In 1963, a human skull was discovered in a pub in Kent in south-east England. A brief handwritten note stuck inside the cavity revealed it to be that of Alum Bheg, an Indian soldier in British service who was executed during the aftermath of the 1857 Uprising, or The Indian Mutiny as historians of an earlier era described it. Alum Bheg was blown from a cannon for having allegedly murdered British civilians, and his head was brought back as a grisly war-trophy by an Irish officer present at his execution. The skull is a troublesome relic of both anti- colonial violence and the brutality and spectacle of British retribution. Kim Wagner presents an intimate and vivid account of life and death in British India in the throes of the largest rebellion of the nineteenth century. Fugitive rebels spent months, even years, hiding in the vastness of the Himalayas before they were eventually hunted down and punished by a vengeful colonial state. Examining the colonial practice of collecting and exhibiting human remains, this book offers a critical assessment of British imperialism that speaks to contemporary debates about the legacies of Empire and the myth of the 'Mutiny'.

The luck of the Irish runs out for a professional poker player in this mystery set in County Cork that will “will leave cozy readers well satisfied” (Publishers Weekly). A poker tournament in the small village of Kilbane in County Cork is drawing players from across the country, but none more famous than Eamon Foley. A tinker out of Dublin, he’s called the Octopus for playing like he has eight hands under the table. But when Foley is found at the end of a rope, swinging from the rafters of Rory Mack’s pub, it’s time for the garda to take matters into their own hands. Detective Sargent Macdara Flannery would lay odds it’s a simple suicide—after all, there’s a note and the room was locked. But officer Siobhán O’Sullivan suspects foul play, as does Foley’s very pregnant widow. Soon it’s up to Siobhán to call a killer’s bluff, but if she doesn’t play her cards right, she may be the next one taken out of the game.

Steven Earnshaw traces the many roles of the drinking house in literature from Chaucer's time to the end of the 20th century, taking in the better-known hostelries, such as Hal's and Falstaff's Boar's Head in Henry IV, and the inns of Dickens.

Even quaint and cozy English villages have a dark side . . . Location scout and Jane Austen aficionado, Kate Sharp, is thrilled when the company she works for lands the job of finding locations for a new film adaptation of Pride and Prejudice, but then her boss fails to return from a scouting trip to England. Kate travels to England to salvage the company’s reputation. Things go from bad to worse when Kate arrives in Nether Woodsmoor, a quaint village of golden stone cottages and rolling green hills, only to find no trace of her boss. Even the rumpled, easygoing local scout they consulted, Alex, doesn’t know where he might be. Increasingly worried about her boss and with an antsy director waiting for updates about the preproduction details, Kate embarks on a search that includes a pub-crawl and cozy cottages as well as stately country manors. But with no sign of her boss, she begins to suspect that the picturesque village and beautiful countryside may not be as idyllic as they seem. Death in the English Countryside is the first installment of the popular Murder on Location cozy mystery series from USA Today bestseller Sara Rosett. MURDER ON LOCATION SERIES: Book One - Death in the English Countryside Book Two - Death in an English Cottage Book Three - Death in a Stately Home Book Four - Death in an Elegant City Book Five - Menace at the Christmas Market (Novella) Book Six - Death in an English Garden Book Seven - Death at an English Wedding Have you read Sara Rosett’s other mystery series? If you like historical mysteries with lady detectives, check out the HIGH SOCIETY LADY DETECTIVE mystery series. If you like travel with your mystery, check out the ON THE RUN INTERNATIONAL MYSTERIES.

The inimitable Richard Jury returns in the latest in the bestselling mystery series: “Martha Grimes has written a whodunit with terrific characters and a grand plot mixed with her unique droll wit. Vertigo 42 is one smart mystery!” (Susan Isaacs, bestselling author of Goldberg Variations) Richard Jury is meeting Tom Williamson at Vertigo 42, a bar on the forty-second floor of an office building in London’s financial district. Despite inconclusive evidence, Tom is convinced his wife, Tess, was murdered seventeen years ago. The inspector in charge of the case was sure Tess’s death was accidental—a direct result of vertigo—but the official police inquiry is still an open verdict and Jury agrees to re-examine the case. Jury learns that a nine-year-old girl fell to her death five years before Tess at the same place in Devon where Tess died, at a small house party. Jury seeks out the five surviving party guests, who are now adults, hoping they can shed light on this bizarre coincidence. Ultimately, four deaths—two in the past, two that occur on the pages of this intricate, compelling novel—keep Richard Jury and his sidekick Sergeant Wiggins running from their homes in Islington to the countryside in Devon and to London as they try to figure out if the deaths were accidental or not. And if they are connected. Witty, well-written, with literary references from Thomas Hardy to Yeats, Vertigo 42 is a pitch perfect, page-turning novel from a mystery writer at the top of her game.

This book focuses on the chaos that overtook England on the eve of the First World War. Dangerfield weaves together the three wild strands of the Irish Rebellion (the rebellion in Ulster), the Suffragette Movement and the Labour Movement to produce a vital picture of the state of mind and the most pressing social problems in England at the time. The country was preparing even then for its entrance into the twentieth century and total war.Dangerfield argues that between the death of Edward VII and the First World War there was a considerable hiatus in English history. He states that 1910 was a landmark year in English history. In 1910 the English spirit flared up, so that by the end of 1913 Liberal England was reduced to ashes. From these ashes, a new England emerged in which the true prewar Liberalism was supported by free trade, a majority in Parliament, the Ten Commandments, but the illusion of progress vanished. That extravagant behavior of the postwar decade, Dangerfield notes, had begun before the war. The war hastened everything - in politics, in economics, in behavior - but it started nothing.George Dangerfield's wonderfully written 1935 book has been extraordinarily influential. Scarcely any important analyst of modern Britain has failed to cite it and to make use of the understanding Dangerfield provides. This edition is timely, since the year 2010 has seen a definitive resurrection of Liberal power. Subsequent to the General Election of July 2010 the government of the United Kingdom has been in the hands of a Conservative/Liberal Democrat coalition. The Deputy Prime Minister is the leader of the Liberal Democratic Party - the direct successor of the old Liberal Party examined by Dangerfield. Five Liberal Democrat members of Parliament were appointed to the Cabinet and there are Liberal Democrat ministers in all governmental departments. After decades of absence from government power, Liberalism seems to be back with a vengeance.

From bestselling author Martha Grimes, Detective Chief Inspector Richard Jury is back on the case in an installment in the Richard Jury Mystery series. Long Piddleton had always been wary of newcomers. But the quiet town was stunned when the first stranger was found dead, upended in a butt of ale in the cellar of the Men with a Load of Mischief. Then the second body appeared, swinging in place of the mechanical man above the door of the Jack and Hammer. Suddenly Long Piddleton had good reason to be wary of everyone! Its cozy pubs and inns with their polished pewter and blazing hearths had become scenes of the most bizarre crimes. Who were the victims? And who was the murderer? A stranger? A maniac? Or the disarmingly friendly man next door?

The Death of Vazir-Mukhtar, a novel by Yury Tynyanov, one of the leading figures of the Russian formalist school, describes the final year in the life of Alexander Griboedov, the author of the comedy Woe from Wit. As ambassador to Persia, Griboedov was murdered in 1829 by a Tehrani mob during the sacking of the Russian embassy. One of the central texts of Russian formalist literary production, the novel is a brilliant meditation on the nature of historical and poetic consciousness and of artistic creation. It is a complex and fascinating work that explores the relationships among individual memory, historical fact, and the literary imagination. The result is a hybrid text, containing elements of various genres—historical, biographical, existential, and adventure novels—and a deeply personal, almost confessional testament to the writer’s relationship to his generation and the state. Completed in 1927, almost a century after the events it depicts, The Death of Vazir-Mukhtar marks the watershed between revolution and reaction. At a time when the Soviet regime was becoming increasingly restrictive of freedom of expression and conscience, Tynyanov grappled with the themes of disillusionment, betrayal, and unrealized potential. Unabashedly intellectual yet filled with intrigue and suspense, The Death of Vazir-Mukhtar is a great historical novel of Russian modernism.