The third book by Whiting Writers’ Award-winning poet Douglas Kearney, author of The Black Automaton, a National Poetry Series selection.

The fashionable Finnish sewing duo are back with a second book that shows you how to create a coherent capsule wardrobe - complete with a collection of 20 garments that are easy to make, wear and combine. Complete with stunning photography, clear illustrations and instructions, Scandi sisters Laura and Saara offer up an enticing selection of tops, dresses, skirts, and trousers for the modern seamstress. Using the five essential building blocks, choose, customize and adapt the designs in this book to create a variety of flattering garments for every occasion that suit your style and fit your figure. Taking you beyond the patterns featured in this book, Building the Pattern offers expert advice on how to achieve the perfect fit, alter the designs and add your own personal twist. Discover how to create clothes with care, build your sewing repertoire and embrace the slow fashion movement. Six full-size pattern sheets are included in this neat package. The patterns are in a range of sizes from UK sizes 8 to 22 (US size 2 to 18 / 34 to 50 EUR sizes), with concise information on measuring yourself and technical sewing tips to sew for your shape.

Do you have a baldy clue as to who the bears and junglies are? Confused by the thought of some cheekywatter from your cargo? Fancy a day out at Fort Weetabix? Or would you rather settle down with some swedgers? After all, you don't want to be a stank dodger. Confused? You need this book. Michael Munro has won the eternal gratitude of Glaswegians for his efforts in popularising their city's dialect, universally known as the 'patter'. This book is the most extensive collection of this rich and expressive language ever made. Often hilarious, sometimes coarse (but never dull!), good knowledge of the patter is the key to understanding Glasgow and its inhabitants.

You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction. After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, "lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely." The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language. At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people. At the core of the books, too, is the point that in designing their environments people always rely on certain "languages," which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment. "Patterns," the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.

A dark, gripping fantasy that “has a lot to say about how relationships can become traps, and how monsters can be attractive and compelling” (NPR). Nola is born into poverty in Sarsenay City. When her mother realizes that Nola has the gift of Othersight and can foretell the future, she sells her to a brothel seer, who teaches the girl to harness her gift. As she grows up, she embraces her new life, and even finds a small circle of friends. But all too soon, her world is again turned upside down when one of them is murdered. When a handsome, young Otherseer from the castle promises to teach her, she eagerly embraces the prospects of luxury beyond what she can imagine—and safety from a killer who stalks girls by night. Little does she know that he will soon draw her into a web of murder, treachery, and obsessive desire that will threaten the people and land she holds dear, and that she will learn the harshest of lessons: that being able to predict the future has nothing to do with being able to prevent it. “Harrowing, but you won’t be able to put it down . . . the spell Caitlin Sweet casts will stay with you long after you’ve finished the book.” —NPR

Lu and her friends spot patterns in their daily activities, including patterns found in music, weather, time, play, shapes, nature, math, and language.

Illustrations and rhyming text describe various patterns depicted by different fish. Includes related activities.