Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions.

Tennessee Williams and His Contemporaries compiles eight transcribed panels that were featured at The Tennessee Williams Scholars’ Conference, an annual event held each March in conjunction with the Tennessee Williams/New Orleans Literary Festival. This study, the first of its kind, explores issues involving Williams’s drama, fiction, poetry, and films in a discursive format designed to probe and debate the legacy of America’s famous playwright. Virtually all aspects of Williams’s long career are covered in this volume, including the early and late plays, his unpublished work, his use of the grotesque, and his relationships with three of his contemporaries: Carson McCullers, Lillian Hellman, and William Inge. In addition, Williams scholars who teach his work discuss the most effective strategies for bringing his material into the classroom. The unique design of this volume offers a broad understanding of his material for students previously unacquainted with Tennessee Williams as well as fresh perspectives from recognized experts in the field that will satisfy those who are already familiar with his life and work.

One of the greatest American dramatists of the 20th century, Tennessee Williams is known for his sensitive characterizations, poetic yet realistic writing, ironic humor, and depiction, of harsh realties in human relationship. His work is frequently included in high school and college curricula, and his plays are continually produced. Critical Companion to Tennessee Williams includes entries on all of Williams's major and minor works, including A Streetcar Named Desire, Cat on a Hot Tin Roof, The Glass Menagerie, a novel, a collection of short stories, two poetry collections, and personal essays; places and events related to his works; major figures in his life; his literary influences; and issues in Williams scholarship and criticism. Appendixes include a complete list of Williams's works; a list of research libraries with significant Williams holdings; and a bibliography of primary and secondary sources.

This comprehensive collection describes all the published works by one of America's most famous and prolific dramatists. Author of Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof and many other dramas presented on both stage and screen, Tennessee Williams was also the writer of short stories, poetry, novels, essays and autobiography.

This definitive collection establishes Williams as a major American fiction writer of the twentieth century.

This volume seeks to determine how contemporary American playwrights and theatre practitioners translate the current debate on cultural pluralism in the United States. While offering re-visions of the Melting Pot, they often challenge its idealistic assumptions, thus inscribing in their work the cultural difference of minorities. Up to now, scholars have studied isolated aspects of this phenomenon. Staging Difference tries to offer a more comprehensive vision, examining the influence of multiculturalism both on performance and dramatic literature.