on appropriating state power, transforming the dynamics of the country and acting to demobilize civil society, further providing a trigger for Muslim revivalism. Covering events of recent decades to the election of Buhari, Pentecostal Republic shows that religio-political contestations have become integral to Nigeria’s democratic process, and are fundamental to understanding its future.

How does social media activism in Nigeria intersect with online popular forms—from GIFs to memes to videos—and become shaped by the repressive postcolonial state that propels resistance to dominant articulations of power? James Yékú proposes the concept of "cultural netizenship"—internet citizenship and its aesthetico-cultural dimensions—as a way of being on the social web and articulating counter-hegemonic self-presentations through viral popular images. Yékú explores the cultural politics of protest selfies, Nollywood-derived memes and GIFs, hashtags, and political cartoons as visual texts for postcolonial studies, and he examines how digital subjects in Nigeria, a nation with one of the most vibrant digital spheres in Africa, deconstruct state power through performed popular culture on social media. As a rubric for the new digital genres of popular and visual expressions on social media, cultural netizenship indexes the digital everyday through the affordances of the participatory web. A fascinating look at the intersection of social media and popular culture performance, Cultural Netizenship reveals the logic of remediation that is central to both the internet's remix culture and the generative materialism of African popular arts.

This book argues that the structure of the policy-making process in Nigeria explains variations in government performance better than other commonly cited factors.