This is a representative collection of the writings of a neglected Canadian author, William Wilfred Campbell (1858-1918). Among the 112 poems in William Wilfred Campbell: Selected Poetry and Essays are the familiar “Indian Summer” and “How One Winter Came in the Lake Region,” along with many less well-known love poems, patriotic songs, and occasional poems. Some twenty manuscript pieces are published here for the first time. The notorious “Mermaid Inn” essay in which Campbell refers to the mythical nature of the cross is included, and so is the letter of self-justification that Campbell wrote—but never sent—to the editor of the Globe. Here, too, are speeches, essays published in The Week and the Ottawa Evening Journal, and significant sections from Campbells unfinished treatise on evolution, “The Tragedy of Man.” By the time Campbell died on New Year’s Day 1918, shifting values had begun to turn critical opinion against his work. Now William Wilfred Campbell: Selected Poetry and Essays will enable Canadians to appreciate Campbells art and to recognize his place in the development of Canadian thought.

Beyond the Hills of Dream is an artistic collection of Canadian poems by Wilfred Campbell, who was a Canadian poet influenced to a great extent by the Romantic movement. Hence, the work contains plenty of beautifully written poems about Nature, such as 'Morning' on the Shore,' 'In the Spring Fields,' 'An August Reverie,' 'Morning,' 'Glory of the Dying Day,' 'Dusk.' The collection also contains poems of Empire, such as 'Victoria,' 'O good gray Queen,' 'England,' 'Tis the name that the world repeats,' and 'The World-Mother', regarding Scotland, the poet's ancestral home. There are also some fantastic poems about biblical figures, Jacob and Lazarus. One verse that stands out is the powerful and lengthy poem called 'The Vengeance of Saki' concerning a woman wronged and replaced. This delightful collection of poetry contains an elevated style and diction and is full of themes of all sorts, making it one of the best sellers of its time.

Wilfred Campbell was one of Canada's most beloved poets, and this collection of his work showcases his unique voice and style. From haunting elegies to rousing patriotic hymns, Campbell's poetry will resonate with readers long after they turn the final page. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The renowned poet and author of The Handmaid's Tale "brings a swift, powerful energy" to this "intimate and immediate" poetry collection (Publishers Weekly). These beautifully crafted poems -- by turns dark, playful, intensely moving, tender, and intimate -- make up Margaret Atwood's most accomplished and versatile gathering to date, setting foot on the middle ground / between body and word. Some draw on history, some on myth, both classical and popular. Others, more personal, concern themselves with love, with the fragility of the natural world, and with death, especially in the elegiac series of meditations on the death of a parent. But they also inhabit a contemporary landscape haunted by images of the past. Generous, searing, compassionate, and disturbing, this poetry rises out of human experience to seek a level between luminous memory and the realities of the everyday, between the capacity to inflict and the strength to forgive.

In the twentieth century more people spoke English and more people wrote poetry than in the whole of previous history, and this Companion strives to make sense of this crowded poetical era. The original contributions by leading international scholars and practising poets were written as the contributors adjusted to the idea that the possibilities of twentieth-century poetry were exhausted and finite. However, the volume also looks forward to the poetry and readings that the new century will bring. The Companion embraces the extraordinary development of poetry over the century in twenty English-speaking countries; a century which began with a bipolar transatlantic connection in modernism and ended with the decentred heterogeneity of post-colonialism. Representation of the 'canonical' and the 'marginal' is therefore balanced, including the full integration of women poets and feminist approaches and the in-depth treatment of post-colonial poets from various national traditions. Discussion of context, intertextualities and formal approaches illustrates the increasing self-consciousness and self-reflexivity of the period, whilst a 'Readings' section offers new readings of key selected texts. The volume as a whole offers critical and contextual coverage of the full range of English-language poetry in the last century.