Fictitious biographical snippets that celebrate the sky-written words of early aviation and the life of the man behind them.

In Limestone, Indiana, a city tucked away among forested hills, peculiar things happen, often in the vicinity of a jack-of-all-trades named Gordon Mills. Centaurs and nymphs shelter in a local cave, alligators lurk in the sewers, warm snow falls on the Fourth of July, cornstalks rise higher than chimneys, and the northern lights shine down on the municipal dump. Gordon takes such events in stride and deals with them as part of his work on the city maintenance crew. He earns just enough to support a boisterous family, which includes his formidable wife Mabel, their four children, Mabel's parents, and his widowed mother—nine souls packed into an old house that falls apart as fast as Gordon can fix it. Part folktale, part tall tale, part comic romance, Small Marvels revels in the wonders of everyday life. So, welcome to Limestone, Indiana. You won't find it on a map, but you may remember visiting the place in dreams, the rare, blissful ones in which puzzles are solved, kids flourish, hard work pays off, and love endures.

A spectacular new anthology of the best short-short fiction from across the United States. It has been more than thirty years since the term “flash fiction” was first coined, perfectly describing the power in the brevity of these stories, each under 1,000 words. Since then, the form has taken hold in the American imagination. For this latest installment in the popular Flash Fiction series, James Thomas, Sherrie Flick, and John Dufresne have searched far and wide for the most distinctive American voices in short-short fiction. The 73 stories collected here speak to the diversity of the American experience and range from the experimental to the narrative, from the whimsical to the gritty. Featuring fiction from writers both established and new, including Aimee Bender, K-Ming Chang, Bonnie Jo Campbell, Bryan Washington, Robert Scotellaro, and Luis Alberto Urrea, Flash Fiction America is a brilliant collection, radiating creativity and bringing together some of the most compelling and exciting contemporary writers in the United States.

Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. An early and influential book on questions of form in creative nonfiction, Bending Genre asks not where the boundaries between the genres should be drawn, but what happens when you push the line. The expanded second edition doubles the first edition with 23 new essays that broaden the exploration of hybridity, structure, unconventionality, and resistance in creative nonfiction, pushing the conversation forward in diverse and exciting ways. Written for writers and students of creative writing, this collection brings together perspectives from leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, David Shields, Kazim Ali--and in the new edition--Catina Bacote, Ira Sukrungruang, Ingrid Horrocks, Elena Passarello, and Aviya Kushner. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground. Features in the second edition: -Updated introduction to the new edition -Expanded sections on Hybrids, Structures, and "Unconventions" -A new section on Resistances -50 essays in all

Is it truth or fiction? Memoir or essay? Narrative or associative? To a writer like Michael Martone, questions like these are high praise. Martone’s studied disregard of form and his unruffled embrace of the prospect that nothing--no story, no life--is ever quite finished have yielded some of today’s most splendidly unconventional writing. Add to that an utter weakness for pop Americana and what Louise Erdrich has called a “deep affection for the ordinary,” and you have one of the few writers who could pull off something like Racing in Place. Up the steps of the Washington Monument, down the home stretch at the Indy Speedway, and across the parking lot of the Moon Winx Lodge in Tuscaloosa, Alabama, Martone chases, and is chased by, memories--and memories of memories. He writes about his grandfather’s job as a meter reader, those seventies-era hotels with atrium lobbies and open glass elevators, and the legendary temper of basketball coach Bob Knight. Martone, as Peter Turchi has said, looks “under stones the rest of us leave unturned.” So, what is he really up to when he dwells on the make of Malcolm X’s eyeglasses or the runner-up names for Snow White’s seven dwarfs? In “My Mother Invents a Tradition,” Martone tells how his mom, as the dean of girls at a brand-new high school in Fort Wayne, Indiana, “constructed a nostalgic past out of nothing.” Sitting at their dining room table, she came up with everything from the school colors (orange and brown) to the yearbook title (Bear Tracks). Look, and then look again, Martone is saying. “You never know. I never know.”

Foreword INDIES Gold Winner in Humor Many authors have traveled and explored the out-of-doors, both in life and then in their books, proving themselves stalwart, audacious, even heroic; Andrew Farkas is not among them. He is brave enough to admit that the outdoors isn't for him. Instead, in these essays Farkas reports on his bold explorations of a very different territory: the in-of-doors, the waiting rooms, kitchens, malls, bars, theaters, roadside motel rooms, and other places that feature temperature control, protection from rampaging predators, and a higher degree of comfort than can be found outside. Farkas discovers that, just as the mannered and wonderfully (gloriously) artificial indoors influences us greatly, our lives are also controlled much more by fiction than by anything "real." So come in out of the weather (it's always terrible) and join the Great Indoorsman on his adventures, where he makes fun of pretty much everything, most of all himself.

In Airplane Reading, Christopher Schaberg and Mark Yakich bring together a range of essays about air travel. Discerning and full of wonder, this prismatic collection features perspectives from a variety of writers, airline workers, and everyday travelers. At turns irreverent, philosophical, and earnest, each essay is a veritable journey in and of itself. And together, they illuminate the at once strange and ordinary world of flight. Contributors: Lisa Kay Adam • Sarah Allison • Jane Armstrong • Thomas Beller • Ian Bogost • Alicia Catt • Laura Cayouette • Kim Chinquee • Lucy Corin • Douglas R. Dechow • Nicoletta-Laura Dobrescu • Tony D’Souza • Jeani Elbaum • Pia Z. Ehrhardt • Roxane Gay • Thomas Gibbs • Aaron Gilbreath • Anne Gisleson • Anya Groner • Julian Hanna • Rebecca Renee Hess • Susan Hodara • Pam Houston • Harold Jaffe • Chelsey Johnson • Nina Katchadourian • Alethea Kehas • Greg Keeler • Alison Kinney • Anna Leahy • Allyson Goldin Loomis • Jason Harrington • Kevin Haworth • Randy Malamud • Dustin Michael • Ander Monson • Timothy Morton • Peter Olson • Christiana Z. Peppard • Amanda Pleva • Arthur Plotnik • Neal Pollack • Connie Porter • Stephen Rea • Hugo Reinert • Jack Saux • Roger Sedarat • Nicole Sheets • Stewart Sinclair • Hal Sirowitz • Jess Stoner • Anca L. Szilágyi • Priscila Uppal • Matthew Vollmer • Joanna Walsh • Tarn Wilson

A story about the ties that bind us, Close-Up explores what makes, drives, complicates, and undermines our most important relationships. In this artful, expansive novel, we follow five protagonists--Jacob, Martin, Caroline, Jeanie, and Jill--through love, marriage, parenthood, and the romance of friendship as they struggle to make sense of themselves and each other and of what makes for good art, good magic, and a good life. What follows is a story only Michelle Herman could write: one of missed connections and old grievances, of loneliness and longing, of rifts and reconciliations and redemption. Close-Up depicts the fraught entanglements of the relationships we're born into and those we choose--carefully or with abandon--with the precision and nuance that has characterized her work over the last thirty years.

In these deeply funny and introspective essays, Andrew Farkas boldly surveys the “in-of-doors,” where a higher degree of comfort can be found than out-of-doors, and discovers that our lives are controlled much more by fiction than by anything “real.”