"Traces the first two decades of the Technicolor Corporation and the development of its two-color motion picture process, using such resources as corporate documents, studio production files, contemporary accounts, and unpublished interviews. Includes annotated filmography of all two-color Technicolor titles produced between 1915 and 1935"--

Using extensive research and interviews with many of the surviving Technicolor technicians, the history of dye printing and the events leading to its demise are fully covered. (The Beijing Film Laboratory is the only facility currently using the process.) Included are diagrams of how the process worked and an extensive listing of U.S. feature films printed with it.

"King of Jazz: Paul Whiteman's Technicolor Revue" tells the story of the making, release, and restoration of Universal s 1930 Technicolor musical extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative of the film's production, with broader context on its diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes. "King of Jazz" was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country s top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film s highlights include a dazzling interpretation of George Gershwin's Rhapsody in Blue, which Whiteman had introduced to the public in 1924; Walter Lantz's A Fable in Jazz, the first cartoon in Technicolor; and Anderson's grand finale The Melting Pot of Music, a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America s leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes

This is a full account of the dazzling Technicolor years that turned the screen from silver to every color of the rainbow. Here in one volume are the films, the stars, the showmen and all the elements behind the phenomenon that changed movies forever. Beautiful film stills and rare behind-the-scenes photos taken on the sets of memorable Technicolor movies highlight the personalities and stories behind the making of the movies. From the long struggle to bring perfect color to motion pictures, to the restoration of classic features and the evolution of digital technologies, Technicolor has redefined the movie-going experience.--From publisher description.

The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor—despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color’s artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L’Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napoléon (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world.

"Commissioned for and sponsored by the National Film Preservation Board."

Chromatic Cinema Color permeates film and its history, but study of its contribution to film has so far been fragmentary. Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation. In this richly illustrated study, Richard Misek offers both a history and a theory of screen color. He argues that cinematic color emerged from, defined itself in response to, and has evolved in symbiosis with black and white. Exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosis, Misek provides an in-depth yet accessible account of color’s spread through, and ultimate effacement of, black-and-white cinema.

The computer unlike other inventions is universal; you can use a computer for many tasks: writing, composing music, designing buildings, creating movies, inhabiting virtual worlds, communicating... This popular science history isn't just about technology but introduces the pioneers: Babbage, Turing, Apple's Wozniak and Jobs, Bill Gates, Tim Berners-Lee, Mark Zuckerberg. This story is about people and the changes computers have caused. In the future ubiquitous computing, AI, quantum and molecular computing could even make us immortal. The computer has been a radical invention. In less than a single human life computers are transforming economies and societies like no human invention before.

When it comes to writing Golden Age Hollywood biographies, the pen is deadlier than the sword Justine Turner is a world-famous biographer of Hollywood stars. She's also Charlotte Donovan's overbearing boss. So it comes as no surprise to Charlotte when Justine requests an emergency meeting related to her latest in-progress biography. It is a surprise, though, when Justine up and dies before their urgent discussion can begin. In the wake of such a tragedy, all Charlotte wants to do is finish the Jean Harlow biography that Justine had started. Instead, she finds herself in grave danger—stalked both online and in person by a drop-dead Jean Harlow look-alike. Together with police sergeant Den Brophy, Charlotte uncovers shocking revelations. But will these revelations be enough to catch the killer? Praise: "The Jean Harlow Bombshell is a page-turner, a modern whodunit threaded with Golden Age Hollywood glamour. Its protagonist, Charlotte Donovan, is a sleuth for our times, flawed, bright, and eminently relatable. Factor in the delicious elements of romance, friendship, and family, and you have a mystery as captivating as Jean Harlow's (still missing) star sapphire ring."—Jess Lourey, author of Salem's Cipher and Mercy's Chase "Twisty, fascinating, and gently edgy, this mixture of vintage Hollywood and contemporary New York will delight fans of the traditional mystery as well as those craving a modern read. Loved it!"—Hank Phillippi Ryan, nationally bestselling author of Trust Me "Mollie Cox Bryan concocts a fascinating mystery with more twists than a pretzel factory. Bryan's skillful portrayal of Charlotte and best friend Kate make it fun to follow them as they work through to the solution. An entertaining read, a steady pace, and memorable characters to meet."—Reviewing the Evidence

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