A collection of nine stories in which characters encounter talking plants, a pine-tree man, a merry-go-round with flying horses, mystical midnight birds, and a cake-eating tree.

The best-known and most sensational event in Vincent van Gogh’s life is also the least understood. For more than a century, biographers and historians seeking definitive facts about what happened on a December night in Arles have unearthed more questions than answers. Why would an artist at the height of his powers commit such a brutal act? Who was the mysterious “Rachel” to whom he presented his macabre gift? Did he use a razor or a knife? Was it just a segment—or did Van Gogh really lop off his entire ear? In Van Gogh’s Ear, Bernadette Murphy reveals, for the first time, the true story of this long-misunderstood incident, sweeping away decades of myth and giving us a glimpse of a troubled but brilliant artist at his breaking point. Murphy’s detective work takes her from Europe to the United States and back, from the holdings of major museums to the moldering contents of forgotten archives. She braids together her own thrilling journey of discovery with a narrative of Van Gogh’s life in Arles, the sleepy Provençal town where he created his finest work, and vividly reconstructs the world in which he moved—the madams and prostitutes, café patrons and police inspectors, shepherds and bohemian artists. We encounter Van Gogh’s brother and benefactor Theo, his guest and fellow painter Paul Gauguin, and many local subjects of Van Gogh’s paintings, some of whom Murphy identifies for the first time. Strikingly, Murphy uncovers previously unknown information about “Rachel”—and uses it to propose a bold new hypothesis about what was occurring in Van Gogh’s heart and mind as he made a mysterious delivery to her doorstep. As it reopens one of art history’s most famous cold cases, Van Gogh’s Ear becomes a fascinating work of detection. It is also a study of a painter creating his most iconic and revolutionary work, pushing himself ever closer to greatness even as he edged toward madness—and one fateful sweep of the blade that would resonate through the ages.

I want them. I need them. I love them. Beautiful earrings. Glorious earrings. What will a young girl do to get her ears pierced? Will she walk the dog for a year? YES! Will she clean her room every day for a year? YES! Will she be nice to her brother for a year? YES! Well, maybe for six months...

Hoping to avoid eating her peas, Mabel puts them in her ears and discovers that her impaired hearing leads to other problems.

This that I now tell is as I saw my mothers do, or did myself, when I was young. My mothers were industrious women, and our family had always good crops; and I will tell now how the women of my father's family cared for their fields, as I saw them, and helped them. --Buffalo Bird Woman

Liza begins to doubt her feelings for Annie after someone finds out about their relationship, and realizes, after starting college, that her denial of love for Annie was a mistake. Reprint.

Pregnant Baltimore PI Tess Monaghan probes the disappearance of a chic blonde green-raincoated dog walker she'd been watching from her comfy prison. Tess also takes in the missing woman's abandoned green-slickered Italian greyhound from hell and unravels a complex scam.

This is the story of Gracie, your everyday fun-loving kid who does everything that you do, but has trouble hearing. It's as if her ears are sleeping! Can anyone or anything wake up Gracie's ears? Based on a true story. Told in rhyme, this uplifting story with gentle illustrations is based on a real little girl who doesn't realize her ears aren't working like most people's do. When her family searches for answers, she discovers the wonder of hearing aids and the sounds of the world. Gracie's Ears introduces what hearing aids are to young children needing help to hear and to their friends who wonder - what are those things in their friend's ears and what do they do?

He thought of his dream, of how he had looked up out of his hole, his pit, his wolf-pit, and seen the foreign leaves, which had formed themselves into a face... Laid low by a tropical disease and an accompanying malaise, Crispin Clare returns to his ancestral home in East Anglia. Local folklore seeps into his fever dreams and into his writing, and the lines between reality and myth soon start to blur. In this finely woven tale of illness and recovery, family and fable, Randolph Stow creates a unique imaginative landscape, populated by figures from old English myths and legends, and from Clare’s present. Julian Randolph ‘Mick’ Stow was born in Geraldton, Western Australia, in 1935. He attended local schools before boarding at Guildford Grammar in Perth, where the renowned author Kenneth Mackenzie had been a student. While at university he sent his poems to a British publisher. The resulting collection, Act One, won the Australian Literature Society’s Gold Medal in 1957—as did the prolific young writer’s third novel, To the Islands, the following year. To the Islands also won the 1958 Miles Franklin Literary Award. Stow reworked the novel for a second edition almost twenty-five years later, but never allowed its two predecessors to be republished. He worked briefly as an anthropologist’s assistant in New Guinea—an experience that subsequently informed Visitants, one of three masterful late novels—then fell seriously ill and returned to Australia. In the 1960s he lectured at universities in Australia and England, and lived in America on a Harkness fellowship. He published his second collection of verse, Outrider; the novel Tourmaline, on which critical opinion was divided; and his most popular fiction, The Merry-Go-Round in the Sea and Midnite. For years afterwards Stow produced mainly poetry, libretti and reviews. In 1969 he settled permanently in England: first in Suffolk, then in Essex, where he moved in 1981. He received the 1979 Patrick White Award. Randolph Stow died in 2010, aged seventy-four. A private man, a prodigiously gifted yet intermittently silent author, he has been hailed as ‘the least visible figure of that great twentieth-century triumvirate of Australian novelists whose other members are Patrick White and Christina Stead’. Praise for The Girl Green as Elderflower ‘As eccentric as it is magnificently achieved.’ Geordie Williamson ‘His novels and poetry embody a uniquely rich and strange account of the land and people of Australia that we can ill afford to lose.’ Australian Book Review

From the author of Norwegian By Night comes a new novel about two men on a misbegotten quest to save the girl they failed to save decades before. 1991. Near Checkpoint Zulu, one hundred miles from the Kuwaiti border, Thomas Benton meets Arwood Hobbes. Benton is a British journalist who reports from war zones, in part to avoid his lacklustre marriage and a daughter he loves but cannot connect with; Hobbes is a midwestern American private who might be an insufferable ignoramus, or might be a brilliant lunatic with a death wish — it’s hard to tell. Operation Desert Storm is over, peace has been declared, but as they argue about whether it makes sense to cross the nearest border in search of an ice cream, they become embroiled in a horrific attack in which a young local girl in a green dress is shot in the back and dies in Hobbes’s arms. The two men walk away into their respective lives. But something has cracked for them both. Twenty-two years later, in another place, in another war, the two men meet again. Benton and relief worker Märta Ström are persuaded by a much-changed Hobbes to embark on what may be a fool’s errand in a last-chance effort to redeem themselves when the girl in green is found alive and in need of salvation. Or is she? Set against the war-torn landscape of a shattered Iraq, The Girl in Green is an adventure story told with all the wit, humanity, and insight of Miller’s acclaimed debut. PRAISE FOR DEREK B. MILLER ‘A suspenseful, character-driven, eerily prescient moral thriller.’ The Saturday Age ‘Miller brilliantly blends offbeat reflection and dark emotion ... A penetrating, poetic, and unexpectedly disarming book about the ageless conflict in the Middle East.’ Kirkus