Spies, lies, sex and power A suicide bomber unleashes hell in the ancient capital city of Nicosia drawing CIA operative, Frank Polk into a deadly international conspiracy. It’s Easter 2017 and everyone is trying to step into the Trump foreign policy vacuum. The political storm engulfs players from Washington to Moscow, Antwerp, Jerusalem to Istanbul. Polk must find out who’s behind the bombing before the world order is upended, and he must do it while a mole is working with the conspirators to take him out. Along the way he must learn, “Who is the Cypriot Girl?”

"The book describes how the Greek fixation with Enosis--union with Greece--led to a one-sided war against the Turks and the brutal massacres of their men, women and children."--Provided by publisher.

Following its entry into the EU in 2004, Cyprus has become a major migrant destination. The influx of migrant workers has introduced a more complex ethnic dynamic into a country traditionally considered in light of its history of conflict between its Greek and Turkish ethnic nationals. Maria Hadjipavlou argues that the focus on Cyprus' 'national problem' has long prevented Cypriot women to challenge Cyprus' largely patriarchal and militaristic order to pursue women's rights and public visibility. While many Cypriot women are now 'liberated' from the home, this is often due to female migrant domestic workers - in effect reproducing patriarchal practices. Hadjipavlou here examines the experiences of women from Greek, Turkish, Armenian, Maronite and Latin communities and migrant domestic workers in the context of ethno-national conflict, ethnic divisions, nationalism and militarism, and argues for a multi-communal feminist movement in Cyprus to better promote women's rights.

To what extent does locality influence contemporary art? Can any particular artistic practices be defined as uniquely Cypriot? And does art from Cyprus transcend Western boundaries once it enters the global art scene? This volume uses Cyprus as a case study for the exploration of notions of identity, regionalism, and the global and local in contemporary art practice; it is not, therefore, a complete historiography of contemporary Cypriot art. Rather, this critical text provides a theoretical and historical framework that frames and contextualizes art practices from Cyprus, while always relating these back to the international art world. Numerous current and pressing issues-all relevant beyond Cyprus-are investigated in this book including, but not limited to, art as capital, the emergence of the “periphery”, the importance of thriving localities, issues of memory and memorialization, archaeology, artists' identities, conflict and politics, social engagement, gender politics, and such curatorial alternatives as artist-run spaces. In doing all of this, Contemporary Art from Cyprus not only bears on current and future art practices in this region but highlights the importance of Cypriot art in a global context too.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

A powerful anthology of literary works by iUniverse authors and community leaders. In it you will find a delightful potpourri of words, ranging from short stories to a full-length play in one act. This collection is organized by category/genre: a mystery piece, success exercises, short stories on love, poetry, a play, and finally, short stories about life. Poetry is used as a thoughtful transition from author to author, and from category to category. Whether you choose to read the pieces in one of the categories/genres or all, every one of the 16 authors that contributed to this anthology hope you find this to contain exactly what you are looking for!

Cyprus ticks all the boxes. Sun. Sea. Cheap food and drink. Friendly, smiling people. How would you like to live there? Is this island heaven too good to be true? Surely there can be no darker side? Is there no lingering resentment from the colonial period and the bitter and vicious guerrilla war which ended it? What happens when Vic and his wife Gay come into contact with the real Cyprus, away from the garish, overdeveloped tourist resorts? They quickly find people even more friendly and generous than in the towns, although less likely to speak English. But they also discover terrible cruelty to animals; winter weather worse than tourists are led to believe; snakes, dangerous driving and earthquakes; hunters, armed to the teeth, excited and trigger happy; institutionalised hatred between Greek and Turkish Cypriots; racism and sexual exploitation of women tricked into coming to Cyprus from abroad. Is paradise lost?

"[U]shers the reader into the complexities of the categorical ambiguity of Cyprus [and]... concentrates... on the Dead Zone of the divided society, in the cultural space where those who refuse to go to the poles gather." -- Anastasia Karakasidou, Wellesley College The volatile recent past of Cyprus has turned this island from the idyllic "island of Aphrodite" of tourist literature into a place renowned for hostile confrontations. Cyprus challenges familiar binary divisions, between Christianity and Islam, Greeks and Turks, Europe and the East, tradition and modernity. Anti-colonial struggles, the divisive effects of ethnic nationalism, war, invasion, territorial division, and population displacements are all facets of the notorious Cyprus Problem. Incorporating the most up-to-date social and cultural research on Cyprus, these essays examine nationalism and interethnic relations, Cyprus and the European Union, the impact of immigration, and the effects of tourism and international environmental movements, among other topics.

This book explores the different perspectives and historical moments of nationalism in Cyprus. It does this by looking at nationalism as a form of identity, as a form of ideology, and as a form of politics. The fifteen contributors to this book are scholars of different scientific backgrounds and present Cypriot nationalisms from an interdisciplinary framework, including approaches such as history, political science, psychology, and gender studies. The chapters take a historical approach to nationalism and argue that the world of nations, ethnic identity, and national ideology are neither eternal, nor ahistorical nor primordial, but are rather socially constructed and function within particular historical and social contexts. As a land that was, and still is, marked by opposed nationalisms – that is, Greek and Turkish – Cyprus constitutes a fertile ground for examining the history, the dynamics, and the dialectics of nationalism.