The Greatest Assamese Stories Ever Told spans more than a century of work by some of the finest writers of short fiction in the language. The storytellers range from literary masters such as Lakhminath Bezbaroa, Mamoni Raisom Goswami, Saurav Kumar Chaliha, Birendra Kumar Bhattacharyya, and Homen Borgohain to contemporary writers like Harekrishna Deka, Debabrata Das, and Kuladhar Saikia. Among the gems to be found in this selection are Lakhminath Bezbaroa's 'Patmugi' which is a searing portrayal of the injustices of society, especially towards women; Mamoni Raisom Goswami's 'Values', an unforgettable depiction of a destitute woman, for whom her Brahmin ancestry is the only thing that she can take pride in; Harekrishna Deka's 'The Captive', a poignant account of the relationship between a kidnapper and his victim; Homen Borgohain's well-known story 'Looking for Ismael Sheikh', which deals with the effects of religious violence on a community; and Sheelabhadra's 'Sweet Acacia', a romance as evocative as the delicate fragrance of the flower that permeates it. Selected and edited by Mitra Phukan, these and the other stories in this volume offer a fascinating glimpse of a culture and a people that will resonate with readers everywhere.

"Re-Imagining Northeast Writings and Narratives: Language, Culture, and Border Identity" presents a collaborative effort to critically examine the concept of Northeast India, focusing on its linguistic, geographical, cultural, and social dimensions. Through a compilation of articles and essays, the volume delves into various aspects such as language, literature, culture, challenges, and the complexities of identity within the region. Each contribution offers detailed insights and findings, enhancing our understanding of Northeast India's diverse cultural landscape and the experiences of its people. By addressing themes of spatiality, movement, and responses to representations of the Northeast, the volume aims to deepen scholarly engagement with the region and stimulate discourse on its unique linguistic, cultural, and border dynamics. It serves as a valuable resource for researchers, scholars, and anyone interested in gaining a nuanced understanding of Northeast India and its intricate interplay of language, culture, and identity.

The Greatest Kashmiri Stories Ever Told spans almost a century of work by some of the finest writers of short fiction in the language. The storytellers included here range from the earliest practitioners of the craft of short story writing-Dinanath Nadim, Somnath Zutshi, Ali Mohammad Lone-to more contemporary writers like Dheeba Nazir. Some stories in this collection are realistic dramas that hold up a startlingly clear mirror to society, such as Sofi Ghulam Mohammad's 'Paper Tigers', or lay bare the pain of losing one's homeland, as Rattan Lal Shant does in 'Moss Floating on Water'. Then there are others like Ghulam Nabi Shakir's 'Unquenched Thirst' and Umesh Kaul's 'The Heart's Bondage', that look beyond the exterior and focus on the complex inner lives of the women of Kashmir. Selected and translated by Neerja Mattoo, the twenty-five stories in this volume, all born out of the Kashmiri experience, will resonate with readers everywhere.

In Eleven Superbly Crafted Stories Jahnavi Barua Takes Us Into The Private, Individual Worlds Of A Varied Cast Of Characters And Exposes The Intricate Mesh Of Emotions So Often Concealed Under The Façade Of Everyday Lives. Innocent Desires And Furtive Longings, The Complexity Of Fierce Love And The Terrible Consequences Of Its Betrayal, Simple Aspirations That Compel Brave Action, Life S Startling Reversals That Reveal Deep Insecurities And Yet Pave The Way For Forgiveness And Reconciliation These Are Just Some Of The Themes Played Out In These Remarkably Nuanced Snapshots Of Life. Predominantly Set In The Verdant, Politically Charged Landscape Of Assam, Yet Constantly Transcending The Particular, The Stories In Next Door Are Unerringly Human. Subtle And Evocative In Their Telling, They Mark The Introduction Of A Highly Accomplished Voice.

Tells the story of Gay-Neck, a carrier pigeon raised and trained by an Indian boy in Calcutta. Gay-Neck flew messages for the Allies in France during World War I.

A giant snake falls in love with the beautiful and kind hearted Champavati. This is one of the famous stories from Assamese folklore.Assam is a state in the North Eastern part of India with its own rich folklore. Many tales are told by the fireside on lazy winter evenings by wizened old grandmothers to eager wide-eyed young audiences. This book is a humble attempt to convey the mystique of these ancient stories which have been a major source of inspiration for the artist.

The twenty-three stories in The Greatest Gujarati Stories Ever Told represent some of the finest short fiction in Gujarati literature. Selected and edited by translator and writer Rita Kothari, this collection features established literary masters such as K. M. Munshi, Dhumketu, Himanshi Shelat, Dalpat Chauhan, Nazir Mansuri, and Mona Patrawalla, as well as accomplished new voices such as Panna Trivedi, Abhimanyu Acharya, Raam Mori, and others. In K. M. Munshi's epistolary 'A Letter', a childbride is worked to her death as she yearns for her husband's affection; in Neerav Patel's 'Creamy Layer', the politicized, urban, and upwardly mobile Mr and Mrs Vaghela must confront the deep chasm that has grown between them and their family in the village; in Panna Trivedi's 'Maajo', the story's eponymous young narrator longs for butter-soft skin and a Shah Rukh-like glance from a young man on the train; in 'Saubhagyavati: The Fortunate Wife', Dwiref explores the selfish and oppressive nature of marital sex; in 'A Drop of Blood' Jayant Khatri looks at how violent acts engender more violence; Mona Patrawalla explores the tribal region of the Dangs and paints a hair raising picture of the violent forms of power wielded by the Parsi landlords there in 'The Black Horse'; in Dashrath Parmar's 'Nandu', the narrator struggles to hide his caste in the face of insistent questions; in 'Jumo Bhishti' by Dhumketu, we see the wonderful bond between Jumo and his beloved buffalo, Venu; and in Abhimanyu Acharya's 'Chunni', a young woman, Shaili, navigates the world of dating in a city far away from home-these and other stories in the collection are passionate, profound, and timeless, showcasing a range of styles and offering a variegated and singular picture of Gujarat.

A first of its kind, this book brings together the writings of women from Arunachal Pradesh in Northeast India. Home to many different tribes and scores of languages and dialects, once known as a ‘frontier’ state, Arunachal Pradesh began to see major change after it opened up to tourism and once the Indian State introduced Hindi as its official language. In this volume, Mamang Dai, one of Arunachal’s best known writers, brings together new and established voices on subjects as varied as identity, home, belonging, language, Shamanism, folk culture, orality and more. Much of what has been handed down orally, through festivals, epic narratives, the performance of rituals by Shamans and rhapsodists, revered as guardians of collective and tribal memory, is captured here in the words of young poets and writers, as well as artists and illustrators, as they trace their heritage, listen to stories and render them in newer forms of expression.

The Greatest Tamil Stories Ever Told showcases some of the best short fiction to emerge out of Tamil Nadu, dating from the last century to the present day. Two of the earliest stories included here are Subramania Bharati's 'The Story of a Crow Learning Prosody', a satirical tale about the exaltation of language, and 'Kalki' Krishnamurthy's 'The Governor's Visit', about how bigwigs in little places pandered to the British rulers during the time of the Raj. While some stories in this volume wrestle with the idea of public justice, as in Father Mark Stephen's 'Penance' and Sa. Kandasamy's 'The Slaying of Hiranya', others, such as Ambai's 'Journey 4', hide secrets that could destroy lives and relationships if they are ever revealed. Featuring memorable works by, among others, Bama, Perumal Murugan, and Poomani, the thirty stories in this collection, selected and edited by Sujatha Vijayaraghavan and Mini Krishnan, come together to paint a striking picture of the Tamil people.