Maps poised at the intersection of art, architecture, activism, and geography trace a profound shift in our understanding and experience of space. The maps in this book are drawn with satellites, assembled with pixels radioed from outer space, and constructed from statistics; they record situations of intense conflict and express fundamental transformations in our ways of seeing and of experiencing space. These maps are built with Global Positioning Systems (GPS), remote sensing satellites, or Geographic Information Systems (GIS): digital spatial hardware and software designed for such military and governmental uses as reconnaissance, secrecy, monitoring, ballistics, the census, and national security. Rather than shying away from the politics and complexities of their intended uses, in Close Up at a Distance Laura Kurgan attempts to illuminate them. Poised at the intersection of art, architecture, activism, and geography, her analysis uncovers the implicit biases of the new views, the means of recording information they present, and the new spaces they have opened up. Her presentation of these maps reclaims, repurposes, and discovers new and even inadvertent uses for them, including documentary, memorial, preservation, interpretation, political, or simply aesthetic. GPS has been available to both civilians and the military since 1991; the World Wide Web democratized the distribution of data in 1992; Google Earth has captured global bird's-eye views since 2005. Technology has brought about a revolutionary shift in our ability to navigate, inhabit, and define the spatial realm. The traces of interactions, both physical and virtual, charted by the maps in Close Up at a Distance define this shift.

1930s Hollywood. Vivian Brazier never thought life as an art photographer would include shooting headshots for aspiring male actors or nightly wake-up calls to snap photos of grisly crime scenes. Although she is set on making a career of transforming her photography into a new art form, she knows her current work is what's paying the bills.

"Grady Clay looks hard at the landscape, finding out who built what and why, noticing who participates in a city's success and who gets left in a 'sink,' or depressed (often literally) area. Clay doesn't stay in the city; he looks at industrial towns, truck stops, suburbs—nearly anywhere people live or work. His style is witty and readable, and the book is crammed with illustrations that clarify his points. If I had to pick up one book to guide my observations of the American scene, this would be it."—Sonia Simone, Whole Earth Review "The emphasis on the informal aspects of city-shaping—topographical, historical, economic and social—does much to counteract the formalist approach to American urban design. Close-Up...should be required reading for anyone wishing to understand Americans and their cities."—Roger Cunliffe, Architectural Review "Close-Up is a provocative and stimulating book."—Thomas J. Schlereth, Winterthur Portfolio "Within this coherent string of essays, the urban dweller or observer, as well as the student, will find refreshing strategies for viewing the environmental 'situations' interacting to form a landscape."—Dallas Morning News "Clay's Close-Up, first published in 1973, is still a key book for looking at the real American city. Too many urban books and guidebooks concentrate on the good parts of the city....Clay looks at all parts of the city, the suburbs, and the places between cities, and develops new terms to describe parts of the built environment—fronts, strips, beats, stacks, sinks, and turf. No one who wants to understand American cities or to describe them, should fail to know this book. The illustrations are of special interest to the guidebook writer."—American Urban Guidenotes

A new work assignment goes delightfully off script in this friends-to-lovers rom-com from Sarah Smith, author of Faker and Simmer Down Simon Rutler is the perfect man. Handsome, kind and smart—Simon is amazing. Naomi Ellorza-Hays might be fresh out of a bad relationship and determined to stay single, but Simon is testing her newfound relationship ban. Good thing they’re working together. Simon may be perfect, but he’s also off-limits. There’s just one small—well, big—problem. Simon works as a relationship therapist, specializing in helping men better support their partners. But Naomi can’t stop thinking about how she was first introduced to Simon…as the camguy she watched in college. Filming him for her new docuseries suddenly takes on a whole new meaning. Their relationship is…complicated. Determined to stay professional, Naomi refuses to give in to their sizzling chemistry—until she does, and even then, it’s strictly no strings attached. Until it’s not. And Naomi realizes that maybe things between her and Simon aren’t so complicated after all. I Heart SF Book 1: The Close-Up

One of the country's foremost nature photographers offers closeup techniques and covers exposure, equipment and composition along with special equipments and lenses.

Presents photographs of the Universe with close-ups of the planets, sun, and stars.

A unique view of the human body in stunning close-up.

A story about the ties that bind us, Close-Up explores what makes, drives, complicates, and undermines our most important relationships. In this artful, expansive novel, we follow five protagonists--Jacob, Martin, Caroline, Jeanie, and Jill--through love, marriage, parenthood, and the romance of friendship as they struggle to make sense of themselves and each other and of what makes for good art, good magic, and a good life. What follows is a story only Michelle Herman could write: one of missed connections and old grievances, of loneliness and longing, of rifts and reconciliations and redemption. Close-Up depicts the fraught entanglements of the relationships we're born into and those we choose--carefully or with abandon--with the precision and nuance that has characterized her work over the last thirty years.