Every adult paid a living wage. No strings attached. Universal basic income is a very old idea that is fast becoming the radical idea of the twenty-first century. It could eradicate poverty and avoid a much-predicted dystopian future of automation and high unemployment – but it could also have an unexpected effect: an explosion of mass creativity. Phil Teer draws insights from the creative and entrepreneurial effects of basic income experiments and weaves them into stories of how the Romantic poets invented consumerism; artists regenerated cities like New York, Glasgow and Berlin; and creative geniuses like David Bowie, Bob Dylan, Kurt Vonnegut, Haruki Murakami and many others liberated their creative spirits and transformed their lives. The Coming Age of Imagination is a creative manifesto for universal basic income. When we no longer have to worry about money, we have the opportunity to be creative on a mass scale. Simply put, basic income changes everything.

A New York Times bestseller The author of the beloved #1 New York Times bestseller Reading Lolita in Tehran returns with the next chapter of her life in books—a passionate and deeply moving hymn to America Ten years ago, Azar Nafisi electrified readers with her multimillion-copy bestseller Reading Lolita in Tehran, which told the story of how, against the backdrop of morality squads and executions, she taught The Great Gatsby and other classics of English and American literature to her eager students in Iran. In this electrifying follow-up, she argues that fiction is just as threatened—and just as invaluable—in America today. Blending memoir and polemic with close readings of her favorite novels, she describes the unexpected journey that led her to become an American citizen after first dreaming of America as a young girl in Tehran and coming to know the country through its fiction. She urges us to rediscover the America of The Wonderful Wizard of Oz and Adventures of Huckleberry Finn and challenges us to be truer to the words and spirit of the Founding Fathers, who understood that their democratic experiment would never thrive or survive unless they could foster a democratic imagination. Nafisi invites committed readers everywhere to join her as citizens of what she calls the Republic of Imagination, a country with no borders and few restrictions, where the only passport to entry is a free mind and a willingness to dream.

Over 1 million sold in series! The first of a three-book story arc about the American Revolution, The Redcoats Are Coming follows Patrick and Beth as they assist the revolutionaries by waking up the sleeping citizens of 1775 Concord before the Redcoats come. In this adventure, the cousins meet Paul Revere, Samuel Adams, and John Hancock. They help smuggle musket balls, sound the alarm that the Redcoats are coming, and deliver a secret message to Paul Revere. Along the way they learn that most of the revolutionaries leaned on God’s direction and even pastors helped in the cause. Christian parents and teachers will appreciate the historical facts as well as the biblical worldview training their kids and students will absorb. The kids will appreciate the excitement and tension of an America at war with England, and in some ways, with itself. A curriculum for Christian schools and homeschool families is available for download from Focus on the Family.

Lola and her friends want to play soccer. The boys don’t want them to. The girls are not only good players, they’re also strategic, and end up scoring for the team.

The gap between theoretical ideas and messy reality, as seen in Neal Stephenson, Adam Smith, and Star Trek. We depend on—we believe in—algorithms to help us get a ride, choose which book to buy, execute a mathematical proof. It's as if we think of code as a magic spell, an incantation to reveal what we need to know and even what we want. Humans have always believed that certain invocations—the marriage vow, the shaman's curse—do not merely describe the world but make it. Computation casts a cultural shadow that is shaped by this long tradition of magical thinking. In this book, Ed Finn considers how the algorithm—in practical terms, “a method for solving a problem”—has its roots not only in mathematical logic but also in cybernetics, philosophy, and magical thinking. Finn argues that the algorithm deploys concepts from the idealized space of computation in a messy reality, with unpredictable and sometimes fascinating results. Drawing on sources that range from Neal Stephenson's Snow Crash to Diderot's Encyclopédie, from Adam Smith to the Star Trek computer, Finn explores the gap between theoretical ideas and pragmatic instructions. He examines the development of intelligent assistants like Siri, the rise of algorithmic aesthetics at Netflix, Ian Bogost's satiric Facebook game Cow Clicker, and the revolutionary economics of Bitcoin. He describes Google's goal of anticipating our questions, Uber's cartoon maps and black box accounting, and what Facebook tells us about programmable value, among other things. If we want to understand the gap between abstraction and messy reality, Finn argues, we need to build a model of “algorithmic reading” and scholarship that attends to process, spearheading a new experimental humanities.

In Christian faith, the present is continuously re-shaped by ventures of hopeful and expectant living. In art, the poetic interplay between past, present and future takes specific concrete forms, furnishing vital resources for sustaining an imaginative ecology of hope.This volume attends to the contributions that architecture, drama, literature, music and painting can make, as artists trace patterns of promise, resisting the finality of modernity's despairing visions and generating hopeful living in a present which, although marked by sin and death, is grasped imaginatively as already pregnant with future.

"Russello examines Russell Kirk's development of the imagination as a tool of conservative discourse, offering an alternative genealogy for conservative thought that melds its antimodernism with postmodern themes"--Provided by publisher.

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