The fiction discussed in Gary Lachman's highly praised The Dedalus Book of the Occult. - Passages from Valery Bruisov, Andre Bely, William Beckford, Honore Balzac, William Beckford, Jacques Cazotte, J.K.Huysmans, Bulwer-Lytton, de Maupassant, de Nerval, Goethe, E.T.A. Hoffmann, Arthur Machen, Gustav Meyrink, Jan Potocki and Robert Irwin. - Wide-ranging publicity from The Guardian, Independent on Sunday to Fortean Times and occult magazines. - Author tour to promote the book. People have enjoyed stories of magic and the supernatural for ages, but in the late 18th century, tales of the occult became something more than a source of entertainment, or the means of enjoying the thrill of the strange and unknown. Drawing on the tradition of 'rejected knowledge', at the dawn of the modern age, numerous writers found in the occult a powerful antidote to the rising scientification of human experience. In these reports from the dark side, the weird, enigmatic and unexplainable became symbols of the human spirit's resistance to the new rational world. Dedalus Occult Reader brings together for the first time a unique collection of European fiction, offering some of the finest flowers and bizarr

The occult was a crucial influence on the Renaissance, and it obsessed the popular thinkers of the day. But with the Age of Reason, occultism was sidelined; only charlatans found any use for it. Occult ideas did not disappear, however, but rather went underground. It developed into a fruitful source of inspiration for many important artists. Works of brilliance, sometimes even of genius, were produced under its influence. In A Dark Muse, Lachman discusses the Enlightenment obsession with occult politics, the Romantic explosion, the futuristic occultism of the fin de sièe, and the deep occult roots of the modernist movement. Some of the writers and thinkers featured in this hidden history of western thought and sensibility are Emanuel Swedenborg, Charles Baudelaire, J. K. Huysmans, August Strindberg, William Blake, Goethe, Madame Blavatsky, H. G. Wells, Edgar Allan Poe, and Malcolm Lowry.

How did a decade that dawned with the Age of Aquarius end in Altamont and the Manson Family bloodbath? The 1960s were a time of revolution - political, social psychedelic, sexual. But there was another revolution that many historians forget the rise of a powerful current that permeated pop culture and has been a central influence on it ever since. It was a magical revolution - a revival of the occult. Previously rejected and ridiculed beliefs took centre stage, reaching the Beatles and the Rolling Stones, saturating the the hippies and flower power, hitting the big screen with Rosemary's Baby and the bookshelves with Lord of the Rings. The Tarot. I Ching, astrology, Kabbala, yogis, witchcraft, UFOs, Aleister Crowley. Yin Yang and the Tibetan Book of the Dead now became the common currency they are today. But the vibes went bad, the auras darkened. Did that darker undercurrent win out? Gary Lachman here charts this explosion, its rise and fall, and its enduring legacy --This text refers to an out of print or unavailable edition of this title.

Writers have been killing themselves for centuries. From Petronius in ancient Rome to the 20th Century Japanese novelist Yukio Mishima, writers, more than any other kind of artist, have taken their own lives in an extraordinary number of ways. With bullets, poison, drugs and swords, poets, playwrights, novelists and philosophers have sent themselves off into the big sleep. Others, one step shy of that last exit, have made great literature about the urge to self-destruction. For the first time, Gary Lachman investigates the many links between self-death and the written word, bringing together an unusual gallery of literary greats and a host of other fatal characters. Typically for Dedalus, the covers gorgeous. Sasha Selavie in QX International Dead Letters ultimately proves to be at once stimulating and thought-provoking and the section devoted to various suicidal writings is most diverting. Peter Burton in One80 Reviews

'Lachman's goal to write a book 'on writers who had killed themselves or had tried to, or had written about suicide at some length or depth' would be immense. To qualify, the author requires the suicide to be in some way 'interesting'. Thus we have the philosopher Philipp Mainlander, who killed himself because of the second law of thermodynamics; Zeno, who purportedly hanged himself after stubbing his toe on a turtle; and Yukio Mishima's sensational and bloody hara-kiri performance Suicides are arranged by type: Existential suicides brought on by metaphysical issues, emotionally rich Romantic suicides; political suicides; manic-depressive mortal coil shuffling a la Sylvia Plath; and the bizarre and often nonchalant suicides of many Surrealists. Lachman focuses on little known or forgotten characters such as Polish avant garde figure Witkacy; Thomas Chatterton, 'the original tragic Romantic genius'; narcissistic publisher Harry Crosby; and the tormented Austrian poet Georg Trakl. The second part of Dead Letters is a selection of writings about suicide whose real value lies in Lachman's research and his knack of smoothly relating obscure biographical tidbits and philosophical ideas. This work on a grim subject never becomes overly morbid and Lachman remains respectful of his troubled subjects. Suicide is not recommended, but this volume surely is. Splendid summary of self destruction.' Mike Pursley in Fortean Times

The occult was a crucial influence on the Renaissance, and it obsessed thinkers like Isaac Newton. Works of brilliance, sometimes even of genius were produced under the influence of occultism. Yet, not too infrequently, it also opened the door on a peculiar kind of madness. The Dedalus Book of the Occult celebrates the influence of occult thought and sensibility on some of the central poets and writers of the last two centuries, beginning with the Enlightenment obsession with occult politics, through the Romantic explosion, the paradoxically decadent and futuristic occultism of the fin de siecle, and the deep occult roots of the modernist movement. Swedenborg, Baudelaire, Huysmans and Strindberg are only some of the names to feature in this hidden history of western thought.

Drawing on esoteric, spritual and philosophical thought, this book cononsiders the all-important question -- why are we here? -- and offers a counter-argument to the current nihilsm prevalent in our world.

The gritty business of politics is not something we usually associate with the occult. But esoteric beliefs have influenced the destiny of nations since the time of ancient Egypt and China, when decisions of state were based on portents and astrology, to today, when presidents and prime ministers privately consult self-proclaimed seers. Politics and the Occult offers a lively history of this enduring phenomenon. Author and cultural pundit Gary Lachman provocativly questions whether the separation of church and state so dear to modern political philosophy should be maintained. A few of his fascinating topics include the fate of the Knights Templar and the medieval Gnostic Cathars, the occult roots of America and the French Revolution in Freemasonry, Gurdjieff and the swastika, Soviet interest in UFOs, the CIA and LSD, the Age of Aquarius, the millenarian politics that inform the struggle with Islamic terrorism, fundamentalism, and more.

It is the 60s – yes it is magic, sex, drugs and rock and roll. In The Dedalus Book of the 1960s: Turn Off Your Mind, Gary Lachman uncovers the Love Generation's roots in occultism and explores the dark side of the Age of Aquarius. His provocative revision of the 1960s counterculture links Flower Power to mystical fascism, and follows the magical current that enveloped luminaries like the Beatles, Timothy Leary and the Rolling Stones, and darker stars like Charles Manson, Anton LaVey, and the Process Church of the Final Judgment. Acclaimed by satanists and fundamentalist Christians alike, this edition includes a revised text incorporating new material on the 'suicide cult' surrounding Carlos Castaneda; the hippy serial killer Charles Sobhraj; the strange case of Ira Einhorn, 'the Unicorn'; the CIA and ESP; the new millennialism and more. From H.P. Lovecraft to the Hell’s Angels, find out how the Morning of the Magicians became the Night of the Living Dead.

• Traces the life of Maurice Nicoll, who left a successful career as a psychiatrist in 1922 to study with G.I. Gurdjieff and P.D. Ouspensky • Explores newly uncovered diaries from Nicoll, revealing his mystical sex practices, his shadow self, and new understandings of his unorthodox teachings • Examines the influence of psychiatrist Carl Jung and Swedish scientist and philosopher Emanuel Swedenborg on Nicoll’s work In 1922, Maurice Nicoll (1884–1953) abandoned his successful London psychiatry practice and his direct studies with Carl Jung to move his family just outside of Paris to the Institute for the Harmonious Development of Man, a center recently opened by philosopher, mystic, and spiritual guru G.I. Gurdjieff, the founder of the esoteric system that became known as the “Fourth Way.” Nicoll went on to become one of the most passionate teachers of the Fourth Way, committing the final three decades of his life to teaching “The Work” in his own unorthodox style. In this revealing biography, Gary Lachman draws on recently uncovered diaries to explore the unusual, syncretic approach Nicoll brought to his teaching of the Fourth Way. He shows how Nicoll is unique in having Jung, Gurdjieff, and Ouspensky as teachers and to have known each of these important figures in esoteric history personally, yet—as Lachman reveals—Nicoll was not a blind devotee by any stretch. The author shows how he incorporated elements of Jungian psychology and Emanuel Swedenborg-inspired mysticism into his exploration and teaching of both Gurdjieff’s and Ouspensky’s ideas, as well as into his best-known work, Psychological Commentaries on the Teaching of Gurdjieff and Ouspensky. Lachman reveals the unorthodox side of Nicoll in fuller detail than ever before through excerpts from recently shared diaries, in which Nicoll included detailed accounts of his own solitary “self-sex” erotic experimentations to reach visionary states, along with recordings of his dreams and other personal and mystical reflections. The social details of Nicoll’s life are also examined, including vivid portraits of the occult scene in the early-to-mid-20th century and the communal living situations in which Nicoll sometimes resided. Drawing on his familiarity with hermetic practices and his own experiences with “The Work,” Lachman comprehensively explores the significance of Nicoll and the novelty of his thought, offering a profound, needed, and sympathetic but critical study of this man so instrumental to the development and legacy of the Fourth Way.