One of the greatest American dramatists of the 20th century, Tennessee Williams is known for his sensitive characterizations, poetic yet realistic writing, ironic humor, and depiction, of harsh realties in human relationship. His work is frequently included in high school and college curricula, and his plays are continually produced. Critical Companion to Tennessee Williams includes entries on all of Williams's major and minor works, including A Streetcar Named Desire, Cat on a Hot Tin Roof, The Glass Menagerie, a novel, a collection of short stories, two poetry collections, and personal essays; places and events related to his works; major figures in his life; his literary influences; and issues in Williams scholarship and criticism. Appendixes include a complete list of Williams's works; a list of research libraries with significant Williams holdings; and a bibliography of primary and secondary sources.

This is a collection of thirteen original essays from a team of leading scholars in the field. In this wide-ranging volume, the contributors cover a healthy sampling of Williams's works, from the early apprenticeship years in the 1930s through to his last play before his death in 1983, Something Cloudy, Something Clear. In addition to essays on such major plays as The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof, among others, the contributors also consider selected minor plays, short stories, poems, and biographical concerns. The Companion also features a chapter on selected key productions as well as a bibliographic essay surveying the major critical statements on Williams.

From his earliest success in 1945 with the poignant The Glass Menagerie, until his final curtain call with the 1979 production of The Two-Character Play, Tennessee Williams never stopped experimenting with theatrical techniques and striving to explain his richly provocative ideas. This new critical study of Williams traces the shape of the playwright's life and career, both full of wanderings, failures, love, anguish, and unparalleled triumphs. Incorporating much of the new information that is emerging in the recent publication of letters, biographies, and previously unpublished plays, this Student Companion distills a vast body of scholarship to give a fresh and accessible presentation of the key elements of Williams' complicated works. In-depth analysis of 7 of Williams' plays explore the literary styles, themes, and influences Williams drew from poetry, movies, mythology, religion, and personal experiences. This book allows the general reader and theatre enthusiast a glimpse at the shape of his life, his mind, and his work. Readers will come to appreciate why plays such as A Streetcar Named Desire (1947) and Cat on a Hot Tin Roof (1955) have come to be considered American classics. Following the successful series format, this volume introduces readers to Tennessee Williams with a richly detailed biography, followed by a Literary Heritage chapter. A full chapter is devoted to examining each of his major plays. In addition to analysis of character, plot, themes, and style, each play is also given an alternate reading from formal, feminist, psychological, gay, or theological criticism. The concluding bibliography cites all of Williams' dramatic output, as well as his poetry and prose. It also gives many sources for biographical information, criticism of individual works, and original reviews from the first staging of his plays. Students and their teachers should find this volume interesting and easy to follow.

Few writers have brought more of their life into their works than famed playwright Thomas Lanier “Tennessee” Williams III. His characters have often served as proxies for himself, his mother, and especially his tragically unstable sister, Rose, who many consider to be the inspiration for Williams’s iconic female leads Blanche DuBois and Laura Wingfield. In this gripping new biography, Paul Ibell looks at Williams as a poet, playwright, brother, homosexual, alcoholic, drug addict, and, ultimately, a deeply passionate soul whose operatically intense plays were a vibrant reflection of life. Ibell discusses Williams’s early plays that have become household names: The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof. But he also rescues Williams’s later works from critical obscurity, uncovering overlooked values in them. He explores the importance of Europe on the Southerner’s imagination, following Williams and his companion—Gore Vidal—through holiday after holiday in Italy; and he looks, especially, at the theme for which Williams became most known: the power of sexual attraction and the tragedy of its loss when we—as we all must do—grow old. Punchy, accessible, and fabulously illuminating, this critical biography is a must-read for any admirer of American theater, literature, or the passionate lives of those who define them.

Arthur Miller, best known for his works The Crucible and Death of a Salesman, is one of America's most important dramatists.

A collection of poetic works by the eminent playwright features substantial piece variants, poems from his plays, and accompanying explanatory notes, in a volume that is complemented by a CD recording of the author's reading of his "Blue Mountain Ballads" and other works.

This book explores Williams' late plays in terms of a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter.

"Collected here for the first time, these twelve plays embrace what Time magazine called "the four major concerns of Williams' dramatic imagination: loneliness, love, the violated heart and the valiancy of survival"--Back cover.

Introductory essays include a brief biography on Williams and a quartet of original essays provide valuable context for understanding his achievements. One essay examines the plays within the context of twentieth century culture while another traces the playwright's expressionistic values from his early student play "Me, Vashya" up through Camino Real and appraises A Streetcar Named Desire as Williams's best realization of this aesthetic. Another offers a meditation on the theme of mendacity within Williams's last great success, Cat on a Hot Tin Roof, as well as within the play's production and Williams's relationship with his director, Elia Kazan.

Features letters written by the American playwright, revealing his childhood experiences, college years struggling with goals, grades, and money, and his emerging relationships.