With a cast of characters including Michael, Hope, Elliot, Nancy, Melissa, and Gary; Alexis, Krystle, Blake, and all the other Carringtons; not to mention Maddie and David and even Crockett and Tubbs, Feuer smoothly blends close readings of well-known programs and analysis of television's commercial apparatus with a thorough-going theoretical perspective engaged with the work of Baudrillard, Fiske, and others. Her comparative look at Yuppie TV, Prime Time Soaps, and made-for-TV movie Trauma Dramas reveals the contradictions and tensions at work in much prime-time programming and in the frustrations of the American popular consciousness. Seeing Through the Eighties also addresses the increased commodification of both the producers and consumers of television as a result of technological innovations and the introduction of new marketing techniques.

Wall Street scandals. Fights over taxes. Racial resentments. A Lakers-Celtics championship. The Karate Kid topping the box-office charts. Bon Jovi touring the country. These words could describe our current moment—or the vaunted iconography of three decades past. In this wide-ranging and wickedly entertaining book, New York Times bestselling journalist David Sirota takes readers on a rollicking DeLorean ride back in time to reveal how so many of our present-day conflicts are rooted in the larger-than-life pop culture of the 1980s—from the “Greed is good” ethos of Gordon Gekko (and Bernie Madoff) to the “Make my day” foreign policy of Ronald Reagan (and George W. Bush) to the “transcendence” of Cliff Huxtable (and Barack Obama). Today’s mindless militarism and hypernarcissism, Sirota argues, first became the norm when an ’80s generation weaned on Rambo one-liners and “Just Do It” exhortations embraced a new religion—with comic books, cartoons, sneaker commercials, videogames, and even children’s toys serving as the key instruments of cultural indoctrination. Meanwhile, in productions such as Back to the Future, Family Ties, and The Big Chill, a campaign was launched to reimagine the 1950s as America’s lost golden age and vilify the 1960s as the source of all our troubles. That 1980s revisionism, Sirota shows, still rages today, with Barack Obama cast as the 60s hippie being assailed by Alex P. Keaton–esque Republicans who long for a return to Eisenhower-era conservatism. “The past is never dead,” William Faulkner wrote. “It’s not even past.” The 1980s—even more so. With the native dexterity only a child of the Atari Age could possess, David Sirota twists and turns this multicolored Rubik’s Cube of a decade, exposing it as a warning for our own troubled present—and possible future.

The author describes how her rejection of the materialism of her generation and her low-budget search for creative fulfillment led her to a duplex in Seattle, a beach hut in Mexico, and a Left Bank convent, but never freed her from her obligations as an American.

Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.

In this engaging new book, Bradford Martin illuminates a different 1980s than many remember—one whose history has been buried under the celebratory narrative of conservative ascendancy. Ronald Reagan looms large in most accounts of the period, encouraging Americans to renounce the activist and liberal politics of the 1960s and ‘70s and embrace the resurgent conservative wave. But a closer look reveals that a sizable swath of Americans strongly disapproved of Reagan's policies throughout his presidency. With a weakened Democratic Party scurrying for the political center, many expressed their dissatisfaction outside electoral politics. Unlike the civil rights and Vietnam era protesters, activists of the 1980s often found themselves on the defensive, struggling to preserve the hard-won victories of the previous era. Their successes, then, were not in ushering in a new era of progressive reforms but in effecting change in areas from professional life to popular culture, while beating back an even more forceful political shift to the right. Martin paints an indelible portrait of these and other influential, but often overlooked, movements: from on-the-ground efforts to constrain the administration's aggressive Latin American policy and stave off a possible Nicaraguan war, to mock shanties constructed on college campuses to shed light on corporate America's role in supporting the apartheid regime in South Africa. The result is a clearer, richer perspective on a turbulent decade in American life.

A fascinating glimpse into 1980s Soho by leading journalist and writer Christopher Howse. In the 1980s Daniel Farson published Soho in the Fifties. This memoir is a sequel from the Eighties, a decade that saw the brilliant flowering of a daily tragi-comedy enacted in pubs like the Coach and Horses or the French and in drinking clubs like the Colony Room. These were places of constant conversation and regular rows fuelled by alcohol. The cast was more improbable than any soap opera. Some were widely known – Jeffrey Bernard, Francis Bacon, Tom Baker or John Hurt. Just as important were the character actors: the Village Postmistress, the Red Baron, Granny Smith. The bite came from the underlying tragedy: lost spouses, lost jobs, pennilessness, homelessness and death. Christopher Howse recaptures the lost Soho he once knew as home, its cellar cafés and butchers' shops, its villains and its generosity. While it lasted, time in those smoky rooms always seemed to be half past ten, not long to closing time. As the author relates, he never laughed so much as he did in Soho in the Eighties.

Some see the 1980s as a Golden Age, a "Morning in America" when Ronald Reagan revived America's economy, reoriented American politics, and restored Americans' faith in their country and in themselves. Others see the 1980s as a new "Gilded Age," an era that was selfish, superficial, glitzy, greedy, divisive, and destructive. This multifaceted exploration of the 1980s brings together a variety of voices from different political persuasions, generations, and vantage points. The volume features work by Reagan critics and Reagan fans (including one of President Reagan's closest aides, Ed Meese), by historians who think the 1980s were a disastrous time, those who think it was a glorious time, and those who see both the blessings and the curses of the decade. Their essays examine everything from multiculturalism, Southern conservatism, and Reaganomics, to music culture, religion, crime, AIDS, and the city. A complex, thoughtful account of a watershed in our recent history, this volume will engage anyone interested in this pivotal decade.

John Ehrman offers analysis of the transformation in American politics & society that marked the years of the Reagan presidency during the 1980s. He considers the fundamental shifts in American attitudes & examines the way Reagan built a right wing consensus around key policies.

Garbage collection, drum machines, big business, male mascara, militant unions and drugs. The ultimate eighties cocktail.

TRAVEL BACK IN TIME TO THE ERA NO-ONE HAS EVER FORGOTTEN - THE 80s - BECAUSE THOSE OUTFITS WERE SO RAD YOU HAD TO WEAR SHADES. Welcome to the 1980s. Mum and dad have described it to me, and it was totally whack. It was a time when crimped hair and perms were cool, kids listened to cassette tapes, thought dancing on your head was the ultimate, and synth pop ruled the school. It makes no sense to me of course, but it looked kinda fun, don't you think? My Folks Grew Up in the '80s is a stroll down memory lane for the kidz who grew up then, and a hilarious chance to share the decade's downright weirdness with a whole new generation.