This two-volume set investigates the evangelical presence in America as experienced through digital media, examining current evangelical ideologies regarding education, politics, family, and government. Evangelical broadcasting has greatly expanded its footprint in the digital age. This informative text acquaints readers with how the electronic church of today spreads its message through Internet podcasts, social networking, religious radio programs, and televised sermons; how mass media forms the institution's modern identity; and what the future of the industry holds as mobile church apps, Christian-based video games, and online worship become the norm. The work—split into two volumes—reveals the ways that the Christian broadcast community affects evangelical traditions and influences American society in general. Volume 1 explores how electronic media shapes today's Christian subculture, while the second volume describes how the electronic church impacts the wider American culture, analyzing what key figures in evangelical mass media are saying about today's religious, political, economic, and social issues. The set concludes by addressing criticism about religious media and the prospects of American public discourse to accomodate both secular and religious voices.

Outstanding Academic Title for 2007, Choice Magazine Ever wonder how American television came to be the much-derided, advertising-heavy home to reality programming, formulaic situation comedies, hapless men, and buxom, scantily clad women? Could it have been something different, focusing instead on culture, theater, and performing arts? In Same Time, Same Station, historian James L. Baughman takes readers behind the scenes of early broadcasting, examining corporate machinations that determined the future of television. Split into two camps—those who thought TV could meet and possibly raise the expectations of wealthier, better-educated post-war consumers and those who believed success meant mimicking the products of movie houses and radio—decision makers fought a battle of ideas that peaked in the 1950s, just as TV became a central facet of daily life for most Americans. Baughman’s engagingly written account of the brief but contentious debate shows how the inner workings and outward actions of the major networks, advertisers, producers, writers, and entertainers ultimately made TV the primary forum for entertainment and information. The tale of television's founding years reveals a series of decisions that favored commercial success over cultural aspiration.

Was the space program the signature project of secular modernity or a symbol of humankind’s perpetual quest for communion with God? “In the beginning God created the heavens and the earth . . .” In 1968 the world watched as Earth rose over the moonscape, televised from the orbiting Apollo 8 mission capsule. Radioing back to Houston on Christmas Eve, astronauts recited the first ten verses from the book of Genesis. In fact, many of the astronauts found space flight to be a religious experience. To Touch the Face of God is the first book-length historical study of the relationship between religion and the U.S. space program. Kendrick Oliver explores the role played by religious motivations in the formation of the space program and discusses the responses of religious thinkers such as Paul Tillich and C. S. Lewis. Examining the attitudes of religious Americans, Oliver finds that the space program was a source of anxiety as well as inspiration. It was not always easy for them to tell whether it was a godly or godless venture. Grounded in original archival research and the study of participant testimonies, this book also explores one of the largest petition campaigns of the post-war era. Between 1969 and 1975, more than eight million Americans wrote to NASA expressing support for prayer and bible-reading in space. Oliver’s study is rigorous and detailed but also contemplative in its approach, examining the larger meanings of mankind’s first adventures in “the heavens.”