Publius Vergilius Maro (70-19 B.C.), known in English as Virgil, was perhaps the single greatest poet of the Roman empire—a friend to the emperor Augustus and the beneficiary of wealthy and powerful patrons. Most famous for his epic of the founding of Rome, the Aeneid, he wrote two other collections of poems: the Georgics and the Bucolics, or Eclogues. The Eclogues were Virgil's first published poems. Ancient sources say that he spent three years composing and revising them at about the age of thirty. Though these poems begin a sequence that continues with the Georgics and culminates in the Aeneid, they are no less elegant in style or less profound in insight than the later, more extensive works. These intricate and highly polished variations on the idea of the pastoral poem, as practiced by earlier Greek poets, mix political, social, historical, artistic, and moral commentary in musical Latin that exerted a profound influence on subsequent Western poetry. Poet Len Krisak's vibrant metric translation captures the music of Virgil's richly textured verse by employing rhyme and other sonic devices. The result is English poetry rather than translated prose. Presenting the English on facing pages with the original Latin, Virgil's Eclogues also features an introduction by scholar Gregson Davis that situates the poems in the time in which they were created.

Between 42 and 39 BC, Vergil composed the first Latin pastoral collection, entitled Eclogues, and consisting of ten poems in the form in which it has come down to us. Vergil’s Eclogues represent the introduction of a new genre, the pastoral, to Latin literature, and recall the Hellenistic poet Theocritus who invented this genre. The fact that the Roman author inserts into the text elements from other Greek and Latin texts modifying them through innovations and changes (constitutes an attractive field of research. This book shows that Vergil’s dialogue with the earlier Greek and Latin tradition is not only typical of the way in which Latin literature was written in the 1st century BC; rather, it is also a dynamic literary method used to affect and define the character of each Eclogue.

Best remembered for his unfinished epic, the Aeneid, the poet Vergil was celebrated in his time both for the perfection of his art and for the centrality of his ideas to Roman culture. The Eclogues, his earliest confirmed work, were composed in part out of political considerations: when the Roman authorities threatened to seize his family's land, Vergil's appeal in the form of Eclogue IX won a stay. Eclogue I appears to be a thank-you for that favor. Barbara Hughes Fowler provides scholars and students with a new American verse translation of Vergil's Eclogues. An accomplished translator, Fowler renders the poet's words into an English that is contemporary while remaining close to the spirit of the original. In an introduction to the text, she compares the treatment of the pastoral form by Vergil and Theocritus, illuminating the ways in which Vergil borrowed from and built upon the earlier poet's work, and thereby moved the genre in a new direction.

A collection of ten classic essays on Vergil's Eclogues, written between 1970 and 1999. The contributions represent recent developments in Vergilian scholarship, and are placed in context in a specially written introduction.

Surprisingly, this is the first full-scale scholarly commentary on the Eclogues to appear in this century. These ten short pastorals are among the best known poems in Latin literature. Clausen's commentary provides a comprehensive guide to both the poems and the considerable scholarship surrounding them. There are short introductions to each poem, as well as a general introduction to the Eclogues as a whole.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1942.

In der 1968 gegründeten Reihe erscheinen Monographien aus den Gebieten der Griechischen und Lateinischen Philologie sowie der Alten Geschichte. Die Bände weisen eine große Vielzahl von Themen auf: neben sprachlichen, textkritischen oder gattungsgeschichtlichen philologischen Untersuchungen stehen sozial-, politik-, finanz- und kulturgeschichtliche Arbeiten aus der Klassischen Antike und der Spätantike. Entscheidend für die Aufnahme ist die Qualität einer Arbeit; besonderen Wert legen die Herausgeber auf eine umfassende Heranziehung der einschlägigen Texte und Quellen und deren sorgfältige kritische Auswertung.

The Eclogues by Virgil The Eclogues, also called the Bucolics, is the first of the three major works of the Latin poet Virgil. Taking as his generic model the Greek Bucolica ("on care of cattle", so named from the poetry's rustic subjects) by Theocritus, Virgil created a Roman version partly by offering a dramatic and mythic interpretation of revolutionary change at Rome in the turbulent period between roughly 44 and 38 BC. Virgil introduced political clamor largely absent from Theocritus' poems, called idylls ("little scenes" or "vignettes"), even though erotic turbulence disturbs the "idyllic" landscapes of Theocritus. Virgil's book contains ten pieces, each called not an idyll but an eclogue ("draft" or "selection" or "reckoning"), populated by and large with herdsmen imagined conversing and performing amoebaean singing in largely rural settings, whether suffering or embracing revolutionary change or happy or unhappy love. Performed with great success on the Roman stage, they feature a mix of visionary politics and eroticism that made Virgil a celebrity, legendary in his own lifetime.

The Eclogues Virgil - Virgil's great lyrics, rendered by the acclaimed translator of GilgameshThe Eclogues of Virgil gave definitive form to the pastoral mode, and these magically beautiful poems, which were influential in so much subsequent literature, perhaps best exemplify what pastoral can do. "Song replying to song replying to song," touchingly comic, poignantly sad, sublimely joyful, the various music that these shepherds make echoes in scenes of repose and harmony, and of hardship and trouble in work and love.Available in ebook for the first time, this English-only edition of The Eclogues of Virgil includes concise, informative notes and an introduction that describes the fundamental role of this deeply original book in the pastoral tradition.