The master of wit and irony Published here alongside their evocative original illustrations, these fairy tales, as Oscar Wilde himself explained, were written “partly for children, and partly for those who have kept the childlike faculties of wonder and joy.”

In this new edition, which contains all of Wilde's fairy tales, his rich prose is evoked beautifully with the sumptuous, intricate work of artist Isabelle Brent.

Oscar Wilde's two collections of children's literature, The Happy Prince and Other Stories (1888) and A House of Pomegranates (1891), have often been marginalised in critical accounts as their apparently conservative didacticism appears at odds with the characterisation of Wilde as an amoral aesthete. In this, the first full-length study of Wilde's fairy tales for children, Jarlath Killeen argues that Wilde's stories are neither uniformly conservative nor subversive, but a blend of both. Killeen contends that while they should be read in relation to a literary tradition of fairy tales that emerged in nineteenth century Europe; Irish issues heavily influenced the work. These issues were powerfully shaped by the 'folk Catholicism' Wilde encountered in the west of Ireland. By resituating the fairy tales in a complex nexus of theological, political, social, and national concerns, Killeen restores the tales to their proper place in the Wilde canon.

Oscar Wilde, playwright, poet, and man of letters, also wrote some of the most beautiful fairy tales of the Victorian era. This spectacular volume includes the complete tales, luminously illustrated with richly patterned borders accented in gold. Full-color illustrations.

This book offers an innovative revaluation of Oscar Wilde's two collections of fairy tales, The Happy Prince and Other Tales (1888) and A House of Pomegranates (1891). Providing a comprehensive account of Wilde's familiarity with Irish folklore, this study challenges the prevailing consensus that the stories draw heavily on such material. By emphasizing Wilde's own stated views on the subject - and so contesting the assumption that he simply shared the well-documented interests of his parents, Sir William Wilde and Lady Jane Wilde ('Speranza') - the book relocates the stories within a variety of literary, cultural, and narrative traditions, both Irish and European. Acknowledging Wilde's often ambivalent and ambiguous statements about his Irish national identity, Oscar Wilde's Fairy Tales: Origins and Contexts offers a more nuanced understanding of the importance of Ireland to Wilde's art. The detailed readings of the fairy tales show that, despite the stories' continuing appeal to children, Wilde intended his fairy tales for a predominantly adult audience. The book also demonstrates the ways in which, despite their eerie and disturbing content, these fairy tales reaffirmed conservative values. *** "This superb analysis...presents a new and persuasive reading of Wilde's fairy tales. .... Highly recommended." - Choice, April 2012 *** "Markey's text is relevant to cultural studies scholars and literary historians of the Victorian era because of the attention to Anglo-Irish and European literary contexts, history, and culture, and the intriguing interpretations of Oscar Wilde's literary fairy tales." - Victorian Studies, Vol. 55, No. 4, Summer 2013~

In a town where a lot of poor people suffer and where there are a lot of miseries, a swallow who was left behind after his flock flew off to Egypt for the winter, meets the statue of the late 'Happy Prince', who in reality has never experienced true sorrow, for he lived in a palace where sorrow isn't allowed to enter. Viewing various scenes of people suffering in poverty from his tall monument, the Happy Prince asks the swallow to take the ruby from his hilt, the sapphires from his eyes, and the golden leaf covering his body to give to the poor. As the winter comes and the Happy Prince is stripped of all of his beauty, his lead heart breaks when the swallow dies as a result of his selfless deeds and severe cold. The statue is then brought down from the pillar and melted in a furnace leaving behind the broken heart and the dead swallow and they are thrown in a dust heap. These are taken up to heaven by an angel that has deemed them the two most precious things in the city. This is affirmed by God and they live forever in his city of gold and garden of paradise.

The master of wit and irony Published here alongside their evocative original illustrations, these fairy tales, as Oscar Wilde himself explained, were written “partly for children, and partly for those who have kept the childlike faculties of wonder and joy.”

The Complete Fairy Tales of Oscar Wilde includes the two definitive story collections The Happy Prince and Other Tales (1888) and A House of Pomegranates (1891). This volume collects exquisite and poignant tales of true beauty, selfless love, generosity, loyalty, brilliant wit, and moral aestheticism, such as "The Birthday of the Infanta," "The Selfish Giant," The Nightingale and the Rose," and "The Happy Prince," among others. A true classic of wonder for all ages.

Oscar Wilde, best known for his acerbic, witty plays and urbane nonfiction, was also a master of the fairy tale. This volume brings together all of Wilde's tales from his two collections--"The Happy Prince" and "The House of Pomegranates"--and retains the evocative illustrations done for the original editions.

During his prolific career, Oscar Wilde also wrote several stories for children and fairy tales. In these stories Wilde really expressed his affection for aesthetic writing. His children's tales are assembled in his two short story collections: The Happy Prince and Other Tales: The Happy Prince The Nightingale and the Rose The Devoted Friend The Selfish Giant The Remarkable Rocket A House of Pomegranates: The Young King The Birthday of the Infanta The Fisherman and His Soul The Star-Child