Do you have a baldy clue as to who the bears and junglies are? Confused by the thought of some cheekywatter from your cargo? Fancy a day out at Fort Weetabix? Or would you rather settle down with some swedgers? After all, you don't want to be a stank dodger. Confused? You need this book. Michael Munro has won the eternal gratitude of Glaswegians for his efforts in popularising their city's dialect, universally known as the 'patter'. This book is the most extensive collection of this rich and expressive language ever made. Often hilarious, sometimes coarse (but never dull!), good knowledge of the patter is the key to understanding Glasgow and its inhabitants.

An essential resource for any designer, crafter, artist, or historian, The Complete Pattern Dictionary is the most comprehensive, practical, and beautiful directory of patterns throughout history, covering all periods, styles, and cultures. Throughout history, patterns have come in countless permutations of motif, color, and scale. From the first rhythmic marks pressed onto clay vessels, to the latest digital design, pattern-making has been an essential part of the decorative arts since time immemorial. With 1500 illustrations of patterns from all ages and cultures, The Complete Pattern Dictionary is not only a visual feast, it is the most comprehensive resource available on the subject. The book is arranged thematically according to pattern type, with chapters on Flora, Fauna, Pictorial, Geometric, and Abstract designs. Each pattern includes the name of the pattern, the year of its creation, and a brief description. The categories are supplemented by in-depth features highlighting the work of key designers including William Morris, Sonia Delaunay, Charles and Ray Eames, Lucienne Day, and Orla Kiely, as well as sections detailing the characteristic motifs of key period styles from Baroque to Art Deco.

Bestselling dictionary of Glaswegian speech, full of humorous examples.

DIVThis hardworking reference book is an invaluable tool for art directors, designers, and students working in the fashion, product, and graphic design fields, as well as anyone in the business of visual communication. The Pattern and Palette Sourcebook is a desktop library of colors and patterns that addresses the professional's real-world needs in working with harmonies and contrasts. Divided into six unique style sections, the book provides readers with 15 appropriate colors for each section, which are then incorporated into 25 different patterns shown in six or eight color variations each. This enables readers to see the dramatic effect colors have in design and helps them better understand how to use color effectively. The book also demonstrates ways of creating designs that are distinctly unique from one another yet hold together in a group. This book is a must have for designers of all disciplines and experience levels. /div

This is abook plus CD package, containing100 patterns (copyright-free) for use by all craftspeople. The patterns are divided into various categories: geometric, small-scale repeats, florals etc. and each comes with a note of its origins and three colourways, resulting in an invaluable resource for everything from textiles to stencilling, stained glass and websites. The CD is suitable for both CDs and Macs and a wide variety of software packages.

Forty of the Victorian master's most famous designs for wallpapers, chintzes, velveteens, tapestries, tiles, carpets, and more. Reproduced from original color plates of The Art of William Morris.

You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction. After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, "lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely." The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language. At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people. At the core of the books, too, is the point that in designing their environments people always rely on certain "languages," which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment. "Patterns," the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.

"Arranged by period and style, you can see at a glance patterns used from ancient to contemporary times. A handy pattern finder up front makes it easy to locate and cross-reference any motif or design in the book. Whether you have a long-standing interest in art and ornamentation or a newfound curiosity, you'll find 1000 Patterns an intriguing reference and fascinating history."--BOOK JACKET.

Master techniques for using pattern in wide range of design applications including architectural, textiles, print, more. Wealth of technical information. Over 270 design illustrations.

Examines the structural anatomy of patterns, shows how reflections, rotations, and translations create symmetrical patterns, and shows examples from textiles, pottery, mosaics, natural forms, and Escher prints