The occult was a crucial influence on the Renaissance, and it obsessed the popular thinkers of the day. But with the Age of Reason, occultism was sidelined; only charlatans found any use for it. Occult ideas did not disappear, however, but rather went underground. It developed into a fruitful source of inspiration for many important artists. Works of brilliance, sometimes even of genius, were produced under its influence. In A Dark Muse, Lachman discusses the Enlightenment obsession with occult politics, the Romantic explosion, the futuristic occultism of the fin de sièe, and the deep occult roots of the modernist movement. Some of the writers and thinkers featured in this hidden history of western thought and sensibility are Emanuel Swedenborg, Charles Baudelaire, J. K. Huysmans, August Strindberg, William Blake, Goethe, Madame Blavatsky, H. G. Wells, Edgar Allan Poe, and Malcolm Lowry.

A thoughtful and original analysis of the writings of influential French philosopher Gilles Deleuze. Gilles Deleuze is considered one of the most important French philosophers of the twentieth century. Eleanor Kaufman situates Deleuze in relation to others of his generation, such as Jean-Paul Sartre, Pierre Klossowski, Maurice Blanchot, and Claude Lévi-Strauss, and she engages the provocative readings of Deleuze by Alain Badiou and Slavoj Žižek. Deleuze, The Dark Precursor is organized around three themes that critically overlap: dialectic, structure, and being. Kaufman argues that Deleuze's work is deeply concerned with these concepts, even when he advocates for the seemingly opposite notions of univocity, nonsense, and becoming. By drawing on scholastic thought and reading somewhat against the grain, Kaufman suggests that these often-maligned themes allow for a nuanced, even positive reflection on apparently negative states of being, such as extreme inertia. This attention to the negative or minor category has implications that extend beyond philosophy and into feminist theory, film, American studies, anthropology, and architecture.

Figures of the Unconscious, No. 8Sigmund Freud, in his search for the origins of the sense of guilt in individual life and culture, regularly speaks of "reading a dark trace," thus referring to the Oedipus myth as a myth about the problem of human guilt. In Freud's view, this sense of guilt is a trace, a path, that leads deep into the individual's mental state, into childhood memories, and into the prehistory of culture and religion. Herman Westerink follows this trace and analyzes Freud's thought on the sense of guilt as a central issue in his work, from the earliest studies on the moral and "guilty" characters of the hysterics, via later complex differentiations within the concept of the sense of guilt, and finally to Freud's conception of civilization's discontents and Jewish sense of guilt. The sense of guilt is a key issue in Freudian psychoanalysis, not only in relation to other key concepts in psychoanalytic theory but also in relation to Freud's debates with other psychoanalysts, including Carl Jung and Melanie Klein.

Readers are saying, “Holy hotness!” … “the sexiest thing I have ever read” … “5 stars are not enough!” One wealthy heir. One new college grad. A roommate who can best be described as sex on a stick. A job that entails researching Regency era brothels and, um, “acting.” What could possibly go wrong? (Damn near everything.) My name is Sim. This book is about Alaric White—my best friend, college roommate, partner in literary crime. Alaric writes kissing books. And by “kissing,” I mean … well, you know what I mean. He writes each book with a muse. (If the IRS asks, tell them she’s a “research assistant.”) Yeah, I’ve told him this reflects a certain lack of imagination on his part. But I help out with his books so far be it from me to complain too much. Usually it doesn’t take him long to find a “research assistant” for a new book. Women send him their “resumes.” Call. Email. Turn up at every stop on his book tours. (I know, it’s a rough life but someone has to live it.) But his current work-in-progress? Well, it’s different. So he needs a different muse. Someone innocent and untouched … but also brave enough to embark on a journey into her deepest, darkest desires. After a year, he’s still searching. His agent is getting antsy. (Okay, she’s on the verge of full-blown panic that he won’t finish the book on time.) Then he sees her, looking like an angel just arisen from a leisurely afternoon of amour. (His exact words.) She’s sitting in a suburban coffee shop … and being threatened by a goon with a pistol in his waistband. (Dear reader, he rescues her.) Then a plot twist no one saw coming. He knows he should let her go. But he’s a selfish bastard. (I am too, but that’s a different story.) He just needs to keep her long enough to finish the book … Muse is a melt-your-clothes-off scorching hot standalone billionaire (well, Alaric's not technically a billionaire but he acts like one half the time) boss romance with a sweet happy ever after. (If I might say so myself.) Find out why readers are saying, “Holy hotness!” … “the sexiest thing I have ever read” … “5 stars are not enough!” (Well, I’m one of the reasons why they say that.) Of course, everyone wants my story now, too. We’ll see. My story makes Alaric’s look like a damn fairy tale. A twisted sort of fairy tale, but … well, just read it. (Trust me, it’s worth it.)

The highly anticipated, thrilling sequel to the New York Times bestseller, Strange the Dreamer, from National Book Award finalist Laini Taylor, author of the bestselling Daughter of Smoke & Bone trilogy. Sarai has lived and breathed nightmares since she was six years old. She believed she knew every horror, and was beyond surprise. She was wrong. In the wake of tragedy, neither Lazlo nor Sarai are who they were before. One a god, the other a ghost, they struggle to grasp the new boundaries of their selves as dark-minded Minya holds them hostage, intent on vengeance against Weep. Lazlo faces an unthinkable choice--save the woman he loves, or everyone else?--while Sarai feels more helpless than ever. But is she? Sometimes, only the direst need can teach us our own depths, and Sarai, the muse of nightmares, has not yet discovered what she's capable of. As humans and godspawn reel in the aftermath of the citadel's near fall, a new foe shatters their fragile hopes, and the mysteries of the Mesarthim are resurrected: Where did the gods come from, and why? What was done with thousands of children born in the citadel nursery? And most important of all, as forgotten doors are opened and new worlds revealed: Must heroes always slay monsters, or is it possible to save them instead? Love and hate, revenge and redemption, destruction and salvation all clash in this gorgeous sequel to the New York Times bestseller, Strange the Dreamer./DIV

'The Dedalus Book of the Occult' celebrates the influence of occult thought on some of the central poets and writers of the last two centuries, beginning with the Enlightenment obsession with occult politics and leading through to the deep occult roots of the modernist movement.

Caroline Blackwood was born into the Guinness family in 1931, the daughter of the Fourth Marquess and Marchioness of Dufferin and Ava. Brought up on the ancestral estate in Northern Ireland, Blackwood moved easily among the Anglo-Irish aristocracy, the Soho bohemians of postwar England, and the liberal intelligentsia of 1960s New York. She was on intimate terms with some of the most celebrated artists and writers of her time. An unpredictable beauty known for her wit and her courage, she has been called a muse to genius. But her marriages to three brilliant men: the painter Lucian Freud, the composer Israel Citkowitz, and the poet Robert Lowell were as troubled as they were inspiring. During her marriage to Lucian Freud, Caroline became part of an artistic and literary group that included Francis Bacon and Cyril Connolly who was infatuated with her but eventually Freud's gambling caused irrevocable problems between them. Caroline was also in the grips of her own unfolding tragedy: a fatal attraction to alcohol that would plague the rest of her life. Upon the breakup of her first marriage, she moved to America , where she met her second and third husbands. Once regarded as the obvious successor to Aaron Copland, Israel Citkowitz had stopped composing long before he met Caroline. While he and Caroline had three children together, it was her subsequent seven year marriage to Robert Lowell that she considered her "main marriage." Her life with Lowell was probably the most difficult time of her life as she dealt with his increasingly frequent and worsening attacks of mania. And to Lowell she was not only an inspiration but_as he described in his Pulitzer-prize- winning book of verse The Dolphin, she was also "a mermaid who dines upon the bones of her winded lovers." In 1977, Robert Lowell fled London to return to his former wife Elizabeth Hardwick. He died from a heart attack in the backseat of a taxi, clutching Girl in Bed, Lucian Freud's haunting portrait of Caroline. Blackwood was an artist in her own right. Her literary talents were dark and satiric; her ten books of fiction and nonfiction betrayed an extraordinary eye for human physiognomy, attire, and behavior. Arguably her best book, Great Granny Webster described the comic terrors of her upbringing in Northern Ireland, and was shortlisted for the Booker Prize. She herself died of cancer on Valentine's Day 1996, at the age of sixty-four. Dangerous Muse is the first biography of Lady Caroline Blackwood. Drawing upon numerous interviews and unpublished letters from Blackwood's mother, Maureen Dufferin, and friends and family, including Andrew Harvey, Jonathan Raban, John Richardson, and Caroline's sister Perdita Blackwood, Nancy Schoenberger eloquently captures one of the most original and provocative figures in contemporary letters of the twentieth century.

Sixteen year old Muddy Rivers has always wanted to fit in with the ""regular"" crowd. He aches for a romance with his blind friend, Poe, but knows he doesn't stand a chance. He hopes that his life as the guitarist for his band, the Accidentals, will help him accomplish gaining her attention. But then his brother disappears playing a mysterious song and Muddy is plunged into a world of music where songs come to life. He must learn to harness the power of the legendary crossroads and what lies on the other side if they are to conquer a series of trials which no one expects ""special"" or ""different"" teens to survive. Along with drummer Otis, singer Poe, and saxophonist Corey, Muddy must cross the river that is the source for all creativity. Once there, the band fights a world alive with horrors and realize their path to redemption is hindered by obstacles that may destroy them: the Tritons, vicious inhuman leaders of the strange land.

The first in an action-packed debut middle grade fantasy duology about a Cuban American girl who discovers that she’s one of the nine Muses of Greek mythology. Perfect for fans of The Serpent’s Secret, the Aru Shah series, and the Percy Jackson and the Olympians series. Callie Martinez-Silva didn’t mean to turn her best friend into a pop star. But when a simple pep talk leads to miraculous results, Callie learns she’s the newest muse of epic poetry, one of the nine Muses of Greek mythology tasked with protecting humanity’s fate in secret. Whisked away to Muse Headquarters, she joins three recruits her age, who call themselves the Muse Squad. Together, the junior muses are tasked with using their magic to inspire and empower—not an easy feat when you’re eleven and still figuring out the goddess within. When their first assignment turns out to be Callie’s exceptionally nerdy classmate, Maya Rivero, the squad comes to Miami to stay with Callie and her Cuban family. There, they discover that Maya doesn’t just need inspiration, she needs saving from vicious Sirens out to unleash a curse that will corrupt her destiny. As chaos erupts, will the Muse Squad be able to master their newfound powers in time to thwart the Cassandra Curse . . . or will it undo them all?

Does music have the power to invade the soul? Beware the Dark Muse… Thirteen-year-old Muddy Brooks has always wanted to fit in with the "regular" crowd in a small town in New Jersey. He hopes that his band, The Accidentals, helps gain him acceptance into the world where he has always stuck out like a broken thumb. When his older brother disappears at the crossroads while playing a mysterious song, Muddy plunges into a world of music where songs come to life, where musicians find their inspiration, what price they must pay for fame. He must learn to harness the power of the legendary crossroads and conquer what lies on the other side. A series of trials that inspired classic songs awaits the teens, each deadlier than the next, each testing their newfound powers. Along with drummer Otis, singer Poe, and saxophonist Corey, each battling their own disabilities or demons, Muddy must cross the river that is the source for all creativity. The band fights a world alive with unimaginable horrors and realize their path to redemption is hindered by two obstacles that may destroy them: the Tritons, vicious inhuman leaders of the strange world, and the Dark Muse, a something, or someone who wields the full power of the River. The band’s journey calls for them to build a stairway to heaven, sail through smoke on the water, become iron men, and walk that way across the abyss. But their ultimate battle may prove in vain--it might not save Muddy's brother from the darkness --or awaken something far more deadly. *** Do you believe music has power? Dark Muse answers that question with an ear-shattering scream that will plunge you into terrifying worlds unknown. Hang on! - Elizabeth Massie, Bram Stoker Award Winning Author of Sineater and the upcoming Ameri-Scares television show (produced by Margot Robbie).