He thought of his dream, of how he had looked up out of his hole, his pit, his wolf-pit, and seen the foreign leaves, which had formed themselves into a face... Laid low by a tropical disease and an accompanying malaise, Crispin Clare returns to his ancestral home in East Anglia. Local folklore seeps into his fever dreams and into his writing, and the lines between reality and myth soon start to blur. In this finely woven tale of illness and recovery, family and fable, Randolph Stow creates a unique imaginative landscape, populated by figures from old English myths and legends, and from Clare’s present. Julian Randolph ‘Mick’ Stow was born in Geraldton, Western Australia, in 1935. He attended local schools before boarding at Guildford Grammar in Perth, where the renowned author Kenneth Mackenzie had been a student. While at university he sent his poems to a British publisher. The resulting collection, Act One, won the Australian Literature Society’s Gold Medal in 1957—as did the prolific young writer’s third novel, To the Islands, the following year. To the Islands also won the 1958 Miles Franklin Literary Award. Stow reworked the novel for a second edition almost twenty-five years later, but never allowed its two predecessors to be republished. He worked briefly as an anthropologist’s assistant in New Guinea—an experience that subsequently informed Visitants, one of three masterful late novels—then fell seriously ill and returned to Australia. In the 1960s he lectured at universities in Australia and England, and lived in America on a Harkness fellowship. He published his second collection of verse, Outrider; the novel Tourmaline, on which critical opinion was divided; and his most popular fiction, The Merry-Go-Round in the Sea and Midnite. For years afterwards Stow produced mainly poetry, libretti and reviews. In 1969 he settled permanently in England: first in Suffolk, then in Essex, where he moved in 1981. He received the 1979 Patrick White Award. Randolph Stow died in 2010, aged seventy-four. A private man, a prodigiously gifted yet intermittently silent author, he has been hailed as ‘the least visible figure of that great twentieth-century triumvirate of Australian novelists whose other members are Patrick White and Christina Stead’. Praise for The Girl Green as Elderflower ‘As eccentric as it is magnificently achieved.’ Geordie Williamson ‘His novels and poetry embody a uniquely rich and strange account of the land and people of Australia that we can ill afford to lose.’ Australian Book Review

I want to die. I do not want to be mad...It is like my body is a house, and some visitor has come, and attacked the person who lived there. After an Australian patrol officer commits suicide on a remote New Guinea island in 1959, five witnesses are called to a government inquiry. Each has a disturbing story to tell: strand by strand, the mystery of the officer’s past is unravelled. But what of other visitants, like the unidentified flying object and the cargo cult it has inspired on the island? Informed by Randolph Stow’s experiences, Visitants is an original, astonishing investigation of colonialism. Julian Randolph ‘Mick’ Stow was born in Geraldton, Western Australia, in 1935. He attended local schools before boarding at Guildford Grammar in Perth, where the renowned author Kenneth Mackenzie had been a student. While at university he sent his poems to a British publisher. The resulting collection, Act One, won the Australian Literature Society’s Gold Medal in 1957—as did the prolific young writer’s third novel, To the Islands, the following year. To the Islands also won the 1958 Miles Franklin Literary Award. Stow reworked the novel for a second edition almost twenty-five years later, but never allowed its two predecessors to be republished. He worked briefly as an anthropologist’s assistant in New Guinea—an experience that subsequently informed Visitants, one of three masterful late novels—then fell seriously ill and returned to Australia. In the 1960s he lectured at universities in Australia and England, and lived in America on a Harkness fellowship. He published his second collection of verse, Outrider; the novel Tourmaline, on which critical opinion was divided; and his most popular fiction, The Merry-Go-Round in the Sea and Midnite. For years afterwards Stow produced mainly poetry, libretti and reviews. In 1969 he settled permanently in England: first in Suffolk, then in Essex, where he moved in 1981. He received the 1979 Patrick White Award. Randolph Stow died in 2010, aged seventy-four. A private man, a prodigiously gifted yet intermittently silent author, he has been hailed as ‘the least visible figure of that great twentieth-century triumvirate of Australian novelists whose other members are Patrick White and Christina Stead’. Praise for Visitants ‘A brilliant, ambitious novel.’ Sydney Morning Herald ‘Tautly and vibrantly written, and brilliantly evocative of its Trobriand Islands setting.’ Australian Book Review ‘Stow is an exceptional writer, truly gifted at capturing the natural environment as well as the essential physical and psychological characteristics of his characters. What makes his work memorable however is his examination of human connections...Beautiful.’ Salty Popcorn

Randolph Stow was one of the great Australian writers of his generation. His novel To the Islands - written in his early twenties after living on a remote Aboriginal mission - won the Miles Franklin Award for 1958. In later life, after publishing seven remarkable novels and several collections of poetry, Stow's literary output slowed. This biography examines the productive period as well as his long periods of publishing silence. In Mick: A Life of Randolph Stow, Suzanne Falkiner unravels the reasons behind Randolph Stow's quiet retreat from Australia and the wider literary world. Meticulously researched, insightful and at times deeply moving, Falkiner's biography pieces together an intriguing story from Stow's personal letters, diaries, and interviews with the people who knew him best. And many of her tales - from Stow's beginnings in idyllic rural Australia, to his critical turning point in Papua New Guinea, and his final years in Essex, England - provide us with keys to unlock the meaning of Stow's rich and introspective works. *** "The overriding virtue of this book is Falkiner's steady trust in the intelligence of her readers. She spells very little out, presenting us instead with this carefully curated wealth of textual evidence." -- Kerryn Goldsworthy, Australian Book Review *** Finally we have some sense of the wounds that shaped and animated Stow's poetry and fiction." -- Geordie Williamson, The Australian *** "Suzanne Falkiner's prodigious biography of Randolph Stow is a book long awaited by many; not just the literati of his native Australia but those countless readers who feasted on his novels and wondered what kind of person could write with such imaginative power. Not only do we come to appreciate what led this renowned Australian writer to create his celebrated fictional works, but we are also given rare glimpses into the inner world of this most private individual, whose personal demons included a dependence on alcohol, two suicide attempts, and struggles with homosexuality. Falkiner cut her teeth on six previous biographies, which stood her in good stead to tackle this challenge. Against significant odds, she has done a masterful job in painting a portrait of one of Australia's most revered writers, somewhat akin to what compatriot David Marr did for Nobel Prize-winning author Patrick White. It will no doubt send readers scurrying back to Stow's novels, which, as Marr once said, is the best news a biographer can hear." --World Literature Today, January-February 2017 [Subject: Biography, Literary Criticism]

A little boy who had caught a cold after getting his feet wet, drank an elder infusion that his mother had prepared to warm him up and his grandfather told him the story of the Little Elder-Tree Mother. Hans Christian Andersen (1805-1875) was a Danish author, poet and artist. Celebrated for children’s literature, his most cherished fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Steadfast Tin Soldier", "The Snow Queen", "The Ugly Duckling" and "The Little Match Girl". His books have been translated into every living language, and today there is no child or adult that has not met Andersen's whimsical characters. His fairy tales have been adapted to stage and screen countless times, most notably by Disney with the animated films "The Little Mermaid" in 1989 and "Frozen", which is loosely based on "The Snow Queen", in 2013. Thanks to Andersen's contribution to children's literature, his birth date, April 2, is celebrated as International Children's Book Day.

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Tin River is a townlet of terminal attractiveness. Tin River is a state of mind. Researching in the archives Belle discovers the long-dead Gaden Lockyer, a colonial pioneer in Jericho Flats, and soon becomes obsessed. Belle’s quest for Lockyer is her way of coming to terms with the past—her mother, ‘a drummer in her own all-women’s group’; her absent American father; and her ineffectual husband, Seb. In Reaching Tin River, Thea Astley’s satire is at its sharpest and most entertaining. Thea Astley was born in Brisbane in 1925. Her first novel, Girl with a Monkey, was published in 1958 and her third, The Well Dressed Explorer (1962), won the Miles Franklin Literary Award. Many notable books followed, among them the groundbreaking A Kindness Cup (1974), which addressed frontier massacres of Indigenous Australians, and It’s Raining in Mango (1987). Her last novel was Drylands (1999), her fourth Miles Franklin winner. Her fiction is distinguished by vivid imagery and metaphor; a complex, ironic style; and a desire to highlight oppression and social injustice. One of the most distinctive and influential Australian novelists of the twentieth century, Astley died in 2004. ‘How lucidly Ms. Astley evokes for us Australia's rough pioneer history and Belle's love for it...You will like this journey, I promise, and when it is over you will wish it weren't, and you will feel cross and want from Ms. Astley much, much more.’ New York Times ‘Dazzling imagery on every page...Beautifully written.’ Publishers Weekly ‘Intelligent, fresh, and new.’ Kirkus Reviews

Alarmed by the increasingly marginal status of Australian literature in the academy, Williamson has set out to reintroduce us to those key writers whose works we may have forgotten or missed altogether. His focus is on fiction that gives pleasure, and he is ardent in defence of books that for whatever reason sit uneasily in the present moment.

There are numerous twentieth century writers in English who are not technically native speakers of the language, and whose relation to it is ambivalent, problematic or even hostile: by a simple kinship analogy one may often speak of the 'stepmother tongue'. Whilst fully aware of the current debates in postcolonial theory, John Skinner is also conscious of its sometimes unhelpful complexities and contradictions. The focus of this study is thus firmly on the fictional practice of the writers discussed. He offers the reader an insight into the diversity and rewards of contemporary anglophone fiction, whilst analysing some eighty individual texts. A uniquely comprehensive guide, the book will be welcomed by students and teachers of postcolonial literature.