The Eighth Sword follows The Swords of Athos. It begins when a young merchant, Adrian, is captured by Genghis Lin to steal the magical sword of Ibernia from his cousin, Antoine. Genghis can’t defeat his arch enemy, King Leopold, unless this sword is disabled. After refusing, Adrian is saved by the mythical gods and sent with Antoine to find the magical sword of Amazonia, an eighth world that has just been discovered and is threatened by the evil wizard Xena. Things immediately go awry, forcing the gods to summon all the keepers of the swords. Join these heroic men on their adventurous quest to keep peace in the worlds.

“Like swordplay itself, By the Sword is elegant, accurate, romantic, and full of brio—the definitive study, hugely readable, of man’s most deadly art.”—Simon Winchester With a new Preface by the author Napoleon fenced. So did Shakespeare, Karl Marx, Grace Kelly, and President Truman, who as a schoolboy would practice fencing with Bess—his future wife— when the two of them returned home from school. Lincoln was a canny dueler. Ignatius Loyola challenged a man to a duel for denying Christ’s divinity (and won). Less successful, but no less enthusiastic, was Mussolini, who would tell his wife he was “off to get spaghetti,” their code to avoid alarming the children. By the Sword is an epic history of sword fighting—a science, an art, and, for many, a religion that began at the dawn of civilization in ancient Egypt and has been an obsession for mankind ever since. With wit and insight, Richard Cohen gives us an engrossing history of the world via the sword. Praise for By the Sword “Touché! While scrupulous and informed about its subject, Richard Cohen’s book is about more than swordplay. It reads at times like an alternative social history of the West.”—Sebastian Faulks “In writing By the Sword, [Cohen] has shown that he is as skilled with the pen as he is with the sword.”—The New York Times “Irresistible . . . extraordinary . . . vivid and hugely enjoyable.”—The Economist “A virtual encyclopedia on the subject of sword fighting.”—San Francisco Chronicle “Literate, learned, and, beg pardon, razor-sharp . . . a pleasure for practitioners, and a rewarding entertainment for the armchair swashbuckler.”—Kirkus Reviews (starred review)

This is now the second volume of my book ,,Legends and Stories around the Japanese Sword". Once more I try to bring the reader closer to the Japanese sword and dig deeper into the matter by the means of legends, stories and anecdotes about famous swords and their swordsmiths. Like in the first volume, I introduce several famous meito or meibutsu, for example the Kogarasu-maru, Yoshimoto-Samonji, Takemata-Kanemitsu, Kuronbogiri-Kagehide, Tsurumaru-Kuninaga and many more. And the stories deal among other things with the greatest swordsmiths in Japanese history like Masamune, Muramasa, Samonji, Kiyomaro and Kotetsu, to name only a few.

From raw steel to tempered blade, this text presents a visual account of thencient craft of swordmaking as practiced in modern Japan.

This study concerns the importance of the sword in Anglo-Saxon and Viking society, with reference to surviving swords and literary sources, especially Beowulf.

The story of the Bamburgh Sword – one of the finest swords ever forged. In 2000, archaeologist Paul Gething rediscovered a sword. An unprepossessing length of rusty metal, it had been left in a suitcase for thirty years. But Paul had a suspicion that the sword had more to tell than appeared, so he sent it for specialist tests. When the results came back, he realised that what he had in his possession was possibly the finest, and certainly the most complex, sword ever made, which had been forged in seventh-century Northumberland by an anonymous swordsmith. This is the story of the Bamburgh Sword – of how and why it was made, who made it and what it meant to the warriors and kings who wielded it over three centuries. It is also the remarkable story of the archaeologists and swordsmiths who found, studied and attempted to recreate the weapon using only the materials and technologies available to the original smith.

He, a wandering orphan, was fortunate enough to witness the confrontation between two peerless experts, and thought that the two of them were legendary immortals. Legend has it that the pinnacle of martial arts can shatter space and become an Immortal God! He decided: I will shatter the void and become an immortal god, and enjoy eternal life! [Previous Chapter] [Table of Contents] [Next Chapter]

I now complete the series with the ,,Nihon-shinshinto-shi", the history of the shinshinto era of Japanese swords, starting from Suishinshi Masahide ́s initiation of a new trend around An ́ei (1772-1781) to the ban on swords issued by the Meiji government in 1876. As with the ,,Nihon-koto-shi" and the ,,Nihon-shinto-shi", the reader should be able to grasp a coherent picture of the backgrounds and scholastic activities around the Japanese sword at the end of the feudal era. Finally, the time scale must not be overlooked: The ,,Nihon-koto-shi" had to deal with roughly 800 years, from the Nara to the end of the Muromachi period, and the ,,Nihon-shinto-shi" comprised ,,just" about 200 years, whereas the shinshinto era lasted only about a century.