A "MAD" look at the eighties as only America's foremost satire magazine perceives it--rehashing the era that brought us Ronald Reagan, Max Headroom, and, of course, Michael Jackson. of color illustrations.

With a cast of characters including Michael, Hope, Elliot, Nancy, Melissa, and Gary; Alexis, Krystle, Blake, and all the other Carringtons; not to mention Maddie and David and even Crockett and Tubbs, Feuer smoothly blends close readings of well-known programs and analysis of television's commercial apparatus with a thorough-going theoretical perspective engaged with the work of Baudrillard, Fiske, and others. Her comparative look at Yuppie TV, Prime Time Soaps, and made-for-TV movie Trauma Dramas reveals the contradictions and tensions at work in much prime-time programming and in the frustrations of the American popular consciousness. Seeing Through the Eighties also addresses the increased commodification of both the producers and consumers of television as a result of technological innovations and the introduction of new marketing techniques.

TRAVEL BACK IN TIME TO THE ERA NO-ONE HAS EVER FORGOTTEN - THE 80s - BECAUSE THOSE OUTFITS WERE SO RAD YOU HAD TO WEAR SHADES. Welcome to the 1980s. Mum and dad have described it to me, and it was totally whack. It was a time when crimped hair and perms were cool, kids listened to cassette tapes, thought dancing on your head was the ultimate, and synth pop ruled the school. It makes no sense to me of course, but it looked kinda fun, don't you think? My Folks Grew Up in the '80s is a stroll down memory lane for the kidz who grew up then, and a hilarious chance to share the decade's downright weirdness with a whole new generation.

John Ehrman offers analysis of the transformation in American politics & society that marked the years of the Reagan presidency during the 1980s. He considers the fundamental shifts in American attitudes & examines the way Reagan built a right wing consensus around key policies.

An accessible and balanced account of the eighties tracks the transformation of America in the context of Ronald Reagan's policies and convictions and in terms of the broader global, political, social, economic, and cultural trends that allowed Reagan to accomplish much of his agenda.

"An earlier edition of this work was published in Great Britain in 2015."--Title page verso.

In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.

Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.

From our nation's best source of in-depth daily reporting comes this sweeping retrospective of the news, culture, and personalities of the decade of the 1980s, as told through hundreds of handselected articles and compelling original commentary in this unique and fascinating book. There is no better record of history than the archives of The New York Times. Now, more than 200 articles from the great decade of the 1980s are culled from these archives and carefully curated, by editor and Times writer William Grimes, to create one complete, compelling, historical and nostalgic collection. Organized by sections such as politics, business, science & health, sports, arts & entertainment, food, obituaries, and more, The Times of the Eighties covers the biggest stories that shaped the 1980s. Articles include coverage of historic events like Wall Street's "Black Monday," the Iran-Contra scandal, Tiananmen Square, the Challenger disaster, the Human Genome Project, the collapse of communism, and the introduction of the personal computer by IBM; cultural highlights like the launch of MTV, Ted Turner's establishment of CNN, the Cabbage Patch doll craze, reviews of movies like E.T., Terminator, Raging Bull, and Tootsie, and features on musicians like Michael Jackson, Joan Jett, U2, Wham, Blondie, and more; plus pieces on personalities like Mikhail Gorbachev, Princess Diana, Ronald Reagan, Margaret Thatcher, Pete Rose, Bill Cosby, and more. The stories are penned by well-known Times writers like William Safire, Frank Rich, Anna Quindlen, Serge Schmemann, Russell Baker, Nan C. Robertson, Thomas L. Friedman, Linda Greenhouse, Bill Keller, Clyde Haberman, Paul Goldberger, Francis X. Clines, John Noble Wilford, Nicholas Kristof, Fox Butterfield, John Rockwell, Anthony Lewis, and many more. Grimes guides readers through the articles he's selected with commentary that puts the stories into historical context and explores the impact that these events and individuals eventually had on the future. Hundreds of color photographs from the Times and other sources illuminate the stories throughout.