The Greatest Kashmiri Stories Ever Told spans almost a century of work by some of the finest writers of short fiction in the language. The storytellers included here range from the earliest practitioners of the craft of short story writing-Dinanath Nadim, Somnath Zutshi, Ali Mohammad Lone-to more contemporary writers like Dheeba Nazir. Some stories in this collection are realistic dramas that hold up a startlingly clear mirror to society, such as Sofi Ghulam Mohammad's 'Paper Tigers', or lay bare the pain of losing one's homeland, as Rattan Lal Shant does in 'Moss Floating on Water'. Then there are others like Ghulam Nabi Shakir's 'Unquenched Thirst' and Umesh Kaul's 'The Heart's Bondage', that look beyond the exterior and focus on the complex inner lives of the women of Kashmir. Selected and translated by Neerja Mattoo, the twenty-five stories in this volume, all born out of the Kashmiri experience, will resonate with readers everywhere.

Lal Ded, Habba Khatun, Rupa Bhavani, Arnimal: these four women poets, dating from different periods in the history of Kashmir, are household names in the valley and are claimed by all, no matter what religious, ethnic or other group they belong to. In this beautiful volume, Neerja Mattoo brings their work together for the first time, placing it in two traditions, the mystic and the lyric. Fine and nuanced translations of their poems are accompanied by brief introductions to their work that place the women in a historical context and deal with both the facts and the beliefs about their work.

Rahul Pandita was fourteen years old when he was forced to leave his home in Srinagar along with his family. They were Kashmiri Pandits-the Hindu minority within a Muslim-majority Kashmir that was by 1990 becoming increasingly agitated with the cries of 'Azaadi' from India. Our Moon Has Blood Clots is the story of Kashmir, in which hundreds of thousands of Pandits were tortured, killed and forced to leave their homes by Islamist militants, and forced to spend the rest of their lives in exile in their own country. Pandita has written a deeply personal, powerful and unforgettable story of history, home and loss.

"Charmed by the generous people and exquisite beauty of Kashmir, celebrated photographer John Isaac set out to honor this enchanting land that is unknown to so many. The 160 photographs in The Vale of Kashmir present the people and landscape of this remote and exotic region and the unique way of life that has developed on Dal Lake." "Nestled in the lush area where India, China, and Pakistan meet, the Vale of Kashmir is a vast garden dotted with lakes, marshes, orchards, and terraced fields, surrounded by the snow-capped peaks of the Himalayas. Isaac's spectacular photographs show us canals crowded with houseboats, floating gardens on Dal Lake, and the ancient city of Srinagar. The varied details of daily life-the harvesting of saffron, Hindu pilgrimages through the mountains, shepherds on the Himalayan slopes, and prayers at the mosque-come alive in these pages." "In addition to capturing the breathtaking natural beauty of the Vale, Isaac also honors the private realm of family life in Kashmir, with images of the merchants, farmers, weavers, and fishermen who live on the lake. Though renowned for its abundance of superb handicrafts, including carpets, shawls, silks, woodwork, and papier-mache boxes, Kashmir and its people are largely uncelebrated; Isaac's tender portraits honor these hard-working families. This arresting view of the land and Kashmiri people is put into a historical and geographical context by author Art Davidson's insightful and sensitive introduction."--BOOK JACKET.

Shalimar the Clown is a masterpiece from one of our greatest writers, a dazzling novel that brings together the fiercest passions of the heart and the gravest conflicts of our time into an astonishingly powerful, all-encompassing story. Max Ophuls’ memorable life ends violently in Los Angeles in 1993 when he is murdered by his Muslim driver Noman Sher Noman, also known as Shalimar the Clown. At first the crime seems to be politically motivated—Ophuls was previously ambassador to India, and later US counterterrorism chief—but it is much more. Ophuls is a giant, an architect of the modern world: a Resistance hero and best-selling author, brilliant economist and clandestine US intelligence official. But it is as Ambassador to India that the seeds of his demise are planted, thanks to another of his great roles—irresistible lover. Visiting the Kashmiri village of Pachigam, Ophuls lures an impossibly beautiful dancer, the ambitious (and willing) Boonyi Kaul, away from her husband, and installs her as his mistress in Delhi. But their affair cannot be kept secret, and when Boonyi returns home, disgraced and obese, it seems that all she has waiting for her is the inevitable revenge of her husband: Noman Sher Noman, Shalimar the Clown. He was an acrobat and tightrope walker in their village’s traditional theatrical troupe; but soon Shalimar is trained as a militant in Kashmir’s increasingly brutal insurrection, and eventually becomes a terrorist with a global remit and a deeply personal mission of vengeance. In this stunningly rich book everything is connected, and everyone is a part of everyone else. A powerful love story, intensely political and historically informed, Shalimar the Clown is also profoundly human, an involving story of people’s lives, desires and crises, as well as—in typical Rushdie fashion—a magical tale where the dead speak and the future can be foreseen.

Basharat Peer was a teenager when the separatist movement exploded in Kashmir in 1989. Over the following years countless young men, seduced by the romance of the militant, fuelled by feelings of injustice, crossed over the Line of Control to train in Pakistani army camps. Peer was sent off to boarding school in Aligarh to keep out of trouble. He finished college and became a journalist in Delhi. But Kashmir—angrier, more violent, more hopeless—was never far away. In 2003, the young journalist left his job and returned to his homeland to search out the stories and the people which had haunted him. In Curfewed Night he draws a harrowing portrait of Kashmir and its people. Here are stories of a young man’s initiation into a Pakistani training camp; a mother who watches her son forced to hold an exploding bomb; a poet who finds religion when his entire family is killed. Of politicians living in refurbished torture chambers and former militants dreaming of discotheques; of idyllic villages rigged with landmines, temples which have become army bunkers, and ancient sufi shrines decapitated in bomb blasts. And here is finally the old story of the return home—and the discovery that there may not be any redemption in it. Lyrical, spare, gutwrenching and intimate, Curfewed Night is a stunning book and an unforgettable portrait of Kashmir in war.

Filled with serpent kings, long lost lovers, magical birds and seductive witches, The Legend of Himal and Nagrai is an enchanting collection of folk tales from a land as beautiful as it is misunderstood--Kashmir. In the title story, the serpent king Nagrai takes on human form to be with his one true love--the princess Himal. But despite Nagrai's warnings, when Himal doubts her lover's origins, all hell breaks loose. Will the star-crossed lovers ever be together? In 'Akanandun', having pined for a son for years, a couple is finally blessed with a beautiful boy--but on one diabolical condition. Will the couple be able to keep their word? In 'Shikaslad', a pauper goes on a quest to awaken his luck, which has been 'asleep' for years. Will he recognize good luck staring him in the face? These and twenty-six other delightful folk tales--painstakingly collected and retold by the author--bring to light the immensely rich, multicultural and largely undocumented tradition of storytelling in Kashmir. At a time when Kashmiri voices are being brutally silenced by an authoritarian state, this book is a vibrant tapestry celebrating Kashmiri life--in the words of its people.

For fans of The Tea-Planter’s Wife and Victoria Hislop comes a gripping story of doomed love and secrets in 1940s Kashmir.

Selected and translated by renowned writer, editor and translator Arunava Sinha, the twenty-one stories in this anthology represent the finest example of the genre. Some of the world's finest short fiction has originated (and continues to flow) from) the cities, villages, rivers, forests and plains of Bengal. This selection features twenty-one of the very best stories from the region. Here, the reader will find one of Rabindranath Tagore's most revered stories 'The Kabuliwallah' in a glinting new translation, memorable studies of ordinary people from Tarashankar and Bibhutibhushan Bandyopadhyay, the iconic Sarat Chandra Chattopadhyay's wrenching study of Bengali society, 'Mahesh', as well as over a dozen other astounding stories by some of the greatest practitioners of the form-Buddha deva Bose, Ashapurna Debi, Premendra Mitra, Satyajit Ray, Ritwik Ghatak, Mahasweta Devi, Sunil Gangopadhyay and Nabarun Bhattacharya, among others. These are stories of anger, loss, grief, disillusionment, magic, politics, trickery, humour and the darkness of mind and heart. They reimagine life in ways that make them unforgettable.