From bestselling author Martha Grimes, Detective Chief Inspector Richard Jury is back on the case in an installment in the Richard Jury Mystery series. Long Piddleton had always been wary of newcomers. But the quiet town was stunned when the first stranger was found dead, upended in a butt of ale in the cellar of the Men with a Load of Mischief. Then the second body appeared, swinging in place of the mechanical man above the door of the Jack and Hammer. Suddenly Long Piddleton had good reason to be wary of everyone! Its cozy pubs and inns with their polished pewter and blazing hearths had become scenes of the most bizarre crimes. Who were the victims? And who was the murderer? A stranger? A maniac? Or the disarmingly friendly man next door?

MAN WITH A LOAD OF MISCHIEF was originally presented off-Broadway in 1966, receiving rave reviews and garnering such comments as: "A solid hit!" and "Perfectly charming!" (New York Times), "Remarkably appealing!" (New York Post), and "Sprightly and ingratiating!" (NY Daily News). Since then this delightful musical has become a classic, seen in many productions throughout the United States and countries across the world. The six-character show has seen four revivals in New York City. RECORD WORLD described the show in this encapsulation: "Set in a Regency England highway inn, it scrambles with surprising little condescension the affairs of a gentleman who isn't a gentleman, a lackey who isn't a lackey, a lady who isn't a lady and a maid who isn't a maiden with grand comic style. But the show's real strength-happily, in this musically stultifying integrated age-lies in its tunes. If anyone would fault the songs for not being integrated, it is because they stand out from the text, as a good song will, and can be recalled after the last bow."Unfortunately the complete piano-vocal score had not been available for purchase until this current publication (2011). This score represents the complete musical, containing every song, every note found in the piano conductor score used in public performances. It includes the Overture, all the songs, scene changes, and miscellaneous cues.

Alexander MacDonald guides us through his family’s mythic past as he recollects the heroic stories of his people: loggers, miners, drinkers, adventurers; men forever in exile, forever linked to their clan. There is the legendary patriarch who left the Scottish Highlands in 1779 and resettled in “the land of trees,” where his descendents became a separate Nova Scotia clan. There is the team of brothers and cousins, expert miners in demand around the world for their dangerous skills. And there is Alexander and his twin sister, who have left Cape Breton and prospered, yet are haunted by the past. Elegiac, hypnotic, by turns joyful and sad, No Great Mischief is a spellbinding story of family, loyalty, exile, and of the blood ties that bind us, generations later, to the land from which our ancestors came.

A young friend pulls Scotland Yard’s Richard Jury into the life—and death—of a wealthy bachelor… The once-charismatic Billy Maples was last seen in a club named Dust, before his murder in a trendy London hotel. Proving as inscrutable—and challenging—to Jury as the case is the beautiful chief inspecting officer... Before his death, Maples was a patron of London’s finest art galleries and caretaker of author Henry James’s house in Rye. It’s there where Jury installs Melrose Plant, who takes his job to heart, as Jury closes in on the dark secrets behind Maples’s friends and family…

In Send Bygraves, Martha Grimes has given us her most fascinating book, a dramatic mystery poem that uses the conventions of the traditional British mystery to explore the very nature of crime, the criminal, and the criminal investigator. Illustrated with thirty-five line drawings by acclaimed artist Devis Grebu, it is an elegant, darkly humorous work—a tour de force of chilling wit and brilliant literary imagination.

Sheila Broome died in the wintry isolation of the Devon countryside. Ivy Childess was strangled in the heart of London's Mayfair. Devon's stubborn Divisional Police Commander is convinced both killings are the work of one man.

"Over three successive nights, Harry spins out this story of a good friend of his whose wife and son (and dog) disappeared one day when they were in Surrey. No trace, no clue, no lead as to what happened."--Jacket.