The author tells about her childhood and the atmosphere growing up in the Black community of Rondo located in St. Paul, Minn.

University of Iowa legend Willard L. “Sandy” Boyd is a proud middle westerner. His decades of service to the university began in 1954, when he arrived as a law professor. He later became president of the University of Iowa from 1969 to 1981, and led the school through times that were fraught not just for the university but for the country. During the intense polarization of the late sixties and early seventies, Sandy’s compassion and steady leadership ensured that dissent on campus would be honored and would not stop the university’s educational mission. He quickly became admired, not simply for his professional achievements but also for his personal integrity. His memoir, interspersed with personal wisdom gleaned over more than six decades of service and leadership, encapsulates Sandy’s shrewd yet optimistic view of the public university as an institution. At every stage in his life—in the U.S. Navy during World War II, while practicing law or teaching, and in leadership positions at Chicago’s Field Museum and the University of Iowa— Sandy relied on his principles of open disclosure, inclusiveness, and respect for differences to guide him on issues that matter. This chronicle of Sandy’s experiences throughout his life shows us the evolution both of the University of Iowa and of the nation writ large. More importantly, this book gives us a lens through which to examine our present situation, whether debating free speech on campus, the role of the arts and humanities in civil society, or the importance of funding for educational and cultural institutions.

A collection of piano solos, composed by Franz Joseph Haydn, Wolfgang Amadeus Mozart and Ludwig van Beethoven.

A chronicle of the rich history of Blacks in the state through careful analysis of census and housing records, newspaper records, and first-person accounts.

When the interstate highway program connected America’s cities, it also divided them, cutting through and destroying countless communities. Affluent and predominantly white residents fought back in a much heralded “freeway revolt,” saving such historic neighborhoods as Greenwich Village and New Orleans’s French Quarter. This book tells of the other revolt, a movement of creative opposition, commemoration, and preservation staged on behalf of the mostly minority urban neighborhoods that lacked the political and economic power to resist the onslaught of highway construction. Within the context of the larger historical forces of the 1960s and 1970s, Eric Avila maps the creative strategies devised by urban communities to document and protest the damage that highways wrought. The works of Chicanas and other women of color—from the commemorative poetry of Patricia Preciado Martin and Lorna Dee Cervantes to the fiction of Helena Maria Viramontes to the underpass murals of Judy Baca—expose highway construction as not only a racist but also a sexist enterprise. In colorful paintings, East Los Angeles artists such as David Botello, Carlos Almaraz, and Frank Romero satirize, criticize, and aestheticize the structure of the freeway. Local artists paint murals on the concrete piers of a highway interchange in San Diego’s Chicano Park. The Rondo Days Festival in St. Paul, Minnesota, and the Black Archives, History, and Research Foundation in the Overtown neighborhood of Miami preserve and celebrate the memories of historic African American communities lost to the freeway. Bringing such efforts to the fore in the story of the freeway revolt, The Folklore of the Freeway moves beyond a simplistic narrative of victimization. Losers, perhaps, in their fight against the freeway, the diverse communities at the center of the book nonetheless generate powerful cultural forces that shape our understanding of the urban landscape and influence the shifting priorities of contemporary urban policy.

Peg Meier's candid interpretation of the joys and pains of childhood through the decades--at home, at school, at play--reminds us that we were all children once, too.

The story is a role-playing project that was created in the 1980s and now is being told with the help of willing participants. This is the story of two young boys on a collision course with destiny. Adventure is around every corner, character growth around every stone, and no real ending in sight. Which way will the wind blow to guide the young boys on their quest for the salvation of Stelvose? The quest will submerge you with hate, adventure, love, greed, deception, cowardice, and romance. Begin your adventure, pick your character, and see how they develop. Beware, the story rights itself . . .

"A meaningful panoramic view of what it means to be human...Cause for celebration." --Times-Picayune From the author of the National Book Critics Circle Award finalist Let the Dead Bury Their Dead comes a moving, cliché-shattering group portrait of African Americans at the turn of the twenty-first century. In a hypnotic blend of oral history and travel writing, Randall Kenan sets out to answer a question that has has long fascinated him: What does it mean to be black in America today? To find the answers, Kenan traveled America--from Alaska to Louisiana, from Maine to Las Vegas--over the course of six years, interviewing nearly two hundred African Americans from every conceivable walk of life. We meet a Republican congressman and an AIDS activist; a Baptist minister in Mormon Utah and an ambitious public-relations major in North Dakota; militant activists in Atlanta and movie folks in Los Angeles. The result is a marvellously sharp, full picture of contemporary African American lives and experiences.

Stories from St. Paul Neighborhoods and Beyond