I now complete the series with the ,,Nihon-shinshinto-shi", the history of the shinshinto era of Japanese swords, starting from Suishinshi Masahide ́s initiation of a new trend around An ́ei (1772-1781) to the ban on swords issued by the Meiji government in 1876. As with the ,,Nihon-koto-shi" and the ,,Nihon-shinto-shi", the reader should be able to grasp a coherent picture of the backgrounds and scholastic activities around the Japanese sword at the end of the feudal era. Finally, the time scale must not be overlooked: The ,,Nihon-koto-shi" had to deal with roughly 800 years, from the Nara to the end of the Muromachi period, and the ,,Nihon-shinto-shi" comprised ,,just" about 200 years, whereas the shinshinto era lasted only about a century.

This book should bring the reader more near to the no less interesting era of the ,,New Sword", the shinto. With the transition to the peaceful Edo period, the Japanese sword experienced considerable changes which are briefly touched in some other sword publications. This book now tries to present the historical and scholastic changes of the shinto in a comprehensive manner. The reader should get an idea about the activities of the Edo-period swordsmiths in all the provinces and how - if at all - they were connected in terms of school or workmanship. The classification based on the traditional gokaden is no longer applicable in shinto times and so a more geographical processing suggests itself. In the beginning we have the large sword centres of Kyoto, Osaka and Edo. Subsequently, all other provinces follow, arranged according to their ,,significance" in the sword world and in context with each other to avoid as much as possible big geographical and theoretical jumps.

My aim with this publication is to make the major genealogies of Japanese swordsmiths and their schools from the kotô to the shintô and shinshintô periods easily accessible to the Western reader, namely in that they are complete and have been revised for the first time, in a single book. The publication begins with a brief introduction to the history of Japanese sword literature. Ziel dieser Publikation ist es, dem westlichen Leser die Stammbäume japanischer Schmiede und deren Schulen von der kotô- über die shintô- bis zur shinshintô-Periode erstmals gesammelt und revidiert zugänglich zu machen. Diese Publikation beinhaltet zudem eine kurze Einführung in die Geschichte der japanischen Schwertliteratur.

This completely new encyclopedic reference for the Japanese sword contains about 2,500 terms, many of them illustrated by photos and drawings. The Encyclopedia of Japanese Swords is an A-Z general encyclopedia covering each and every part of the sword: the blade, the mountings, the fittings, and all their different interpretations. Further, this encyclopedia also explains the literal or etymological meaning of each Japanese term and provides an even deeper insight into the subject.

The purpose of this publication is to provide a basic guide and reference for identifying Japanese seal script. The most effective way of identifying a seal script is by its radical, a graphical component under which the character is traditionally listed in a dictionary. The radicals used here are the Japanese version of the 214 Chinese Kangxi radicals.The first thing to do is to identify the radical under which the character is most likely to have been indexed.To begin with, this dictionary offers a RADICAL SECTION. If you think you found a match with the supposed radical for the seal character in question, then go to the page which lists the characters grouped under that radical. This dictionary contains approximately 4,000 characters. As mentioned, the purpose of this publication is to provide a basic guide and reference. It is not meant as a comprehensive seal script dictionary offering different interpretations of each seal character.

A former judge with a passion for history, Jean Sénat Fleury was born in Haiti and currently lives in Boston. He wrote several historical books, such as: The Stamp Trial, Jean-Jacques Dessalines: Words from Beyond the Grave, Toussaint Louverture: The Trial of the Slave Trafficking, Adolf Hitler: Trial in Absentia in Nuremberg, The Trial of Osama Bin Laden, Hirohito Guilty or Innocent: The Trial of the Emperor. His new book, Japan's Empire Disaster, provides an understanding of the expansionist policy practiced by Japan during the end of the nineteenth and the first period of the twentieth century. From the adoption of the Meiji constitution in 1889 and the first period of the Sh?wa era (1927-1945), the military controlled the Japanese constitutional government. The result was years of political instability, more internal conflicts, violence, murders, assassinations, overseas aggression, and war crimes.The book demonstrates that in Japan, during the Pacific War, the real driving force of the war was the Imperial Japanese Army and the Imperial Japanese Navy. Hirohito, as supreme commander, gave full support to the army and navy. On multiple occasions, he sanctioned many government policies. In fact, he was responsible for the atrocities that the Japanese troops committed in Asia during the Pacific War. Japan's Empire Disaster is a book of information and training. The book describes Japan's opening to modernization with the 1853 arrival of commodore Matthew Calbraith Perry in the country, and also details the history of the wars launched by Emperor Meiji and Emperor Hirohito to build Japan's empire in the nineteenth and the twentieth centuries.

"This extensively illustrated catalogue is published in conjunction with the first comprehensive exhibition devoted to the arts of the samurai, including the finest examples of swords - the spirit of the samurai - as well as sword mountings and fittings, armor and helmets, saddles, textiles, and paintings. The works in the catalogue, drawn from public and private collections in Japan, include 34 officially designated National Treasures and 64 Important Cultural Properties, the largest number ever to be shown together at one time. Dating from the 5th to the early 20th century, these majestic objects offer a complete picture of samurai culture and its unique blend of the martial and the refined." "Many of the greatest Japanese swordsmiths are represented in this volume, from early masters such as Yasuie (12th century) and Tomomitsu (14th century) to the Edo-period smiths Nagasone Kotetsu and Kiyomaro. The blades by these and other masters, cherished as much for their beauty as for their cutting efficiency, were equipped with elaborate hilts and scabbards prized for their exquisite craftsmanship and fine materials such as silk, rayskin, gold, lacquer, and certain alloys unique to Japan. Japanese armor is also fully surveyed, from the rarest iron armor of the Kofun period (5th century) to the inventive ceremonial helmets made toward the end of the age of the samurai." --Book Jacket.

With an approach based on political culture and identity, this book demonstrates the current pressures and shifting priorities that confront Japan's government and people, as they attempt to carve out a new international role.

"This index contains a comprehensive listing of more than 20,000 Japanese swordsmiths, from the early days right down to modern times, i.e. from kotô to shinsakutô. It is not simply a list of names, it also provides biographical information according to the extent of a smith's fame. Aim is to give the reader a coherent picture of a certain smith, that means his civilian name, how did he sign, in which style did he work, and who was his master or his school environment. Thereby, the most common theories on a smith are included and discrepancies in the transmissions are pointed out. This work is a revised and completely new recorded list of smiths by incorporating all relevant Japanese and non-Japanese sources. Incorrect entries and double listings were deleted and readings corrected. The smiths are listed in alphabetical order and sorted according to their used characters. A list of all characters used in the names of the smiths in this index is available, sorted by stroke order, so that the search of a smith with an unknown reading is also possible."--Back cover.

Connoisseur's Book Japanese Swords is a Kodansha International publication.