A collection of ten classic essays on Vergil's Eclogues, written between 1970 and 1999. The contributions represent recent developments in Vergilian scholarship, and are placed in context in a specially written introduction.

This volume, together with its companion on the Eclogues and the previously published volume on the Aeneid, completes the coverage of Vergil's poetry in Oxford Readings in Classical Studies. It collects ten classic papers on the Georgics written between 1970 and 1999 by leading scholars from several different countries. The contributions are representative of recent developments in Vergilian scholarship, with some discussing general issues raised by the work and others treating important individual poems and passages. The editor's Introduction places the essays in their context. A conspectus of contemporary Georgics criticism, the book will be helpful to students who are encountering the poems for the first time - all Latin has been translated - and will also serve as a reference work for more seasoned scholars.

James Bradley Wells shares his poet’s soul and scholar’s eye in this thought-provoking new translation of two of Vergil’s early works, the Eclogues and Georgics. With its emphasis on a natural rather than stylized rhythm, Eclogues and Georgics honors the original spirit of ancient Roman poetry as both a written and performance-based art form. The accompanying introductory essays situate both sets of poems in a rich literary tradition. Wells provides historical context and literary analysis of these two works, eschewing facile interpretations of these oft examined texts and ensconcing them in the society and culture from which they originated. The translations in Eclogues and Georgics are augmented with annotated essays, a pronunciation guide, and a glossary. These supplementary materials, alongside Wells’s bold vision for what translation choices can reveal, promote radically democratizing access for readers with an interest in classics or poetry.

This highly original work builds on two neglected facts about Virgil's Book of Bucolics: its popularity on the bawdy Roman stage and its impact as sequence poetry on readers and writers from the Classical world through the present day. The Bucolics profoundly influenced a wide range of canonical literary figures, from the contemporaneous Horace, Propertius, and Ovid through such successors as Calpurnius, Sannazaro, Marot, Spenser, Milton, Wordsworth, Robert Frost, and W. H. Auden. As performed, the work scored early success. John Van Sickle's artfully rendered translation, its stage cues, and the explanatory notes treat for the first time the book's ten short pieces as a thematic web. He pays close heed to themes that return, vary throughout the work, and develop as leitmotifs, inviting readers to trace the threads and ultimately to experience the last eclogue as a grand finale. Introductory notes identify cues for casting, dramatic gesture, and voice, pointing to topics that stirred the Roman crowd and satisfied powerful patrons. Back notes offer clues to the ambitious literary program implicit in the voices, plots, and themes. Taken as a whole, this volume shows how the Bucolics inaugurated Virgil's lifelong campaign to colonize for Rome the prestigious Greek genres of epic and tragedy—winning contemporary acclaim and laying the groundwork for his poetic legend. Reframing pastoral tradition in Europe and America, Van Sickle's rendering of the Book of Bucolics is ideal for students of literature and their teachers, for scholars of classical literature and the pastoral genre, and for poetological and cognitive theorists.

A collection of ten classic essays on Vergil's Georgics, written between 1970 and 1999. The contributions represent recent developments in Vergilian scholarship, and are placed in context in a specially written Introduction.

The study of Regal and Republican Rome presents a difficult and yet exciting challenge. The extant evidence, which for the most part is literary, is late, sparse, and difficult, and the value of it has long been a subject of intense and sometimes heated scholarly discussion. This volume provides students with an introduction to a range of important problems in the study of ancient Rome during the Regal and Republican periods in one accessible collection, bringing together a diverse range of influential papers. Of particular importance is the question of the value of the historiographical evidence (i.e. what the Romans themselves wrote about their past). By juxtaposing different and sometimes incompatible reactions to the evidence, the collection aims to challenge its readers and invite them to join the debate, and to assess the ancient evidence and modern interpretations of it for themselves.

From the Minoan bull-leaping to the ancient Olympics and the enigmas of their contests, this first volume of Sport in the Greek and Roman Worlds contains nine articles and chapters of enduring importance to the study of sport in ancient Greece, a field located at a crucial intersection of social history, archaeology, literature, and other aspects of Greek culture. The studies have been updated with addenda by the original authors, and two of the articles that were originally published in German or French have been translated into English here for the first time. The studies, selected for breadth and importance of historical topics, include: Greek sport in its epic, heroic, and Bronze Age origins; the ancient Olympics in its relation to religion, politics, and diversity of competitors; Greek events in track and field and equestrian events. A companion second volume complements this one with studies on the social and economic aspects of Greek sport, the role of Greek sport in the Roman era, and forms, functions and venues of Roman spectacles. The articles in both volumes offer an excellent starting point to inspire newcomers to the study of ancient sport, and to give students and scholars an informative set of models for present knowledge and future research.

This second volume's selected essays look at the principles of Herodotus' research concerning the physical world in the light of traditional myth and the science of his times, and deal with the connections between travelling and storytelling, culture and gender, Hellenic and barbarian religions, and memory and ethnicity.

A collection of scholarship on Herodotus. Vol. 1 discusses his historical method, sources, narrative art, literary antecedents, intellectual background, and political ideology. Vol. 2 focuses on his description of foreign lands and peoples and the theoretical issues it raises, including the extent to which the ethnographic portrayals conform to a conventional Greek construct of barbarian 'otherness' or derive from direct contact with native sources.

Latin Panegyric represents modern readings on the collection of classical Latin oratory addressed to Roman emperors. With a full introduction, and with four essays translated into English for the first time, the volume plots the narratives of Roman praise and gives students of classical literature and rhetoric direct access to key scholarship.