A comprehensive collection of resources showing students of theology how to prepare and write creative research-oriented material The Craft of Innovative Theology: Argument and Process delivers a thorough examination of the method of producing and writing creative theological theses and projects, explaining to students how to write elegant, innovative research-oriented articles. Through a collection of papers written by distinguished scholars, the text exhibits numerous examples of well-executed creative writing on topics as varied as theodicy and evolution, and artificial intelligence and baptism. Each article includes an introduction by the editor that serves to guide the student through the material and elucidates what makes the work stand out as exceptional. The articles are also annotated to assist with the appreciation of the methodology and style used by the author. The Craft of Innovative Theology assists theology students in improving their research writing to a point where they’ll be ready for a Masters’ thesis or PhD dissertation, and is an excellent resource for a research methods course in a graduate program. The works incorporated by the editors include: A thorough introduction to God and the Incarnation, including knowing God through religious pluralism An exploration of God and church, including racial stigma and the southern Baptist public discourse in the twentieth century, and the appropriateness of baptizing artificial intelligence A discussion of God and the world, including where humanity has come from and where we’re going, and the challenges posed by biological evolution to Christian theology A treatment of God and ethics, including sin and the faces of responsibility Perfect for students of postgraduate theology and research methods courses, The Craft of Innovative Theology: Argument and Process will also earn a place in the libraries of students in courses that prepare them to write a Masters’ thesis in theology or to begin shaping their PhD dissertation topic.

Creativity has long been thought of as a personal trait, a gift bestowed on some and unachievable by others. While we laud the products of creativity, the stories behind them are often abridged to the elusive "aha!" moment, the result of a momentary stroke of genius. In The Craft of Creativity Matthew A. Cronin and Jeffrey Loewenstein present a new way to understand how we innovate. They emphasize the importance of the journey and reveal the limitations of focusing on outcomes. Drawing on a wide range of scholarship, their own research, and interviews with professionals and learners who employ creativity in the arts, engineering, business, and more, Cronin and Loewenstein argue that creativity is a cognitive process that hinges on changing one's perspective. It's a skill that anyone can hone, and one that benefits from thinking with others and over time. Breaking new ground in the discussion about how we innovate, this book provides strategies that everyone can use to be more creative.

Theological determinism and its relationship to creation, free will, evil, and other topics, are analyzed by fifteen philosophers and theologians.

Free will is a perennial theological and philosophical topic. As a central dogmatic locus, it is implicated in discussions around core Christian doctrines such as grace, salvation, sin, providence, evil, and predestination. This book offers a state-of-the-art look at recent debates about free will in analytic and philosophical theology. The chapters revolve around three central themes: the debate between theological compatibilists and libertarians, the communal nature of Christian freedom, and the role of free will in Christology. With contributions by leading scholars, the volume provides a valuable overview of current arguments as well as novel openings and ideas for further discussion.

An important reconceptualisation is taking place in the way people express creativity, work together, and engage in labour; particularly, suggests Kidwell, a surprising resurgence in recent years of manual and craft work. Noting the wide array of outlets that now market hand-made goods and the array of popular books which advocate ‘making’ as a basis for activism or personal improvement, this book seeks to understand how the micro-politics of craft work might offer insights for a broader theology of work. Why does it matter that we do work which is meaningful, excellent, and beautiful? Through a close reading of Christian scripture, The Theology of Craft and the Craft of Work examines the theology and ethics of work in light of original biblical exegesis. Kidwell presents a detailed exegetical study of temple construction accounts in the Hebrew bible and the New Testament. Illuminating a theological account of craft, and employing the ancient vision of ‘good work’ which is preserved in these biblical texts, Kidwell critically interrogates modern forms of industrial manufacture. This includes a variety of contemporary work problems particularly the instrumentalisation and exploitation of the non-human material world and the dehumanisation of workers. Primary themes taken up in the book include agency, aesthetics, sociality, skill, and the material culture of work, culminating with the conclusion that the church (or ‘new temple’) is both the product and the site of moral work. Arguing that Christian worship provides a moral context for work, this book also examines early Christian practices to suggest a theological reconceptualisation of work.

Central to the teachings of Christianity is a puzzle: on the one hand, sin seems something that humans do not do freely and so cannot be not responsible for, since it is unavoidable; on the other hand, sin seems something that we must be responsible for and so do freely, since we are enjoined to repent of it, and since it makes us liable to divine condemnation and forgiveness. After laying out the puzzle in more depth, this Element considers three possible responses—libertarian, soft determinist, and free-will skeptic—and weighs the costs and benefits of each.

The book is a case study of how beauty, desire, and bodily experience converge in the work of Jonathan Edwards, using the "kinesthetic imagination" to escape the false dichotomies of modernity.

»What Does Theology Do, Actually? Observing Theology and the Transcultural« is to be the first in a series of 5 books, each presented under the same question – »What Does Theology Do, Actually?«, with vols. 2–5 focusing on one of the theological subdisciplines. This first volume proceeds from the observation of a need for a highly inflected »trans-cultural«, and not simply »inter-cultural«, set of perspectives in theological work and training. The revolution brought about across the humanities disciplines through globalization and the recognition of »multiple modernities« has introduced a diversity of overlapping cultural content and multiple cultural and religious belongings not only into academic work in the humanities and social sciences, but into the Christian churches as well.

'A mere metaphor', 'only symbolic', 'just a myth' - these tell tale phrases reveal how figurative language has been cheapened and devalued in our modern and postmodern culture. In God and the Creative Imagination, Paul Avis argues the contrary: we see that actually, metaphor, symbol and myth, are the key to a real knowledge of God and the sacred. Avis examines what he calls an alternative tradition, stemming from the Romantic poets Blake, Wordsworth and Keats and drawing on the thought of Cleridge and Newman, and experience in both modern philosophy and science. God and the Creative Imagination intriguingly draws on a number of non-theological disciplines, from literature to philosophy of science, to show us that God is appropriately likened to an artist or poet and that the greatest truths are expressed in an imaginative form. Anyone wishing to further their understanding of God, belief and the imagination will find this an inspiring work.

"Organized" and "innovation" are words rarely heard together. But an organized approach to innovation is precisely what America needs today. This book presents a blueprint for coordinating technology breakthroughs to advance America's global competitiveness and prosperity. That prosperity is at risk. As other nations bolster technology innovation efforts, America's research, development, and commercialization enterprise is falling behind. An "innovation gap" has emerged in recent decades, where US universities focus on basic research and industry concentrates on incremental product development. The country has failed to address the innovation gap because of three myths--innovation is about lone geniuses, the free market, and serendipity. These myths blind us from recognizing our dysfunctional system of unorganized innovation. In Organized Innovation, Currall, Frauenheim, Perry and Hunter provide a framework for optimizing the way America creates, develops, and commercializes technology breakthroughs. A roadmap for universities, business, and government, the book is grounded in the authors' seminal study of the National Science Foundation's Engineering Research Center program, which has returned to the US economy more than ten times the funding invested in it. For too long, our approach to technology innovation has been unorganized. The authors enable us to turn the page. They show us how to organize innovation for a more prosperous, hopeful future.