The Gospel According to Blindboy is a surreal and genre-defying collection of short stories and visual art exploring the myths, complacencies and contradictions at the heart of modern Ireland. Covering themes ranging from love and death to sex and politics, there's a story about a girl from Tipp being kicked out of ISIS, a van powered by Cork people's accents and a man who drags a fridge on his back through Limerick. Whip-smart, provocative and animated by the author's unmistakably dark wit, it is unlike anything else you will read this year. 'Mad, wild, hysterical, and all completely under the writer's control – this is a brilliant debut.' Kevin Barry 'There is genius in this book, warped genius. Like you'd expect from a man who for his day job wears a plastic bag on his head but something beyond that too. Oddly in keeping with the tradition of great Irish writers.' Russell Brand 'One of Ireland's finest and most intelligent comic minds delivers stories so blisteringly funny and sharp your fingers might bleed.' Tara Flynn 'Essential, funny and disturbing.' Danny Boyle

Boulevard Wren and Other Stories is the stunning follow-up to the bestselling Gospel According to Blindboy, and a warped mirror held up to the Irish psyche. Provocative and unsettling, the stories rove through the centuries, from the barren fields of Famine-struck Meath to the chaotic landscape of the near future, where social media has colonised the deepest recesses of the human subconscious. This is a world populated by characters lost and at odds with the demands of contemporary life, for whom the line separating redemption and madness has grown impossibly fine. Razor-sharp social satire, it is an era-defining work from one of Ireland's most anarchic satirists and a quietly devastating portrait of a society in disarray.

DAFT WEE STORIES is Limmy’s first book. It is a collection of stories. There are short stories. There are longer stories. There are stupid stories. There are thoughtful stories. There are upside-down stories. There are normal-way-up stories. There are weird stories. There are less weird stories. There are really weird stories. There is nothing else like it. Have a read.

Rediscover the lost words of an ancient land in this new and updated edition of an international bestseller. Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German, and branches spanning the world, from Australia and India to North America. But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic. In Thirty-Two Words for Field Manchán Magan explores the enchantment, sublime beauty and sheer oddness of a 3000-year-old lexicon. Imbuing the natural world with meaning and magic, it evokes a time-honoured way of life, from its 32 separate words for a field, to terms like loisideach (a place with a lot of kneading troughs), bróis (whiskey for a horseman at a wedding), and iarmhaireacht (the loneliness you feel when you are the only person awake at cockcrow). Told through stories collected from Magan's own life and travels, Thirty-Two Words for Field is an enthralling celebration of Irish words, and a testament to the indelible relationship between landscape, culture and language.

This miracle of autobiography and prison literature begins: "Friday, in the evening, the landlady shouted up the stairs: 'Oh God, oh Jesus, oh Sacred Heart, Boy, there's two gentlemen here to see you.' I knew by the screeches of her that the gentlemen were not calling to inquire after my health . . . I grabbed my suitcase, containing Pot. Chlor., Sulph Ac, gelignite, detonators, electrical and ignition, and the rest of my Sinn Fein conjurer's outfit, and carried it to the window . . ." The men were, of course, the police, and seventeen-year-old Behan. He spent three years as a prisoner in England, primarily in Borstal (reform school), and was then expelled to his homeland, a changed but hardly defeated rebel. Once banned in the Irish Republic, Borstal Boy is both a riveting self-portrait and a clear look into the problems, passions, and heartbreak of Ireland.

Aisling Creegan's childhood was dominated by an abusive, alcoholic mother, who tortured her at every turn. From insults and beatings to being threatened with a butcher's knife, Aisling endured unthinkable suffering at the hands of the woman who should have loved her unconditionally. Yet, in the midst of this trauma, Aisling relied on the one person she knew she could trust – herself. Possessed of an incredible imagination and remarkable resilience, Aisling found escape in the little things in life. Her power to imagine an alternative world enabled her to hold on and make it to adolescence and the freedom she had longed for since childhood. But the scars of the past take time to heal, and when Aisling suffered a breakdown it took her on a surprising path to freedom – and forgiveness. I Am Someone is an extraordinary memoir about female cruelty and – ultimately – female strength and endurance. 'Searingly honest ... brings you straight into the inner world of someone pushed to the limits' Lynn Ruane

'...from time to time a study comes along that truly can be called ‘path breaking,’ ‘seminal,’ ‘essential,’ a ‘must read.’ How the Irish Became White is such a study.' John Bracey, W.E.B. Du Bois Department of Afro-American Studies, University of Massachussetts, Amherst The Irish came to America in the eighteenth century, fleeing a homeland under foreign occupation and a caste system that regarded them as the lowest form of humanity. In the new country – a land of opportunity – they found a very different form of social hierarchy, one that was based on the color of a person’s skin. Noel Ignatiev’s 1995 book – the first published work of one of America’s leading and most controversial historians – tells the story of how the oppressed became the oppressors; how the new Irish immigrants achieved acceptance among an initially hostile population only by proving that they could be more brutal in their oppression of African Americans than the nativists. This is the story of How the Irish Became White.

In the age of Buzzfeeds, hashtags, and Tweets, students are increasingly favoring conversational writing and regarding academic writing as less pertinent in their personal lives, education, and future careers. Writing and Literature: Composition as Inquiry, Learning, Thinking and Communication connects students with works and exercises and promotes student learning that is kairotic and constructive. Dr. Tanya Long Bennett, professor of English at the University of North Georgia, poses questions that encourage active rather than passive learning. Furthering ideas presented in Contribute a Verse: A Guide to First-Year Composition as a complimentary companion, Writing and Literature builds a new conversation covering various genres of literature and writing. Students learn the various writing styles appropriate for analyzing, addressing, and critiquing these genres including poetry, novels, dramas, and research writing. The text and its pairing of helpful visual aids throughout emphasizes the importance of critical reading and analysis in producing a successful composition. Writing and Literature is a refreshing textbook that links learning, literature, and life.

After nearly four decades of ministry, Andrew Wommack has discovered some important truths about prayer. His prayer life is much different than it was thirty years ago and the results have dramatically improved! You may be asking many of the same questions Andrew once did. Is prayer my Christian duty? Is prayer primarily about asking God to meet my needs and the needs of others? Is God's answer to my prayer based on the degree of my humility and sincerity? Is answered prayer a sovereign decision of God or do I have the ability to influence Him? Clear, scriptural answers to these questions and more could significantly change the way you pray. These principles may not be the only way to pray, but if you're not getting the results you desire, consider changing directions; maybe there is A Better Way to Pray.