"A fascinating book that takes us deep into Edith Sitwell's world of artifice, disguise, high camp, and verbal ingenuity. In these essays, Sitwell emerges as a central figure in an alternative avant-garde in early twentieth-century Britain."--Faye Hammill, author of Sophistication: A Literary and Cultural History Establishing Edith Sitwell at the center of British modernism, this volume showcases her many achievements in poetry, autobiography, novel writing, criticism, art, and performance. Forgoing the gossip about her eccentric appearance and self-fashioned persona that has too often overshadowed serious writing about her work, the contributors explore how Sitwell combined persona and poetry to foster an outpouring of iconoclastic creativity. The Many Facades of Edith Sitwell argues that Sitwell was crucial to the development of a British avant-garde that operated alongside the conventionally accepted transatlantic modernism of Ezra Pound and T. S. Eliot. With Sitwell as an influential literary player and social architect, the British interwar arts scene was not an ascetic escape from personality--as the modernism of Pound and Eliot has often been characterized--but an alternative space of flamboyant, extravagant, and ornate performance. Allan Pero is associate professor of English at the University of Western Ontario. Gyllian Phillips is associate professor of English studies at Nipissing University.

This book is an exploration of Plato's Republic that bypasses arcane scholarly debates. Plato's Fable provides refreshing insight into what, in Plato's view, is the central problem of life: the mortal propensity to adopt defective ways of answering the question of how to live well. How, in light of these tendencies, can humankind be saved? Joshua Mitchell discusses the question in unprecedented depth by examining one of the great books of Western civilization. He draws us beyond the ancients/moderns debate, and beyond the notion that Plato's Republic is best understood as shedding light on the promise of discursive democracy. Instead, Mitchell argues, the question that ought to preoccupy us today is neither "reason" nor "discourse," but rather "imitation." To what extent is man first and foremost an "imitative" being? This, Mitchell asserts, is the subtext of the great political and foreign policy debates of our times. Plato's Fable is not simply a work of textual exegesis. It is an attempt to move debates within political theory beyond their current location. Mitchell recovers insights about the depth of the problem of mortal imitation from Plato's magnificent work, and seeks to explicate the meaning of Plato's central claim--that "only philosophy can save us."

It was just striking three as I came up the companion-stairs on to the deck of the Cottage City, into the clear topaz light of a June morning in Alaska: light that had not failed through all the night, for in this far northern latitude the sun only just dips beneath the horizon at midnight for an hour, leaving all the earth and sky still bathed in limpid yellow light, gently paling at that mystic time and glowing to its full glory again as the sun rises above the rim. Our steamer had left the open sea and entered the Taku Inlet, and we were steaming very slowly up it, surrounded on every side by great glittering blocks of ice, flashing in the sunshine as they floated by on the buoyant blue water. How blue it was, the colouring of sea and sky! Both were so vividly blue, the note of each so deep, so intense, one seemed almost intoxicated with colour. I stepped to the vessel's side, then made my way forward and stood there; I, the lover of the East, dazzled by the beauty of the North! The marvellous picture before me was painted in but three colours, blue, gold, and white.

Victoria Cross wrote a novel titled "Five Nights: A Novel," which was released in 1908. The protagonist of the tale is Lady Ursula, a woman compelled to stay in a haunted house for five nights in order to inherit her uncle's wealth. The spirit of a woman who passed away years ago is supposed to haunt and curse the house. Mr. Grey, a barrister and friend of Lady Ursula's, is skeptical about the otherworldly allegations. Lady Ursula starts to have weird and scary experiences as the evenings go by, which makes her doubt her sanity. Mr. Grey attempts to explain the happenings, but he soon comes to the conclusion that there might be a darker motive at work. This rare antiquarian book is a facsimile replica of the ancient original and can include some marks and annotations from libraries. We have made this work available as part of our dedication to safeguarding, preserving, and promoting the world's literature in reasonably priced, excellent, contemporary editions that are faithful to their original work because we think it is significant to culture.

Virtuosi A Defense and a (Sometimes Erotic) Celebration of Great Pianists Mark Mitchell A bravura performance "Vigorous, opinionated, and always entertaining, here is a personal essayist of great charm and sincerity. Mitchell's erudition--his collection of odd and illuminating bits of knowledge--is always a delight and adds a sauce piquanteto the whole dish " --Edmund White "...a literary work of real lan, vibrancy, and grace--the very qualities that in his view define the virtuoso. Mr. Mitchell explores] the traditional linking of musical and sexual virtuosity, the ethical implications of the original instruments' movement, the near deification of Mozart in Anglo-Saxon culture, and, in a particularly witty section, the relationship of the virtuoso to his stool. Throughout, Mr. Mitchell's prose is humorous, intimate, and unapologeticaly polemical." --Cynthia Ozick The artistic merit of performers with superior technique has long been almost ipso facto denied. At last, Mark Mitchell launches a counterattack. In essays crackling with pianistic lore, Mitchell takes on topics such as encores, prodigies, competitions, virtuosi in film and literature, and the erotics of musical performance. Liszt, Horowitz, and Argerich share these pages with the eccentric Pachmann, Ervin Nyiregyh ("the skid-row pianist"), and Liberace. The illustrations include rare portraits of long-forgotten girl prodigies, historic concert programs, and stills from a lost 1927 film on Beethoven. Punctuating this celebration of personal voice are vignettes, running from the beginnings of the author's obsession with the piano to the particularities of concert-going in Italy (where he now lives). Mark Mitchell's piano studies led to a friendship with Vladimir Horowitz and other pianistic luminaries. With David Leavitt he co-authored Italian Pleasures and co-edited Pages Passed from Hand to Hand. He also edited The Penguin Book of International Gay Writing.

When a celebrity is found murdered, the FBI turns to Jade Savage, female bodyguard to the stars, pairing up to use her insight to navigate the world of the famous—and stop a serial killer before he strikes again. When a famous woman falls victim to a rare poison, bodyguard Jade Savage finds herself thrust into the dark world of high-profile murder. The pressure mounts with each death as Jade races against time to catch the killer before it’s too late. “Molly Black has written a taut thriller that will keep you on the edge of your seat… I absolutely loved this book and can’t wait to read the next book in the series!” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ ALL SHE FEARS is BOOK #1 of a brand-new series by critically acclaimed and #1 bestselling mystery and suspense author Molly Black, whose books have received over 2,000 five-star reviews and ratings. The Jade Savage series is an enthralling mystery series filled with constant action, suspense, unpredictable plot twists, and shocking discoveries. Its brilliant and tormented female protagonist will captivate readers and keep them turning pages well into the night. Fans of Karin Slaughter, Mary Burton, and Rachel Caine are sure to fall in love. “I binge read this book. It hooked me in and didn't stop till the last few pages… I look forward to reading more!” —Reader review for Found You ⭐⭐⭐⭐⭐ “I loved this book! Fast-paced plot, great characters and interesting insights into investigating cold cases. I can't wait to read the next book!” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ “Very good book… You will feel like you are right there looking for the kidnapper! I know I will be reading more in this series!” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ “This is a very well written book and holds your interest from page 1… Definitely looking forward to reading the next one in the series, and hopefully others as well!” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ “Wow, I cannot wait for the next in this series. Starts with a bang and just keeps going.” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ “Well written book with a great plot, one that will keep you up at night. A page turner!” —Reader review for Girl One: Murder ⭐⭐⭐⭐⭐ “A great suspense that keeps you reading… can't wait for the next in this series!” —Reader review for Found You ⭐⭐⭐⭐⭐ “Sooo soo good! There are a few unforeseen twists… I binge read this like I binge watch Netflix. It just sucks you in.” —Reader review for Found You ⭐⭐⭐⭐⭐

The Vanishing Queen Discover the captivating world of ancient Egypt through the eyes of Nefertiti, the enigmatic queen whose beauty and influence shaped an empire. This historical fiction novel delves deep into the political intrigue, religious upheaval, and personal struggles of a woman ahead of her time. From her humble beginnings to her rise to power as Great Royal Wife, experience the drama, romance, and tragedy of Nefertiti's extraordinary life. Uncover the secrets behind her mysterious disappearance and explore the lasting impact of her reign on Egypt's history. Nefertiti, ancient Egypt, historical fiction, Amarna period, Akhenaten, Egyptian queen, women in history, historical novel, Egyptian mythology, ancient civilizations

"Andreas Krieg examines how state and nonstate actors weaponize narratives in the information space to subvert a target audience or government. One of the most important contributions of the work is his argument that these subversive information operations can achieve strategic, not just tactical effects, through a six-stage process. Subversive information operations rely on networks consisting of a range of virtual, human, and organizational surrogates who help a patron to spread its narratives to subvert the target. This type of subversion is aimed at undermining a community's trust in authority, most notably those established authorities that produce, vet, and disseminate information and knowledge. The subversion of trust between community and authority may eventually threaten sociopolitical cohesion and can mobilize unrest both in the virtual and physical space. After a conceptual discussion, Krieg closely examines subversion campaigns by two states in particular, Russia and the United Arab Emirates (UAE). Krieg concludes by offering recommendations about how vulnerable states and communities can become more resilient"--

52 Short Stories.